Andrew McCann is the Henry Winkley Professor of English Language and Literature at Dartmouth College.

"The Frankfurt School famously abhorred Jünger's reactionary politics and fascination with war. Andrew McCann uncovers the shared concerns about the modern world that preoccupied both sides in this highly original and theoretically sophisticated study of unlikely ideological affinities." —Mikko Immanen, University of Helsinki

• AbbreviationsPrefaceIntroduction. Fascism, Transience and the Posthistorical TurnChapter One. Natural History and the Decay of SystemsChapter Two. The Medium of War and the Gestalt of the WorkerChapter Three. Stereoscopic Vision and the Topography of the Non-ContemporaneousChapter Four. Posthistory, Aesthetic Negativity, and the Great PassageConclusion. Reactionary Metapolitics and the Will to FormNotesBibliographyIndex

Andrew McCann is the Henry Winkley Professor of English Language and Literature at Dartmouth College.

"The Frankfurt School famously abhorred Jünger's reactionary politics and fascination with war. Andrew McCann uncovers the shared concerns about the modern world that preoccupied both sides in this highly original and theoretically sophisticated study of unlikely ideological affinities." —Mikko Immanen, University of Helsinki

• AbbreviationsPrefaceIntroduction. Fascism, Transience and the Posthistorical TurnChapter One. Natural History and the Decay of SystemsChapter Two. The Medium of War and the Gestalt of the WorkerChapter Three. Stereoscopic Vision and the Topography of the Non-ContemporaneousChapter Four. Posthistory, Aesthetic Negativity, and the Great PassageConclusion. Reactionary Metapolitics and the Will to FormNotesBibliographyIndex

Andrew McCann is the Henry Winkley Professor of English Language and Literature at Dartmouth College.

"The Frankfurt School famously abhorred Jünger's reactionary politics and fascination with war. Andrew McCann uncovers the shared concerns about the modern world that preoccupied both sides in this highly original and theoretically sophisticated study of unlikely ideological affinities." —Mikko Immanen, University of Helsinki

• AbbreviationsPrefaceIntroduction. Fascism, Transience and the Posthistorical TurnChapter One. Natural History and the Decay of SystemsChapter Two. The Medium of War and the Gestalt of the WorkerChapter Three. Stereoscopic Vision and the Topography of the Non-ContemporaneousChapter Four. Posthistory, Aesthetic Negativity, and the Great PassageConclusion. Reactionary Metapolitics and the Will to FormNotesBibliographyIndex