Alan D. Schrift – författare

The theme of the gift can be located at the center of current discussions of deconstruction, gender and feminist theory, ethics, philosophy, anthropology, and economics: it is, simply, one of the primary focal points at which contemporary interdisciplinary discourses intersect. Into this context comes a new, indispensable volume. The Logic of the Gift offers several important essays on gifts and gift-giving that are often referred to but seldom read, and adds to them new essays written especially for this collection.

The theme of the gift can be located at the center of current discussions of deconstruction, gender and feminist theory, ethics, philosophy, anthropology, and economics: it is, simply, one of the primary focal points at which contemporary interdisciplinary discourses intersect. Into this context comes a new, indispensable volume. The Logic of the Gift offers several important essays on gifts and gift-giving that are often referred to but seldom read, and adds to them new essays written especially for this collection.

"Why Nietzsche still?" These essays by a distinguished group of contributors suggest a number of answers. They show that Nietzsche still has a great deal to say to those who read him with an eye toward developing critical responses to our present and the future that will follow. Alan D. Schrift's goal in assembling these stimulating essays, all but one of them written for the volume, is to display the multifaceted nature of Nietzsche's reflections, to demonstrate Nietzsche's relevance for contemporary reflections on the dramas of culture at the start of the third millennium, and to exhibit the range of innovative and exciting Nietzsche scholarship that is being carried out across the humanities and social sciences in the English-speaking world. Whether at the aesthetic, cultural, psychological, or political level, Nietzsche's thought clearly offers a critical focus for analyzing the ongoing dramas of culture as these dramas inform and influence what today we frame as 'political.'

This book presents contemporary analyses of interpretation by some of the most prominent figures in contemporary philosophy and literary criticism. These essays question and transform traditional statements on the aims, methods, and techniques of interpretation.The essays demonstrate how contemporary discussions of interpretation are necessarily sent back to the hermeneutic tradition. Emphasizing the importance of Friedrich Nietzsche's influence on the contemporary debates concerning current interpretive practices, this volume traces the differences in interpretive perspectives generated in the writings of Michel Foucault, Eric Blondel, Julia Kristeva, Jacques Derrida, Manfred Frank, Werner Hamacher, and Jean-Luc Nancy. The essays by Foucault, Blondel, Frank, Hamacher, and Nancy appear here for the first time in English.

The major statements of the leading figures in the nineteenth- and twentieth-century German and French hermeneutic traditions.Here are the major statements of the leading figures in the nineteenth- and twentieth-century German and French hermeneutic traditions-the major statements on the aims, methods, and techniques of interpretation. Some of these appear here for the first time in English.This book establishes the context for contemporary analyses of interpretation. Part I traces the evolution of hermeneutics from Friedrich Ast and Friedrich Schleiermacher through Wilhelm Dilthey to Martin Heidegger's placing of hermeneutics at the center of the ontological analysis of human being. Part II follows the development of the Heideggerian tradition in the writings of Hans-Georg Gadamer. Gadamer's "philosophical hermeneutics" is then located at the center of several important exchanges with more traditional, objective hermeneutical methodologists like Emilio Betti, ideology-critics like Jürgen Habermas, and linguistic-phenomenological thinkers like Paul Ricoeur.

Thus Spoke Zarathustra stands alone among Nietzsche's published works as a poetic and narrative rendering of his most sophisticated ideas through the medium of Zarathustra's uniquely prophetic voice. It is also the first place where Nietzsche proposes his theory of will to power, and it is the only place in his published works where he elaborates his concept of the superhuman and his doctrine of eternal recurrence. Nietzsche himself regarded this book as his most important philosophical contribution because it proposes solutions to the problems he poses but does not resolve in his other works—for example, his cure for the human disposition to vengefulness and his creation of new values as the antidote to nihilism.This translation precisely and consistently renders each element so that readers may experience Nietzsche's phrasing, wit, and wordplay in equivalent English. The extensive editorial notes in this edition include numerous cross-references to earlier drafts and variants that are found in his notebooks, and published in Volumes 14 and 15 of The Complete Works, thus allowing the reader to view the evolution of Nietzsche's thought from first drafts to their final published versions. The Translators' Afterword includes a discussion of translation issues unique to Zarathustra, and a glossary of key terms, as well as a discussion of Nietzsche's views concerning this book's contributions to the development of the German language.

The year 1888 marked the last year of Friedrich Nietzsche's intellectual career and the culmination of his philosophical development. In that final productive year, he worked on six books, all of which are now, for the first time, presented in English in a single volume. Together these new translations provide a fundamental and complete introduction to Nietzsche's mature thought and to the virtuosity and versatility of his most fully developed style.The writings included here have a bold, sometimes radical tone that can be connected to Nietzsche's rising profile and growing confidence. In The Antichrist, we are offered an extended critique of Christianity and Christian morality alongside blunt diagnoses of contemporary Europe's cultural decadence. In Dionysus Dithyrambs we are presented with his only work composed exclusively of poetry, and in Twilight of the Idols we find a succinct summary of his mature philosophical views. At times the works are also openly personal, as in The Case of Wagner, which presents Nietzsche's attempt to settle accounts with his former close friend, German composer Richard Wagner, and in his provocative autobiography, Ecce Homo, which sees Nietzsche taking stock of his past and future while also reflecting on many of his earlier texts.Scrupulously edited, this critical volume also includes commentary by esteemed Nietzsche scholar Andreas Urs Sommer. Through this new collection, students and scholars are given an essential introduction to Nietzsche's late thought.

With this latest book in the series, Stanford continues its English-language publication of the famed Colli-Montinari edition of Nietzsche's complete works, which include the philosopher's notebooks and early unpublished writings. Scrupulously edited so as to establish a new standard for the field, each volume includes an Afterword that presents and contextualizes the material therein.This volume provides the first English translation of Nietzsche's unpublished notebooks from 1882–1884, the period in which he was composing the book that he considered his best and most important work, Thus Spoke Zarathustra. Crucial transitional documents in Nietzsche's intellectual development, the notebooks mark a shift into what is widely regarded as the philosopher's mature period. They reveal his long-term design of a fictional tetralogy charting the philosophical, pedagogical, and psychological journeys of his alter-ego, Zarathustra. Here, in nuce, appear Zarathustra's teaching about the death of God; his discovery that the secret of life is the will to power; and his most profound and most frightening thought—that his own life, human history, and the entire cosmos will eternally return. During this same period, Nietzsche was also composing preparatory notes for his next book, Beyond Good and Evil, and the notebooks are especially significant for the insight they provide into his evolving theory of drives, his critical ideas about the nature and history of morality, and his initial thoughts on one of his best-known concepts, the superhuman (Übermensch).

During his early years in Basel, as professor of classical philology, Nietzsche develops an original understanding of ancient Greek poetry, philosophy, and culture, alongside a biting critique of contemporary German society and a call for its reform. These years see him publish his first book, The Birth of Tragedy, where tragic drama is understood as the harmonizing of Apollonian and Dionysian drives. In it, Nietzsche traces the rise of tragedy as an art form, diagnoses its demise at the hands of Socratic rationalism, and champions its revival in Wagnerian music drama, as part of a larger project of German national renewal. The unpublished texts gathered here allow us to see The Birth of Tragedy within the larger context of Nietzsche's concerns at this time and chart the compositional and interpretive development of that first book while revealing some roads not taken. Included also are three book-length projects: On the Future of Our Educational Institutions, a literary presentation of a program for sweeping educational reform in the name of producing the genius; Five Prefaces to Five Unwritten Books, a set of short philosophical, cultural, and historical interventions; and Philosophy in the Tragic Age of the Greeks, an investigation of early Greek philosophy in its cultural context. The celebrated essay "On Truth and Lies in an Extra-Moral Sense," and two short pro-Wagner pieces, "Exhortation to the Germans" and "A New Year's Word for the Editor of the Weekly Im neuen Reich," round out this essential collection of early writings. Extensive translators' annotations supply critical background information and context for Nietzsche's comments on ancient Greek and contemporary German culture.

During his early years in Basel, as professor of classical philology, Nietzsche develops an original understanding of ancient Greek poetry, philosophy, and culture, alongside a biting critique of contemporary German society and a call for its reform. These years see him publish his first book, The Birth of Tragedy, where tragic drama is understood as the harmonizing of Apollonian and Dionysian drives. In it, Nietzsche traces the rise of tragedy as an art form, diagnoses its demise at the hands of Socratic rationalism, and champions its revival in Wagnerian music drama, as part of a larger project of German national renewal. The unpublished texts gathered here allow us to see The Birth of Tragedy within the larger context of Nietzsche's concerns at this time and chart the compositional and interpretive development of that first book while revealing some roads not taken. Included also are three book-length projects: On the Future of Our Educational Institutions, a literary presentation of a program for sweeping educational reform in the name of producing the genius; Five Prefaces to Five Unwritten Books, a set of short philosophical, cultural, and historical interventions; and Philosophy in the Tragic Age of the Greeks, an investigation of early Greek philosophy in its cultural context. The celebrated essay "On Truth and Lies in an Extra-Moral Sense," and two short pro-Wagner pieces, "Exhortation to the Germans" and "A New Year's Word for the Editor of the Weekly Im neuen Reich," round out this essential collection of early writings. Extensive translators' annotations supply critical background information and context for Nietzsche's comments on ancient Greek and contemporary German culture.

Jean Wahl (1888–1974), once considered by the likes of Georges Bataille, Gilles Deleuze, Emmanuel Levinas, and Gabriel Marcel to be among the greatest French philosophers, has today nearly been forgotten outside France. Yet his influence on French philosophical thought can hardly be overestimated. Levinas wrote that "during over a half century of teaching and research, [Wahl] was the life force of the academic, extra-academic, and even, to a degree anti-academic philosophy necessary to a great culture." And Deleuze, for his part, commented that "Apart from Sartre, who remained caught none the less in the trap of the verb to be, the most important philosopher in France was Jean Wahl."Besides engaging with the likes of Bataille, Bergson, Deleuze, Derrida, Levinas, Maritain, and Sartre, Wahl also played a significant role, in some cases almost singlehandedly, in introducing French philosophy to movements like existentialism, and American pragmatism and literature, and thinkers like Hegel, Kierkegaard, Nietzsche, Jaspers, and Heidegger. Yet Wahl was also an original philosopher and poet in his own right. This volume of selections from Wahl's philosophical writings makes a selection of his most important work available to the English-speaking philosophical community for the first time.Jean Wahl was Professor of Philosophy at the Sorbonne from 1936 to 1967, save during World War II, which he spent in the United States, having escaped from the Drancy internment camp. His books to appear in English include The Pluralist Philosophies of England and America (Open Court, 1925), The Philosopher's Way (Oxford UP, 1948), A Short History of Existentialism (Philosophical Library, 1949), and Philosophies of Existence (Schocken, 1969).

Jean Wahl (1888–1974), once considered by the likes of Georges Bataille, Gilles Deleuze, Emmanuel Levinas, and Gabriel Marcel to be among the greatest French philosophers, has today nearly been forgotten outside France. Yet his influence on French philosophical thought can hardly be overestimated. Levinas wrote that "during over a half century of teaching and research, [Wahl] was the life force of the academic, extra-academic, and even, to a degree anti-academic philosophy necessary to a great culture." And Deleuze, for his part, commented that "Apart from Sartre, who remained caught none the less in the trap of the verb to be, the most important philosopher in France was Jean Wahl."Besides engaging with the likes of Bataille, Bergson, Deleuze, Derrida, Levinas, Maritain, and Sartre, Wahl also played a significant role, in some cases almost singlehandedly, in introducing French philosophy to movements like existentialism, and American pragmatism and literature, and thinkers like Hegel, Kierkegaard, Nietzsche, Jaspers, and Heidegger. Yet Wahl was also an original philosopher and poet in his own right. This volume of selections from Wahl's philosophical writings makes a selection of his most important work available to the English-speaking philosophical community for the first time.Jean Wahl was Professor of Philosophy at the Sorbonne from 1936 to 1967, save during World War II, which he spent in the United States, having escaped from the Drancy internment camp. His books to appear in English include The Pluralist Philosophies of England and America (Open Court, 1925), The Philosopher's Way (Oxford UP, 1948), A Short History of Existentialism (Philosophical Library, 1949), and Philosophies of Existence (Schocken, 1969).

The Idea of the Instant in Descartes’s Philosophy is the first English translation of a major and influential interpretation of Descartes’s philosophy by one of the most influential figures in twentieth-century French philosophy. While discussing the role of the instant within Descartes’s philosophy, Jean Wahl develops an original account of temporality that is central to Wahl’s entire and extensive oeuvre and that has influenced a variety of 20th -century French thinkers, most notably Gilles Deleuze.In addition to including the original French text, the volume contains an introduction to Jean Wahl by Alan D. Schrift and English translations of three essays, one written exclusively for this book, by Frédéric Worms, Director of the École Normale Supérieure, Wahl’s most important French interpreter, and one of the most influential philosophers working in France today.

This unique book addresses trends such as vitalism, neo-Kantianism, existentialism, Marxism and feminism, and provides concise biographies of the influential philosophers who shaped these movements, including entries on over ninety thinkers. Offers discussion and cross-referencing of ideas and figuresProvides Appendix on the distinctive nature of French academic culture

This unique book addresses trends such as vitalism, neo-Kantianism, existentialism, Marxism and feminism, and provides concise biographies of the influential philosophers who shaped these movements, including entries on over ninety thinkers. Offers discussion and cross-referencing of ideas and figuresProvides Appendix on the distinctive nature of French academic culture

With this latest book in the series, Stanford continues its English-language publication of the famed Colli-Montinari edition of Nietzsche's complete works, which include the philosopher's notebooks and early unpublished writings. Scrupulously edited so as to establish a new standard for the field, each volume includes an Afterword that presents and contextualizes the material therein.This volume provides the first English translation of Nietzsche's unpublished notebooks from 1882–1884, the period in which he was composing the book that he considered his best and most important work, Thus Spoke Zarathustra. Crucial transitional documents in Nietzsche's intellectual development, the notebooks mark a shift into what is widely regarded as the philosopher's mature period. They reveal his long-term design of a fictional tetralogy charting the philosophical, pedagogical, and psychological journeys of his alter-ego, Zarathustra. Here, in nuce, appear Zarathustra's teaching about the death of God; his discovery that the secret of life is the will to power; and his most profound and most frightening thought—that his own life, human history, and the entire cosmos will eternally return. During this same period, Nietzsche was also composing preparatory notes for his next book, Beyond Good and Evil, and the notebooks are especially significant for the insight they provide into his evolving theory of drives, his critical ideas about the nature and history of morality, and his initial thoughts on one of his best-known concepts, the superhuman (Übermensch).

The year 1888 marked the last year of Friedrich Nietzsche's intellectual career and the culmination of his philosophical development. In that final productive year, he worked on six books, all of which are now, for the first time, presented in English in a single volume. Together these new translations provide a fundamental and complete introduction to Nietzsche's mature thought and to the virtuosity and versatility of his most fully developed style.The writings included here have a bold, sometimes radical tone that can be connected to Nietzsche's rising profile and growing confidence. In The Antichrist, we are offered an extended critique of Christianity and Christian morality alongside blunt diagnoses of contemporary Europe's cultural decadence. In Dionysus Dithyrambs we are presented with his only work composed exclusively of poetry, and in Twilight of the Idols we find a succinct summary of his mature philosophical views. At times the works are also openly personal, as in The Case of Wagner, which presents Nietzsche's attempt to settle accounts with his former close friend, German composer Richard Wagner, and in his provocative autobiography, Ecce Homo, which sees Nietzsche taking stock of his past and future while also reflecting on many of his earlier texts.Scrupulously edited, this critical volume also includes commentary by esteemed Nietzsche scholar Andreas Urs Sommer. Through this new collection, students and scholars are given an essential introduction to Nietzsche's late thought.

Thus Spoke Zarathustra stands alone among Nietzsche's published works as a poetic and narrative rendering of his most sophisticated ideas through the medium of Zarathustra's uniquely prophetic voice. It is also the first place where Nietzsche proposes his theory of will to power, and it is the only place in his published works where he elaborates his concept of the superhuman and his doctrine of eternal recurrence. Nietzsche himself regarded this book as his most important philosophical contribution because it proposes solutions to the problems he poses but does not resolve in his other works—for example, his cure for the human disposition to vengefulness and his creation of new values as the antidote to nihilism.This translation precisely and consistently renders each element so that readers may experience Nietzsche's phrasing, wit, and wordplay in equivalent English. The extensive editorial notes in this edition include numerous cross-references to earlier drafts and variants that are found in his notebooks, and published in Volumes 14 and 15 of The Complete Works, thus allowing the reader to view the evolution of Nietzsche's thought from first drafts to their final published versions. The Translators' Afterword includes a discussion of translation issues unique to Zarathustra, and a glossary of key terms, as well as a discussion of Nietzsche's views concerning this book's contributions to the development of the German language.

The second half of the 19th Century saw a revolution in both European politics and philosophy. Philosophical fervour reflected political fervour. Five great critics dominated the European intellectual scene: Ludwig Feuerbach, Karl Marx, Soren Kierkegaard, Fyodor Dostoevsky, and Friedrich Nietzsche. "Nineteenth-Century Philosophy" assesses the response of each of these leading figures to Hegelian philosophy - the dominant paradigm of the time - to the shifting political landscape of Europe and the United States, and also to the emerging critique of modernity itself. Both individually and collectively, these thinkers succeeded in revolutionizing theology, philosophy, psychology, and politics. The period also saw the emergence of new schools of thought and new disciplinary thinking. The volume covers the birth of sociology and the social sciences, the development of French spiritualism, the beginning of American pragmatism, the rise of science and mathematics, and the maturation of hermeneutics and phenomenology.

This volume covers the period between the 1890s and 1930s, a period that witnessed revolutions in the arts and society which set the agenda for the rest of the century. In philosophy, the period saw the birth of analytic philosophy, the development of new programmes and new modes of inquiry, the emergence of phenomenology as a new rigorous science, the birth of Freudian psychoanalysis, and the maturing of the discipline of sociology. This period saw the most influential work of a remarkable series of thinkers who reviewed, evaluated and transformed 19th-century thought. A generation of thinkers - among them, Henri Bergson, Emile Durkheim, Sigmund Freud, Martin Heidegger, Edmund Husserl, Karl Jaspers, Max Scheler, and Ludwig Wittgenstein - completed the disenchantment of the world and sought a new re-enchantment.

"Poststructuralism and Critical Theory's Second Generation" analyses the major themes and developments in a period that brought continental philosophy to the forefront of scholarship in a variety of humanities and social science disciplines and that set the agenda for philosophical thought on the continent and elsewhere from the 1960s to the present. Focusing on the years 1960-1984, the volume examines the major figures associated with poststructuralism and the second generation of critical theory, the two dominant movements that emerged in the 1960s: Althusser, Foucault, Deleuze, Derrida, Lyotard, Irigaray, and Habermas. Influential thinkers such as Serres, Bourdieu, and Rorty, who are not easily placed in "standard" histories of the period, are also covered. Beyond this, thematic essays engage with issues as diverse as the Nietzschean legacy, the linguistic turn in continental thinking, the phenomenological inheritance of Gadamer and Ricoeur, the influence of psychoanalysis, the emergence of feminist thought and a philosophy of sexual difference, the renewal of the critical theory tradition, and the importation of continental philosophy into literary theory.

The second half of the 19th Century saw a revolution in both European politics and philosophy. Philosophical fervour reflected political fervour. Five great critics dominated the European intellectual scene: Ludwig Feuerbach, Karl Marx, Soren Kierkegaard, Fyodor Dostoevsky, and Friedrich Nietzsche. "Nineteenth-Century Philosophy" assesses the response of each of these leading figures to Hegelian philosophy - the dominant paradigm of the time - to the shifting political landscape of Europe and the United States, and also to the emerging critique of modernity itself. Both individually and collectively, these thinkers succeeded in revolutionizing theology, philosophy, psychology, and politics. The period also saw the emergence of new schools of thought and new disciplinary thinking. The volume covers the birth of sociology and the social sciences, the development of French spiritualism, the beginning of American pragmatism, the rise of science and mathematics, and the maturation of hermeneutics and phenomenology.

This volume covers the period between the 1890s and 1930s, a period that witnessed revolutions in the arts and society which set the agenda for the rest of the century. In philosophy, the period saw the birth of analytic philosophy, the development of new programmes and new modes of inquiry, the emergence of phenomenology as a new rigorous science, the birth of Freudian psychoanalysis, and the maturing of the discipline of sociology. This period saw the most influential work of a remarkable series of thinkers who reviewed, evaluated and transformed 19th-century thought. A generation of thinkers - among them, Henri Bergson, Emile Durkheim, Sigmund Freud, Martin Heidegger, Edmund Husserl, Karl Jaspers, Max Scheler, and Ludwig Wittgenstein - completed the disenchantment of the world and sought a new re-enchantment.