Alexander Soucy – författare

The most comprehensive study of Buddhism in Canada to date, Wild Geese offers a history of the religion''s evolution in Canada, surveys the diverse communities and beliefs of Canadian Buddhists, and presents biographies of Buddhist leaders. The essays cover a broad range of topics, including Chinese, Tibetan, Lao, Japanese, Korean, and Vietnamese Buddhisms, critical reflections on Buddhism in the West, census data on the growth of the religion, and analysis of the global context for the growth of Buddhism in Canada. Presenting a sweeping portrait of a crucial part of the multicultural mosaic, Wild Geese is essential reading for anyone interested in religious life in Canada.

When Sasaki Sokei-an founded his First Zen Institute of North America in 1930 he suggested that bringing Zen Buddhism to America was like "holding a lotus against a rock and waiting for it to set down roots." Today, Buddhism is part of the cultural and religious mainstream. Flowers on the Rock examines the dramatic growth of Buddhism in Canada and questions some of the underlying assumptions about how this tradition has changed in the West. Using historical, ethnographic, and biographical approaches, contributors illuminate local expressions of Buddhism found throughout Canada and relate the growth of Buddhism in Canada to global networks. A global perspective allows the volume to overcome the stereotype that Asia and the West are in opposition to each other and recognizes the continuities between Buddhist movements in Asia and the West that are shaped by the same influences of modernity and globalization. Flowers on the Rock studies the fascinating and ingenious changes, inflections, and adaptations that Buddhists make when they set down roots in a local culture. It is essential reading for anyone interested in Buddhism, religious life in Canada, and the broader issues of multiculturalism and immigration. Contributors include Michihiro Ama (University of Alaska), D. Mitra Barua (University of Saskatchewan), Paul Crowe (Simon Fraser University), Melissa Anne-Marie Curley (University of Iowa), Mavis Fenn (University of Waterloo), Kory Goldberg (Champlain College), Sarah F. Haynes (Western Illinois University), Jackie Larm (University of Edinburgh), Paul McIvor (independent), James Placzek (University of British Columbia), and Angela Sumegi (Carleton University).

When Sasaki Sokei-an founded his First Zen Institute of North America in 1930 he suggested that bringing Zen Buddhism to America was like "holding a lotus against a rock and waiting for it to set down roots." Today, Buddhism is part of the cultural and religious mainstream. Flowers on the Rock examines the dramatic growth of Buddhism in Canada and questions some of the underlying assumptions about how this tradition has changed in the West. Using historical, ethnographic, and biographical approaches, contributors illuminate local expressions of Buddhism found throughout Canada and relate the growth of Buddhism in Canada to global networks. A global perspective allows the volume to overcome the stereotype that Asia and the West are in opposition to each other and recognizes the continuities between Buddhist movements in Asia and the West that are shaped by the same influences of modernity and globalization. Flowers on the Rock studies the fascinating and ingenious changes, inflections, and adaptations that Buddhists make when they set down roots in a local culture. It is essential reading for anyone interested in Buddhism, religious life in Canada, and the broader issues of multiculturalism and immigration. Contributors include Michihiro Ama (University of Alaska), D. Mitra Barua (University of Saskatchewan), Paul Crowe (Simon Fraser University), Melissa Anne-Marie Curley (University of Iowa), Mavis Fenn (University of Waterloo), Kory Goldberg (Champlain College), Sarah F. Haynes (Western Illinois University), Jackie Larm (University of Edinburgh), Paul McIvor (independent), James Placzek (University of British Columbia), and Angela Sumegi (Carleton University).

The most comprehensive study of Buddhism in Canada to date, Wild Geese offers a history of the religion''s evolution in Canada, surveys the diverse communities and beliefs of Canadian Buddhists, and presents biographies of Buddhist leaders. The essays cover a broad range of topics, including Chinese, Tibetan, Lao, Japanese, Korean, and Vietnamese Buddhisms, critical reflections on Buddhism in the West, census data on the growth of the religion, and analysis of the global context for the growth of Buddhism in Canada. Presenting a sweeping portrait of a crucial part of the multicultural mosaic, Wild Geese is essential reading for anyone interested in religious life in Canada.

At the tail end of the twentieth century, a monk transformed a small village temple on the outskirts of Hanoi into a monastery and meditation center called Thiền Viện Sùng Phúc—a place where monastics and lay Buddhists could learn and practice Zen meditation. In time the original temple was replaced by numerous large buildings to accommodate meditation sessions, youth events, weddings, classes, and a variety of other activities designed to keep practitioners engaged. Thiền Viện Sùng Phúc’s approach to Buddhism as a life commitment for all ages and genders has been very successful, attracting more than a thousand Buddhists to its weekly services. It joined Thiền phái Trúc Lâm, a much larger organization started by Thích Thanh Từ in southern Vietnam that has expanded to northern Vietnam and internationally. In Zen Conquests, Alexander Soucy presents not only the first ethnography of Thiền Viện Sùng Phúc and its followers, but also a compelling look at how the discourses of Buddhist Modernism were incorporated at a local level into this new space on the outskirts of Hanoi and how and why new constituencies of followers are drawn to Zen Buddhism in contemporary Vietnam.Thiền Viện Sùng Phúc’s Zen tradition purports to be a continuation of the only Zen Buddhist sect founded in Vietnam: the fourteenth-century Trúc Lâm Zen School. However, the movement can also be seen as the product of Buddhism’s globalization, born from the D. T. Suzuki-inspired interest in Zen in South Vietnam during the American War. Despite its claims to be authentically Vietnamese Zen, it more closely resembles Modernist versions of Buddhism practiced by Western converts in North America than anything Vietnamese. Soucy maintains that it is only by looking at the processes of globalization that Vietnamese Buddhism (both in the context of Vietnam but also in the Vietnamese diaspora) can be properly understood. He argues convincingly for acknowledging the continued influence of transnational, pan-Asian, and global flows of migration and communication on the development of multiple forms of Buddhism worldwide.

At the tail end of the twentieth century, a monk transformed a small village temple on the outskirts of Hanoi into a monastery and meditation center called Thiền Viện Sùng Phúc—a place where monastics and lay Buddhists could learn and practice Zen meditation. In time the original temple was replaced by numerous large buildings to accommodate meditation sessions, youth events, weddings, classes, and a variety of other activities designed to keep practitioners engaged. Thiền Viện Sùng Phúc’s approach to Buddhism as a life commitment for all ages and genders has been very successful, attracting more than a thousand Buddhists to its weekly services. It joined Thiền phái Trúc Lâm, a much larger organization started by Thích Thanh Từ in southern Vietnam that has expanded to northern Vietnam and internationally. In Zen Conquests, Alexander Soucy presents not only the first ethnography of Thiền Viện Sùng Phúc and its followers, but also a compelling look at how the discourses of Buddhist Modernism were incorporated at a local level into this new space on the outskirts of Hanoi and how and why new constituencies of followers are drawn to Zen Buddhism in contemporary Vietnam.Thiền Viện Sùng Phúc’s Zen tradition purports to be a continuation of the only Zen Buddhist sect founded in Vietnam: the fourteenth-century Trúc Lâm Zen School. However, the movement can also be seen as the product of Buddhism’s globalization, born from the D. T. Suzuki-inspired interest in Zen in South Vietnam during the American War. Despite its claims to be authentically Vietnamese Zen, it more closely resembles Modernist versions of Buddhism practiced by Western converts in North America than anything Vietnamese. Soucy maintains that it is only by looking at the processes of globalization that Vietnamese Buddhism (both in the context of Vietnam but also in the Vietnamese diaspora) can be properly understood. He argues convincingly for acknowledging the continued influence of transnational, pan-Asian, and global flows of migration and communication on the development of multiple forms of Buddhism worldwide.

Buddhism in the Global Eye focuses on the importance of a global context and transnational connections for understanding Buddhist modernizing movements. It also explores how Asian agency has been central to the development of modern Buddhism, and provides theoretical reflections that seek to overcome misleading East-West binaries.Using case studies from China, Japan, Vietnam, India, Tibet, Canada, and the USA, the book introduces new research that reveals the permeable nature of certain categories, such as "modern", "global", and "contemporary" Buddhism. In the book, contributors recognize the multiple nodes of intra-Asian and global influence. For example, monks travelled among Asian countries creating networks of information and influence, mutually stimulating each other's modernization movements. The studies demonstrate that in modernization movements, Asian reformers mobilized all available cultural resources both to adapt local forms of Buddhism to a new global context and to shape new foreign concepts to local Asian forms.

Buddhism in the Global Eye focuses on the importance of a global context and transnational connections for understanding Buddhist modernizing movements. It also explores how Asian agency has been central to the development of modern Buddhism, and provides theoretical reflections that seek to overcome misleading East-West binaries.Using case studies from China, Japan, Vietnam, India, Tibet, Canada, and the USA, the book introduces new research that reveals the permeable nature of certain categories, such as "modern", "global", and "contemporary" Buddhism. In the book, contributors recognize the multiple nodes of intra-Asian and global influence. For example, monks travelled among Asian countries creating networks of information and influence, mutually stimulating each other''s modernization movements. The studies demonstrate that in modernization movements, Asian reformers mobilized all available cultural resources both to adapt local forms of Buddhism to a new global context and to shape new foreign concepts to local Asian forms.

Buddhism in the Global Eye focuses on the importance of a global context and transnational connections for understanding Buddhist modernizing movements. It also explores how Asian agency has been central to the development of modern Buddhism, and provides theoretical reflections that seek to overcome misleading East-West binaries.Using case studies from China, Japan, Vietnam, India, Tibet, Canada, and the USA, the book introduces new research that reveals the permeable nature of certain categories, such as "modern", "global", and "contemporary" Buddhism. In the book, contributors recognize the multiple nodes of intra-Asian and global influence. For example, monks travelled among Asian countries creating networks of information and influence, mutually stimulating each other''s modernization movements. The studies demonstrate that in modernization movements, Asian reformers mobilized all available cultural resources both to adapt local forms of Buddhism to a new global context and to shape new foreign concepts to local Asian forms.