Wangheng Chen is a professor (second-level) at the Philosophy School of Wuhan University, a specially appointed professor at the Urban Design School of Wuhan University, a doctoral supervisor in aesthetics, the director of the Research and Planning Center for Landscape Culture at Wuhan University, a member of the China Writers Association, an outstanding expert enjoying special allowances from the State Council, the vice chairman of the International Advisory Committee of the International Society for Applied Aesthetics, and the vice chairman of the Asian Art Society. His main research areas and directions include aesthetic ontology, the history of Chinese aesthetics, and environmental aesthetics. He is a well-known scholar both domestically and internationally, acclaimed in academic circles as the "pioneer of Chinese boundary ontology aesthetics," the "trailblazer of Chinese environmental aesthetics," and the "leading figure in the study of Chinese classical aesthetics."

• The Aesthetic Consciousness Reflected in Prehistoric Stone Tools.- Aesthetic Consciousness Reflected in Prehistoric Pottery (I).Prehistoric Aesthetic Consciousness Reflected in Pottery (II).- Prehistoric Aesthetic Consciousness Reflected in Pottery (III).-  Aesthetic Consciousness Reflected in Prehistoric Jadeware (I).- Prehistoric Aesthetic Consciousness Reflected in Jadeware (II).- Prehistoric Aesthetic Consciousness Reflected in Arts.- Prehistoric Religions and Primitive Aesthetics.- Exemplification of Prehistoric Aesthetic Consciousness.- Prehistoric Aesthetics and Chinese Civilization.

Wangheng Chen is a professor (second-level) at the Philosophy School of Wuhan University, a specially appointed professor at the Urban Design School of Wuhan University, a doctoral supervisor in aesthetics, the director of the Research and Planning Center for Landscape Culture at Wuhan University, a member of the China Writers Association, an outstanding expert enjoying special allowances from the State Council, the vice chairman of the International Advisory Committee of the International Society for Applied Aesthetics, and the vice chairman of the Asian Art Society. His main research areas and directions include aesthetic ontology, the history of Chinese aesthetics, and environmental aesthetics. He is a well-known scholar both domestically and internationally, acclaimed in academic circles as the "pioneer of Chinese boundary ontology aesthetics," the "trailblazer of Chinese environmental aesthetics," and the "leading figure in the study of Chinese classical aesthetics."

• The Aesthetic Consciousness Reflected in Prehistoric Stone Tools.- Aesthetic Consciousness Reflected in Prehistoric Pottery (I).Prehistoric Aesthetic Consciousness Reflected in Pottery (II).- Prehistoric Aesthetic Consciousness Reflected in Pottery (III).-  Aesthetic Consciousness Reflected in Prehistoric Jadeware (I).- Prehistoric Aesthetic Consciousness Reflected in Jadeware (II).- Prehistoric Aesthetic Consciousness Reflected in Arts.- Prehistoric Religions and Primitive Aesthetics.- Exemplification of Prehistoric Aesthetic Consciousness.- Prehistoric Aesthetics and Chinese Civilization.

Wangheng Chen is a professor (second-level) at the Philosophy School of Wuhan University, a specially appointed professor at the Urban Design School of Wuhan University, a doctoral supervisor in aesthetics, the director of the Research and Planning Center for Landscape Culture at Wuhan University, a member of the China Writers Association, an outstanding expert enjoying special allowances from the State Council, the vice chairman of the International Advisory Committee of the International Society for Applied Aesthetics, and the vice chairman of the Asian Art Society. His main research areas and directions include aesthetic ontology, the history of Chinese aesthetics, and environmental aesthetics. He is a well-known scholar both domestically and internationally, acclaimed in academic circles as the "pioneer of Chinese boundary ontology aesthetics," the "trailblazer of Chinese environmental aesthetics," and the "leading figure in the study of Chinese classical aesthetics."

• The Aesthetic Consciousness Reflected in Prehistoric Stone Tools.- Aesthetic Consciousness Reflected in Prehistoric Pottery (I).Prehistoric Aesthetic Consciousness Reflected in Pottery (II).- Prehistoric Aesthetic Consciousness Reflected in Pottery (III).-  Aesthetic Consciousness Reflected in Prehistoric Jadeware (I).- Prehistoric Aesthetic Consciousness Reflected in Jadeware (II).- Prehistoric Aesthetic Consciousness Reflected in Arts.- Prehistoric Religions and Primitive Aesthetics.- Exemplification of Prehistoric Aesthetic Consciousness.- Prehistoric Aesthetics and Chinese Civilization.