Adom Getachew – författare

An expansive look at more than a century of Pan-Africanist art and the ways it embodies the movement’s principles and global ambitions  Since the term Pan-Africanism was coined around 1900, the movement’s promise has been to foster liberation and solidarity for Black peoples worldwide. Focusing on its cultural expression, this book presents a rich selection of the visual, sonic, and other creative forms that have emerged throughout Pan-Africanism’s evolution. Among the nearly two hundred artists represented from across the continent and the African diaspora are Beauford Delaney, Ibrahim El-Salahi, Hoyt William Fuller, Wifredo Lam, Simone Leigh, Ernest Mancoba, Zanele Muholi, Kawira Mwirichia, Cauleen Smith, Alma Thomas, and George Albert Yon.  Reflecting Pan-Africanism’s ideals of diversity and dialogue as well as its aspirations to egalitarianism, essays from more than a dozen scholars, artists, and practitioners speak to a range of themes and places, while discussing works in all media made or circulated outside the infrastructure of fine art, including LP albums, illustrated magazines, and manifestos.  Distributed for The Art Institute of Chicago  Exhibition Schedule:  The Art Institute of Chicago(December 15, 2024–March 30, 2025)  MACBA Museu d’Art Contemporani, Barcelona(November 6, 2025–April 6, 2026)Barbican Centre, London(June 10–September 6, 2026)  KANAL–Centre Pompidou, Brussels(Fall 2026–Winter 2027)

Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world.Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order.Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.

Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world.Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order.Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.

W. E. B. Du Bois was one of the most significant American political thinkers of the twentieth century. This volume collects 24 of his essays and speeches on international themes, spanning the years 1900-1956. These key texts reveal Du Bois's distinctive approach to the problem of empire and demonstrate his continued importance in our current global context. The volume charts the development of Du Bois's anti-imperial thought, drawing attention to his persistent concern with the relationship between democracy and empire and illustrating the divergent inflections of this theme in the context of a shifting geopolitical terrain; unprecedented political crises, especially during the two world wars; and new opportunities for transnational solidarity. With a critical introduction and extensive editorial notes, W.E.B. Du Bois: International Thought conveys both the coherence and continuity of Du Bois's international thought across his long life and the tremendous range and variety of his preoccupations, intellectual sources, and interlocutors.

W. E. B. Du Bois was one of the most significant American political thinkers of the twentieth century. This volume collects 24 of his essays and speeches on international themes, spanning the years 1900-1956. These key texts reveal Du Bois's distinctive approach to the problem of empire and demonstrate his continued importance in our current global context. The volume charts the development of Du Bois's anti-imperial thought, drawing attention to his persistent concern with the relationship between democracy and empire and illustrating the divergent inflections of this theme in the context of a shifting geopolitical terrain; unprecedented political crises, especially during the two world wars; and new opportunities for transnational solidarity. With a critical introduction and extensive editorial notes, W.E.B. Du Bois: International Thought conveys both the coherence and continuity of Du Bois's international thought across his long life and the tremendous range and variety of his preoccupations, intellectual sources, and interlocutors.