Adrian Johnston – författare

Adrian Johnston’s transcendental materialism offers a new theoretical approach to the issues of science vs religion and mind vs body. Arming himself with resources provided by German idealism, Marxism, psychoanalysis, the life sciences and contemporary philosophical developments, Johnston formulates an account of subjectivity that, although being both materialist and naturalist, does full justice to human beings as irreducible to natural matter alone. At the same time he argues against relapses into idealisms, dualisms and spiritualisms. 'Adventures in Transcendental Materialism' elaborates Johnston’s position through critical engagements with some of today’s most important thinkers including Slavoj Zizek, Alain Badiou, Catherine Malabou, Jean-Claude Milner, Martin Hagglund, William Connolly and Jane Bennett.

Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines-European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience-Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions.Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science.

Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines-European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience-Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions.Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science.

In 2012, philosopher and public intellectual Slavoj Žižek published what arguably is his magnum opus, the one-thousand-page tome Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A sizable sequel appeared in 2014, Absolute Recoil: Towards a New Foundation of Dialectical Materialism. In these two books, Žižek returns to the German idealist G. W. F. Hegel in order to forge a new materialism for the twenty-first century. Žižek’s reinvention of Hegelian dialectics explores perennial and contemporary concerns: humanity’s relations with nature, the place of human freedom, the limits of rationality, the roles of spirituality and religion, and the prospects for radical sociopolitical change.In A New German Idealism, Adrian Johnston offers a first-of-its-kind sustained critical response to Less Than Nothing and Absolute Recoil. Johnston, a leading authority on and interlocutor of Žižek, assesses the recent return to Hegel against the backdrop of Kantian and post-Kantian German idealism. He also presents alternate reconstructions of Hegel’s positions that differ in important respects from Žižek’s version of dialectical materialism. In particular, Johnston criticizes Žižek’s deviations from the secular naturalism and Enlightenment optimism of his chosen sources of inspiration: not only Hegel, but Karl Marx and Sigmund Freud too. In response, Johnston develops what he calls transcendental materialism, an antireductive and leftist materialism capable of preserving and advancing the core legacies of the Hegelian, Marxian, and Freudian traditions central to Žižek.

In 2012, philosopher and public intellectual Slavoj Žižek published what arguably is his magnum opus, the one-thousand-page tome Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A sizable sequel appeared in 2014, Absolute Recoil: Towards a New Foundation of Dialectical Materialism. In these two books, Žižek returns to the German idealist G. W. F. Hegel in order to forge a new materialism for the twenty-first century. Žižek’s reinvention of Hegelian dialectics explores perennial and contemporary concerns: humanity’s relations with nature, the place of human freedom, the limits of rationality, the roles of spirituality and religion, and the prospects for radical sociopolitical change.In A New German Idealism, Adrian Johnston offers a first-of-its-kind sustained critical response to Less Than Nothing and Absolute Recoil. Johnston, a leading authority on and interlocutor of Žižek, assesses the recent return to Hegel against the backdrop of Kantian and post-Kantian German idealism. He also presents alternate reconstructions of Hegel’s positions that differ in important respects from Žižek’s version of dialectical materialism. In particular, Johnston criticizes Žižek’s deviations from the secular naturalism and Enlightenment optimism of his chosen sources of inspiration: not only Hegel, but Karl Marx and Sigmund Freud too. In response, Johnston develops what he calls transcendental materialism, an antireductive and leftist materialism capable of preserving and advancing the core legacies of the Hegelian, Marxian, and Freudian traditions central to Žižek.

Winner, 2025 Symposium Book Award, Canadian Society for Continental PhilosophySelfishness is essential to capitalism—or so both advocates and opponents claim. In Infinite Greed, Adrian Johnston argues that this consensus is mistaken. Through a novel synthesis of Marxism and psychoanalysis, he reveals how the relentless pursuit of profits is not fundamentally animated by human acquisitiveness. Instead, capitalism’s strange “infinite greed” demands that individuals sacrifice their pleasures, their well-being, and even themselves to serve inhuman capital.Johnston traces the mechanisms that compel capitalist subjects to obey the cold imperative to accumulate in perpetuity and without limits—and also without regard for the consequences for everyone and everything else. Facing crises such as spiraling wealth inequality and the profit-driven prospect of a looming ecological apocalypse, the rational self-interest of the majority would seem to dictate putting a stop to capitalist accumulation. By bringing together the Marxian critique of political economy with psychoanalytic metapsychology, Johnston shows why and how capitalism, rather than being responsive to people’s rationally selfish interests, disregards and overrides them instead.Unlike previous syntheses of Marxism and psychoanalysis, Infinite Greed pairs Freudian and Lacanian concepts with the economic heart of Marx’s historical materialism. In so doing, Johnston brings to light the complex intertwining of political and libidinal economies keeping us invested and complicit in perpetuating capitalism and its ills.

Winner, 2025 Symposium Book Award, Canadian Society for Continental PhilosophySelfishness is essential to capitalism—or so both advocates and opponents claim. In Infinite Greed, Adrian Johnston argues that this consensus is mistaken. Through a novel synthesis of Marxism and psychoanalysis, he reveals how the relentless pursuit of profits is not fundamentally animated by human acquisitiveness. Instead, capitalism’s strange “infinite greed” demands that individuals sacrifice their pleasures, their well-being, and even themselves to serve inhuman capital.Johnston traces the mechanisms that compel capitalist subjects to obey the cold imperative to accumulate in perpetuity and without limits—and also without regard for the consequences for everyone and everything else. Facing crises such as spiraling wealth inequality and the profit-driven prospect of a looming ecological apocalypse, the rational self-interest of the majority would seem to dictate putting a stop to capitalist accumulation. By bringing together the Marxian critique of political economy with psychoanalytic metapsychology, Johnston shows why and how capitalism, rather than being responsive to people’s rationally selfish interests, disregards and overrides them instead.Unlike previous syntheses of Marxism and psychoanalysis, Infinite Greed pairs Freudian and Lacanian concepts with the economic heart of Marx’s historical materialism. In so doing, Johnston brings to light the complex intertwining of political and libidinal economies keeping us invested and complicit in perpetuating capitalism and its ills.

Elaborating the fundamental concept of Trieb, or drive, Freud outlines two basic types of conflict that at once disturb and organize mental life; the conflict between drives and reality; and the conflict between the drives themselves (as in amorous Eros against the aggressive death drive). In Time Driven, Adrian Johnston identifies a third distinct type of conflict overlooked by Freud; the conflict embedded within each and every drive. By bringing this critical type of conflict to light and explaining its sobering consequences for an understanding of the psyche, Johnston's book makes an essential theoretical contribution to Continental philosophy. is work offers a philosophical interpretation and reassessment of psychoanalysis that places it in relationship to the larger stream of ideas forming our world and, at the same time, clarifies its original contribution to our understanding of the human situation. Johnston draws on Jacques Lacan's oeuvre in conjunction with certain philosophical resources - elements from transcendental philosophy, structuralism, and phenomenology - to rectify the inconsistencies within the Freudian metapsychological model of drive. In doing so, he helps to answer a question haunting Freud at the end of his career: Why is humanity plagued by a perpetual margin of discontent, despite technological and cultural progress? In Time Driven, Johnston is able to make sense of Freud's metapsychology both as a whole and in its historical development of Lacan's reinterpretation of Freud, and of the place of both Freud and Lacan in modern philosophy.

Slavoj Zizek is one of the most interesting and important philosophers working today, known chiefly for his theoretical explorations of popular culture and contemporary politics. This book focuses on the generally neglected and often overshadowed philosophical core of Zizek's work - an essential component in any true appreciation of this unique thinker's accomplishment.His central concern, Zizek has proclaimed, is to use psychoanalysis (especially the teachings of Jacques Lacan) to redeploy the insights of late-modern German philosophy, in particular, the thought of Kant, Schelling, and Hegel. By taking this avowal seriously, Adrian Johnston finally clarifies the philosophical project underlying Zizek's efforts. His book charts the interlinked ontology and theory of subjectivity constructed by Zizek at the intersection of German idealism and Lacanian theory. Johnston also uses Zizek's combination of philosophy and psychoanalysis to address two perennial philosophical problems: the relationship of mind and body, and the nature of human freedom.By bringing together the past two centuries of European philosophy, psychoanalytic metapsychology, and cutting-edge work in the natural sciences, Johnston develops a transcendental materialist theory of subjectivity - in short, an account of how more-than-material forms of subjectivity can emerge from a corporeal being. His work shows how an engagement with Zizek's philosophy can produce compelling answers to today's most vexing and urgent questions as inherited from the history of ideas.

Alain Badiou and Slavoj Žižek together have emerged as two of Europe's most significant living philosophers. In a shared spirit of resistance to global capitalism, both are committed to bringing philosophical reflection to bear upon present-day political circumstances. These thinkers are especially interested in asking what consequences the supposed twentieth-century demise of communism entails for leftist political theory in the early twenty-first century. Badiou, Žižek, and Political Transformations examines Badiouian and Žižekian depictions of change, particularly as deployed at the intersection of philosophy and politics. The book details the origins of Badiou's concept of the event and Žižek's concept of the act as related theoretical visions of revolutionary happenings, delineating a number of difficulties arising from these similar concepts. Johnston finds that Badiou and Žižek tend to favor models of transformation that risk discouraging in advance precisely the efforts at changing the world of today that these uncompromising leftists so ardently desire. Badiou, Zizek, and Political Transformations will surely join Johnston's Zizek's Ontology as an instant classic in its field.

Adrian Johnston’s Prolegomena to Any Future Materialism, planned for three volumes, will lay the foundations for a new materialist theoretical apparatus, his “transcendental materialism.” In this first volume, Johnston clears an opening within contemporary philosophy and theory for his unique position. He engages closely with Lacan, Badiou, and Meillassoux, demonstrating how each of these philosophers can be seen as failing to forge an authentically atheistic materialism. Johnston builds a new materialism both profoundly influenced by these brilliant comrades of a shared cause as well as making up for the shortcomings of their own creative attempts to bring to realization the Lacanian vision of an Other-less, One-less ontology. The Outcome of Contemporary French Philosophy yields intellectual weapons suitable for deployment on multiple fronts simultaneously, effective against the mutually entangled spiritualist and scientistic foes of our post-Enlightenment, biopolitical era of nothing more than commodities and currencies.

Recent philosophical reexaminations of sacred texts have focused almost exclusively on the Christian New Testament, and Paul in particular. The Book of Job and the Immanent Genesis of Transcendence revives the enduring philosophical relevance and political urgency of the book of Job and thus contributes to the recent ""turn toward religion"" among philosophers such as Slavoj Žižek and Alain Badiou. Job is often understood to be a trite folktale about human limitation in the face of confounding and absolute transcendence; on the contrary, Hankins demonstrates that Job is a drama about the struggle to create a just and viable life in a material world that is ontologically incomplete and consequently open to radical, unpredictable transformation. Job's abiding legacy for any future materialist theology becomes clear as Hankins analyzes Job's dramatizations of a transcendence that is not externally opposed to but that emerges from an ontologically incomplete material world.

Adrian Johnston’s trilogy Prolegomena to Any Future Materialism aims to forge a thoroughly materialist yet antireductive theory of subjectivity. In this second volume, A Weak Nature Alone, Johnston focuses on the philosophy of nature required for such a theory. This volume is guided by a fundamental question: How must nature be rethought so that human minds and freedom do not appear to be either impossible or inexplicable within it? Asked differently: How must the natural world itself be structured such that sapient subjects in all their distinctive peculiarities emerged from and continue to exist within this world?In A Weak Nature Alone, Johnston develops his transcendental materialist account of nature through engaging with and weaving together five main sources of inspiration: Hegelian philosophy, Marxist materialism, Freudian-Lacanian metapsychology, Anglo-American analytic neo-Hegelianism, and evolutionary theory and neurobiology. Johnston argues that these seemingly (but not really) strange bedfellows should be brought together so as to construct a contemporary ontology of nature. Through this ontology, nonnatural human subjects can be seen to arise in an immanent, bottom-up fashion from nature itself.

Adrian Johnston’s trilogy Prolegomena to Any Future Materialism aims to forge a thoroughly materialist yet antireductive theory of subjectivity. In this second volume, A Weak Nature Alone, Johnston focuses on the philosophy of nature required for such a theory. This volume is guided by a fundamental question: How must nature be rethought so that human minds and freedom do not appear to be either impossible or inexplicable within it? Asked differently: How must the natural world itself be structured such that sapient subjects in all their distinctive peculiarities emerged from and continue to exist within this world?In A Weak Nature Alone, Johnston develops his transcendental materialist account of nature through engaging with and weaving together five main sources of inspiration: Hegelian philosophy, Marxist materialism, Freudian-Lacanian metapsychology, Anglo-American analytic neo-Hegelianism, and evolutionary theory and neurobiology. Johnston argues that these seemingly (but not really) strange bedfellows should be brought together so as to construct a contemporary ontology of nature. Through this ontology, nonnatural human subjects can be seen to arise in an immanent, bottom-up fashion from nature itself.

The undead are neither alive nor dead. They are animate yet non-living. In God Is Undead, Lorenzo Chiesa and Adrian Johnston contend that true unbelief today sees the divine precisely as exemplifying such undeath.In God Is Undead, Chiesa and Johnston delve into and deepen the insights of both Freudian and Lacanian psychoanalysis as regards unbelief. This analytic perspective reveals that modern atheisms appealing to a scientific worldview as an antidote to orthodox religious faith end up as heterodox theisms of Nature, Reason, Knowledge, or even the Market itself. They ironically place new gods of their own atop the graves of the traditional gods of old. They likewise forget the religious influences underlying modern science.One of the most important and novel contributions of God Is Undead is its gesture of dignifying unbelief as something that is able to contain multitudes. Far from a unified, homogeneous, and flatly bleak position, irreligiosity can come in many forms whose convergences and divergences contain possibilities for creatively thinking and living differently. This book shows such variegated non-belief in action. We have two unbelievers vigorously disagreeing with each other about fundamental ontological matters, thereby bringing to light critical questions going to the very heart of any unbelief whatsoever: Can an atheism, as thoroughly atheistic, ever believe in or be certain of itself? What is the role of agnosticism, and specifically of an agnosticism strengthening (rather than contrasting with) atheism, in all this? How might different unbelievers become what Freud calls “comrades in unbelief” without erecting new gods in the process?

The undead are neither alive nor dead. They are animate yet non-living. In God Is Undead, Lorenzo Chiesa and Adrian Johnston contend that true unbelief today sees the divine precisely as exemplifying such undeath.In God Is Undead, Chiesa and Johnston delve into and deepen the insights of both Freudian and Lacanian psychoanalysis as regards unbelief. This analytic perspective reveals that modern atheisms appealing to a scientific worldview as an antidote to orthodox religious faith end up as heterodox theisms of Nature, Reason, Knowledge, or even the Market itself. They ironically place new gods of their own atop the graves of the traditional gods of old. They likewise forget the religious influences underlying modern science.One of the most important and novel contributions of God Is Undead is its gesture of dignifying unbelief as something that is able to contain multitudes. Far from a unified, homogeneous, and flatly bleak position, irreligiosity can come in many forms whose convergences and divergences contain possibilities for creatively thinking and living differently. This book shows such variegated non-belief in action. We have two unbelievers vigorously disagreeing with each other about fundamental ontological matters, thereby bringing to light critical questions going to the very heart of any unbelief whatsoever: Can an atheism, as thoroughly atheistic, ever believe in or be certain of itself? What is the role of agnosticism, and specifically of an agnosticism strengthening (rather than contrasting with) atheism, in all this? How might different unbelievers become what Freud calls “comrades in unbelief” without erecting new gods in the process?

The undead are neither alive nor dead. They are animate yet non-living. In God Is Undead, Lorenzo Chiesa and Adrian Johnston contend that true unbelief today sees the divine precisely as exemplifying such undeath. In God Is Undead, Chiesa and Johnston delve into and deepen the insights of both Freudian and Lacanian psychoanalysis as regards unbelief. This analytic perspective reveals that modern atheisms appealing to a scientific worldview as an antidote to orthodox religious faith end up as heterodox theisms of Nature, Reason, Knowledge, or even the Market itself. They ironically place new gods of their own atop the graves of the traditional gods of old. They likewise forget the religious influences underlying modern science. One of the most important and novel contributions of God Is Undead is its gesture of dignifying unbelief as something that is able to contain multitudes. Far from a unified, homogeneous, and flatly bleak position, irreligiosity can come in many forms whose convergences and divergences contain possibilities for creatively thinking and living differently. This book shows such variegated non-belief in action. We have two unbelievers vigorously disagreeing with each other about fundamental ontological matters, thereby bringing to light critical questions going to the very heart of any unbelief whatsoever: Can an atheism, as thoroughly atheistic, ever believe in or be certain of itself? What is the role of agnosticism, and specifically of an agnosticism strengthening (rather than contrasting with) atheism, in all this? How might different unbelievers become what Freud calls “comrades in unbelief” without erecting new gods in the process?

The undead are neither alive nor dead. They are animate yet non-living. In God Is Undead, Lorenzo Chiesa and Adrian Johnston contend that true unbelief today sees the divine precisely as exemplifying such undeath. In God Is Undead, Chiesa and Johnston delve into and deepen the insights of both Freudian and Lacanian psychoanalysis as regards unbelief. This analytic perspective reveals that modern atheisms appealing to a scientific worldview as an antidote to orthodox religious faith end up as heterodox theisms of Nature, Reason, Knowledge, or even the Market itself. They ironically place new gods of their own atop the graves of the traditional gods of old. They likewise forget the religious influences underlying modern science. One of the most important and novel contributions of God Is Undead is its gesture of dignifying unbelief as something that is able to contain multitudes. Far from a unified, homogeneous, and flatly bleak position, irreligiosity can come in many forms whose convergences and divergences contain possibilities for creatively thinking and living differently. This book shows such variegated non-belief in action. We have two unbelievers vigorously disagreeing with each other about fundamental ontological matters, thereby bringing to light critical questions going to the very heart of any unbelief whatsoever: Can an atheism, as thoroughly atheistic, ever believe in or be certain of itself? What is the role of agnosticism, and specifically of an agnosticism strengthening (rather than contrasting with) atheism, in all this? How might different unbelievers become what Freud calls “comrades in unbelief” without erecting new gods in the process?

When it comes to the question of objectivity in current philosophical debates, there is a growing prominence of two opposite approaches: nominalism and realism. By absolutising intersubjectivity, the nominalist approach is moving towards the abandonment of the very notion of truth and objective reality. For its part, the realist approach insists on the category of the object-in-itself as irreducible to any kind of subjective mediation. Despite their seeming mutual exclusiveness, both approaches share a fundamental presupposition, namely, that of a neat separation between the spheres of subjectivity and objectivity as well as between fiction and truth. This collection offers a rethinking of the relationship between objectivity and fiction through engaging with a series of 'objective fictions', including such topics as fetishes, semblances, lies, rumours, sophistry, fantasies and conspiracy theories. It does so through engagement with modern and contemporary philosophical traditions and psychoanalytic theory, with all of these orientations being irreducible to either nominalist or realist approaches.

Rethinks objectivity and fiction in contemporary philosophy, psychoanalysis and Marxism beyond the realism nominalism divideRethinks the concept of objectivity through its relation to fiction beyond their mere oppositionConceptualises 'objective fictions'Highlights a shared background underpinning realist and nominalist approaches to the relation between subjectivity and objectivityRevitalises modern/contemporary philosophical currents, psychoanalytic theory and the Marxist critique of political economy beyond the realism-nominalism divideIncludes contributions from a mix of renowned thinkers and from the new generation, including Slavoj i ek, Mladen Dolar, Frank Ruda and Samo Tom i?Relying on contemporary continental philosophy, psychoanalytic theory and the Marxist tradition, this volume moves beyond the deadlock between nominalism and realism. It rethinks the relationship between objectivity and fiction through engaging with a series of 'objective fictions', including fetishes, semblances, lies, rumours, sophistry, fantasies, and conspiracy theories, among other phenomena. What all these phenomena exhibit are paradoxical entanglements of subjectivity with objectivity and of fiction with truth.When it comes to questions of objectivity in current philosophical debates and public discourse, we are witnessing the re-emergence and growing importance of two classical, opposed approaches: nominalism and (metaphysical) realism. Today's nominalist stances, by absolutizing intersubjectivity, are moving towards the abandonment of the very notion of truth and objective reality. By contrast, today's realist positions, including those bound up with scientific discourse, insist on the category of the object-in-itself as irreducible to any kind of subjective mediation. However, despite their seeming mutual exclusivity, both approaches share fundamental presuppositions, namely, those of neat separations between the spheres of subjectivity and objectivity as well as between the realms of fiction and truth.

This collection rethinks the relationship between objectivity and fiction through a series of ‘objective fictions’, such as fetishes, semblances, lies, rumours, sophistry, fantasies and conspiracy theories. It engages with modern and contemporary philosophical traditions and psychoanalytic theory, with all of these orientations being irreducible to either nominalist or realist approaches. The contributors are a mix of renowned thinkers and thinkers from the new generation, including Slavoj Žižek, Mladen Dolar, Frank Ruda and Samo Tomšič.

This collection rethinks the relationship between objectivity and fiction through a series of ‘objective fictions’, such as fetishes, semblances, lies, rumours, sophistry, fantasies and conspiracy theories. It engages with modern and contemporary philosophical traditions and psychoanalytic theory, with all of these orientations being irreducible to either nominalist or realist approaches. The contributors are a mix of renowned thinkers and thinkers from the new generation, including Slavoj Žižek, Mladen Dolar, Frank Ruda and Samo Tomšič.

This book offers readers a uniquely detailed engagement with the ideas of legendary French psychoanalyst Jacques Lacan. The Freudian Thing is one of Lacan’s most important texts, wherein he explains the significance and stakes of his “return to Freud” as a passionate defence of Freud’s disturbing, epoch-making discovery of the unconscious, against misrepresentations and criticisms of it. However, Lacan is characteristically cryptic in The Freudian Thing. The combination of his writing style and vast range of references renders much of his thinking inaccessible to all but a narrow circle of scholarly specialists. Johnston’s Irrepressible Truth opens up the universe of Lacanian psychoanalysis to much wider audiences by furnishing a sentence-by-sentence interpretive unpacking of this pivotal 1955 essay. In so doing, Johnston reveals the precision, rigor, and soundness of Lacan’s teachings.

This book offers readers a uniquely detailed engagement with the ideas of legendary French psychoanalyst Jacques Lacan. The Freudian Thing is one of Lacan’s most important texts, wherein he explains the significance and stakes of his “return to Freud” as a passionate defence of Freud’s disturbing, epoch-making discovery of the unconscious, against misrepresentations and criticisms of it. However, Lacan is characteristically cryptic in The Freudian Thing. The combination of his writing style and vast range of references renders much of his thinking inaccessible to all but a narrow circle of scholarly specialists. Johnston’s Irrepressible Truth opens up the universe of Lacanian psychoanalysis to much wider audiences by furnishing a sentence-by-sentence interpretive unpacking of this pivotal 1955 essay. In so doing, Johnston reveals the precision, rigor, and soundness of Lacan’s teachings.