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A highly illustrated account of the Ia Drang campaign of 1965, a key event in the Vietnam War, which was immortalized in the film We Were Soldiers Once… and Young.The Pleiku campaign of October–November 1965 was a major event in the Vietnam War, and it is usually regarded as the first substantial battle between the US Army and the People’s Army of Vietnam. The brigade-sized actions involving elements of the US 1st Cavalry Division at Landing Zones X-Ray and Albany in the valley of the river Drang have become iconic episodes in the military history of the United States.In 1965, in an effort to stem the Communist tide, the Americans began to commit substantial conventional ground forces to the war in Vietnam. Amongst these was the 1st Cavalry Division (Airmobile), a new type of formation equipped with a large fleet of helicopters. On 19 October, North Vietnamese forces besieged a Special Forces camp at Plei Me, and after the base was relieved days later, the commander of the 1st Cavalry Division, General Harry Kinnard, advocated using his troops to pursue the retreating Communist forces. A substantial North Vietnamese concentration was discovered, but rather than the badly battered troops the US expected, these were relatively fresh troops that had recently arrived in the Central Highlands. On the morning of 14 November 1965, 1st Battalion, 7th Cavalry, commanded by Lt. Col. Hal Moore, landed at LZ X-Ray to start the first major set-piece battle of the Vietnam War.This title explores the events of the campaign that followed, using detailed maps, specially-commissioned bird’s-eye views, and full-colour battlescenes to bring the narrative to life.

Originally published in 1950. Hans Gatzke analyzes Germany's ambitions to expand westward during World War I. Germany's wartime plans for expansion to the west had important repercussions at home and abroad. Gatzke proceeds chronologically, starting with the German political parties' outlining of their war aims. Gatzke claims that a combination of interests, including those of industrialists, pan-Germans, the parties of the Right, and the Supreme Command was responsible for the stubborn propagation of Germany's large war aims, which condemned the German people to remain at war until the bitter end. Each of these forces had its own particular reasons for wanting to hold out for far-reaching territorial gains, yet one aim that most of them had in common was ensuring, through a successful peace settlement, the continuation of the existing order, to their own advantage and to the political and economic detriment of the majority of the German people.

Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.Sturm und Drang refers to a set of values and a style of writing that arose in Germany in the second half of the eighteenth century, a particularly intense kind of pre-Romanticism that has often been represented as marking the beginning of an independent modern German culture. The circle of writers around the young Goethe, including Herder, Lenz, Klinger, and later Schiller, felt frustrated by the Enlightenment world of reason, balance, and control, and turned instead to nature as the source of authentic experience. Inspired by Rousseau and Herder, by Shakespeare, and by folk culture, they rebelled against propriety and experimented with new literary forms, their creative energy bursting through conventions that seemed staid and artificial. The Sturm und Drang has often been cited by those attempting to legitimate nationalism and irrationalism, but scholars have more recently emphasized the diversity of the movement and the links between it and the Enlightenment. This volume of essays by leading scholars from the UK, the US, and Germany illuminates the guiding ideas of the movement, discussing its most important authors, texts, and ideas, and taking account of the variety and complexity of the movement, placing it more securely within late-eighteenth-century European history. The main focus is on literature, and in particular on the drama, which was of special importance to the Sturm und Drang. However, the essays also outline the social conditions that gave rise to the movement, and consideration is given to different currents of ideas that underlie the movement, including areas of thought and bodies of work that traditional approaches have tended to marginalize. Contributors: Bruce Duncan, Howard Gaskill, Wulf Koepke, Susanne Kord, Frank Lamport, Alan Leidner, Matthias Luserke, Michael Patterson, Gerhard Sauder, Margaret Stoljar, Daniel Wilson, Karin Wurst.David Hill is a Senior Lecturer in the Department of German Studies at the University of Birmingham, UK.