Andreas H. Jucker – författare

In an obvious way, manuscripts communicate. This is the first book to focus on the communicative aspects of English manuscripts from the fourteenth to the nineteenth century. It investigates how the authors and scribes of these manuscripts communicated with their audiences, how the characters depicted in these manuscripts communicate with each other, and how the manuscripts communicate with scholars and audiences in the 21st century. It covers a wide variety of genres, such as stories, scientific writing, witchcraft records, personal letters, war correspondence, courtroom records, and plays. The volume demonstrates how these handwritten texts can be used to analyse the history of language as communication between individuals and groups, and discusses the challenges these documents present to present-day scholars. It is unique in bringing together studies by distinguished international experts examining primary handwritten sources from the perspectives of several fields, including historical pragmatics, historical sociolinguistics, corpus linguistics and literary scholarship.

Providing an ideal introduction to historical pragmatics, this guide gives students a solid grounding in historical pragmatics and teaches the methodology needed to analyse language in social, cultural and historical contexts. Using a number of case studies including politeness, news discourse, and scientific discourse, this book provides new insights into the analysis of discourse markers, interjections, terms of address and speech acts. Through focusing on the methodological problems in using historical data, students learn the key concepts in historical pragmatics, as well as covering recent work at the interface of between language and literature.

This Element outlines current issues in the study of the pragmatics of fiction. It starts from the premise that fictional texts are complex and multi-layered communicative acts which deserve attention in pragmatic research in their own right, and it highlights the need to understand them as cultural artefacts rich in possibilities to explore pragmatic effects and pragmatic theorising. The issues covered are (1) the participation structure of fictional texts, (2) the performance aspect of fictional texts, (3) the interaction between readers and viewers and the fictional texts, as well as (4) the pragmatic effects of drawing on indexical linguistic features for evoking ideologies in characterisation. This title is also available as Open Access on Cambridge Core.

This Element outlines current issues in the study of speech acts. It starts with a brief outline of four waves of speech act theory, that is, the philosophical, the experimental, the corpus-based and the discursive approaches. It looks at some of the early experimental and corpus-based methods and discusses their more recent developments as a background to the most important trends in current speech act research. Discursive approaches shift the focus from single utterances to interaction and interactional sequences. Multimodal approaches show that the notion of 'speech act' needs to be extended in order to cover the multimodality of communicative acts. And diachronic approaches focus on the historicity of speech acts. The final section discusses some open issues and potential further developments of speech act research.

This Element outlines current issues in the study of speech acts. It starts with a brief outline of four waves of speech act theory, that is, the philosophical, the experimental, the corpus-based and the discursive approaches. It looks at some of the early experimental and corpus-based methods and discusses their more recent developments as a background to the most important trends in current speech act research. Discursive approaches shift the focus from single utterances to interaction and interactional sequences. Multimodal approaches show that the notion of 'speech act' needs to be extended in order to cover the multimodality of communicative acts. And diachronic approaches focus on the historicity of speech acts. The final section discusses some open issues and potential further developments of speech act research.

In an obvious way, manuscripts communicate. This is the first book to focus on the communicative aspects of English manuscripts from the fourteenth to the nineteenth century. It investigates how the authors and scribes of these manuscripts communicated with their audiences, how the characters depicted in these manuscripts communicate with each other, and how the manuscripts communicate with scholars and audiences in the 21st century. It covers a wide variety of genres, such as stories, scientific writing, witchcraft records, personal letters, war correspondence, courtroom records, and plays. The volume demonstrates how these handwritten texts can be used to analyse the history of language as communication between individuals and groups, and discusses the challenges these documents present to present-day scholars. It is unique in bringing together studies by distinguished international experts examining primary handwritten sources from the perspectives of several fields, including historical pragmatics, historical sociolinguistics, corpus linguistics and literary scholarship.

The concept of politeness permeates all aspects of modern life and society. However, to what extent has this phenomenon changed over time? This book traces the elusive concept of politeness from its beginnings in the Middle Ages up to the present day. Detailed case studies of mostly literary texts provide insights into historically specific ways of being polite, from discernment politeness in Old English to recent examples, such as non-imposition politeness. Readers will gain a better understanding of both the folk-notion of politeness and specific scholarly definitions, and how these can be applied to historical data. The long diachrony provides a novel perspective both on the concept of politeness and on the history of the English language in its social context, making this essential reading for politeness specialists, cultural historians and historical linguists alike. Politeness emerges as a multifaceted phenomenon that is both culture-specific and history-specific.

The concept of politeness permeates all aspects of modern life and society. However, to what extent has this phenomenon changed over time? This book traces the elusive concept of politeness from its beginnings in the Middle Ages up to the present day. Detailed case studies of mostly literary texts provide insights into historically specific ways of being polite, from discernment politeness in Old English to recent examples, such as non-imposition politeness. Readers will gain a better understanding of both the folk-notion of politeness and specific scholarly definitions, and how these can be applied to historical data. The long diachrony provides a novel perspective both on the concept of politeness and on the history of the English language in its social context, making this essential reading for politeness specialists, cultural historians and historical linguists alike. Politeness emerges as a multifaceted phenomenon that is both culture-specific and history-specific.

Drawing on a wide range of fictional texts from Shakespeare and Austen to Game of Thrones and the lyrics of ‘We Shall Overcome’, this textbook shows how pragmatic analyses can uncover the performative elements that create and shape characters for an audience. By exploring fictional language, the book investigates different forms of interpersonal communication, such as politeness and impoliteness, as well as the nature of poetic language and the language of emotion. With exercises, discussion topics, suggestions for small-scale research projects and further reading, it shows just how fascinating a challenge fictional language can pose to pragmatics, and illustrates the richness of fictional language as a source of data for pragmatic research.

Drawing on a wide range of fictional texts from Shakespeare and Austen to Game of Thrones and the lyrics of ‘We Shall Overcome’, this textbook shows how pragmatic analyses can uncover the performative elements that create and shape characters for an audience. By exploring fictional language, the book investigates different forms of interpersonal communication, such as politeness and impoliteness, as well as the nature of poetic language and the language of emotion. With exercises, discussion topics, suggestions for small-scale research projects and further reading, it shows just how fascinating a challenge fictional language can pose to pragmatics, and illustrates the richness of fictional language as a source of data for pragmatic research.

No detailed description available for "Social Stylistics".

The Handbook of Historical Pragmatics provides an authoritative and accessible overview of this versatile new field in pragmatics devoted to a diachronic study of language use and human interaction in context. It covers all areas of historical pragmatics from grammaticalization theory to pragmatic entities, such as discourse markers, speech acts and politeness to individual discourse domains from scientific writing to literary discourse. Each contribution, written by a leading specialist, gives a succinct, representative and up-to-date overview of research questions, theories, methods and recent developments in the field.

Methods in Pragmatics provides a systematic overview of the different types of data, the different methods of data collection and data analysis used in pragmatic research. It offers authoritative and comprehensive surveys of the entire breadth of methods and methodologies. Part 1 covers introspectional, philosophical and cognitive pragmatics. Part 2 is devoted to experimental pragmatics, including discourse completion and dialogue construction tasks, role-plays and other production and comprehension tasks. Part 3 reviews observational pragmatics including ethnographic and discourse analytic methods, and part 4, finally, is devoted to corpus pragmatics including accounts of corpus compilation, annotation and data retrieval specific to pragmatic research. Each contribution provides a state-of-the-art account of the precise workings of one particular method, its applications in the relevant research literature as well as a critical assessment of its strengths and weaknesses and the type of pragmatic research questions for which it is most suitable.

Pragmatics of Fiction provides systematic orientation in the emerging field of studying pragmatics with/in fictional data. It provides an authoritative and accessible overview of this versatile new field in its methodological and theoretical richness. Giving center stage to fictional language allows scholars to review key concepts in sociolinguistics such as genre, style, voice, stance, dialogue, participation structure or features of orality and literariness. The contributors explore language as one of the creative tools to craft story worlds and characters by drawing on concepts such as regional, social and ethnic language variation, as well as multilingualism. Themes such as emotion, taboo language or impoliteness in fiction receive attention just as the challenges of translation and dubbing, the creation of past and future languages, the impact of fictional language on language change or the fuzzy boundaries of narratives. Each contribution, written by a leading specialist, gives a succinct, representative and up-to-date overview of research questions, theories, methods and recent developments in the field.

This handbook provides a comprehensive overview of spatial configurations of language use and of language use in space. It consists of four parts. The first part covers the various practices of describing space through language, including spatial references in spoken interaction or in written texts, the description of motion events as well as the creation of imaginative spaces in storytelling. The second part surveys aspects of the spatial organization of face-to-face communication including not only spatial arrangements of small groups in interaction but also the spatial dimension of sign language and gestures. The third part is devoted to the communicative resources of constructed spaces and the ways in which these facilitate and shape communication. Part four, finally, is devoted to pragmatics across space and cultures, i.e. the ways in which language use differs across language varieties, languages and cultures.