Andrew David Jackson - Böcker

Almost forty years after the publication of Hobsbawm and Ranger’s The Invention of Tradition, the subject of invented traditions-cultural and historical practices that claim a continuity with a distant past but which are in fact of relatively recent origin-is still relevant, important, and highly contentious. Invented Traditions in North and South Korea examines the ways in which compressed modernity, Cold War conflict, and ideological opposition has impacted the revival of traditional forms in both Koreas. The volume is divided thematically into sections covering: (1) history, religions, (2) language, (3) music, food, crafts, and finally, (4) space. It includes chapters on pseudo-histories, new religions, linguistic politeness, literary Chinese, p’ansori, heritage, North Korean food, architecture, and the invention of children’s pilgrimages in the DPRK. As the first comparative study of invented traditions in North and South Korea, the book takes the reader on a journey through Korea’s epic twentieth century, examining the revival of culture in the context of colonialism, decolonization, national division, dictatorship, and modernization. The book investigates what it describes as "monumental" invented traditions formulated to maintain order, loyalty, and national identity during periods of political upheaval as well as cultural revivals less explicitly connected to political power. Invented Traditions in North and South Korea demonstrates that invented traditions can teach us a great deal about the twentieth-century political and cultural trajectories of the two Koreas. With contributions from historians, sociologists, folklorists, scholars of performance, and anthropologists, this volume will prove invaluable to Koreanists, as well as teachers and students of Korean and Asian studies undergraduate courses.

Almost forty years after the publication of Hobsbawm and Ranger’s The Invention of Tradition, the subject of invented traditions—cultural and historical practices that claim a continuity with a distant past but which are in fact of relatively recent origin—is still relevant, important, and highly contentious. Invented Traditions in North and South Korea examines the ways in which compressed modernity, Cold War conflict, and ideological opposition has impacted the revival of traditional forms in both Koreas. The volume is divided thematically into sections covering: (1) history, religions, (2) language, (3) music, food, crafts, and finally, (4) space. It includes chapters on pseudo-histories, new religions, linguistic politeness, literary Chinese, p’ansori, heritage, North Korean food, architecture, and the invention of children’s pilgrimages in the DPRK. As the first comparative study of invented traditions in North and South Korea, the book takes the reader on a journey through Korea’s epic twentieth century, examining the revival of culture in the context of colonialism, decolonization, national division, dictatorship, and modernization. The book investigates what it describes as "monumental" invented traditions formulated to maintain order, loyalty, and national identity during periods of political upheaval as well as cultural revivals less explicitly connected to political power. Invented Traditions in North and South Korea demonstrates that invented traditions can teach us a great deal about the twentieth-century political and cultural trajectories of the two Koreas. With contributions from historians, sociologists, folklorists, scholars of performance, and anthropologists, this volume will prove invaluable to Koreanists, as well as teachers and students of Korean and Asian studies undergraduate courses.

Korean Conversation Gambits: Developing Spoken Language provides specific linguistic and communicative strategies that help Korean language learners engage in daily conversations as well as discussions and negotiations in work and academic contexts. The book presents, and provides practice in, spoken Korean gambits that will help speakers organise their conversations and frame the type of extended discourse that is common in spoken Korean. The book introduces students to strategies for getting thinking time, dealing with breakdowns in comprehension, asking for and providing clarification, exemplifying, floor-holding, interrupting, checking understanding, disagreeing, reformulating and organising longer stretches of discourse; for example, when giving presentations, telling stories or providing self-introductions. Korean Conversation Gambits: Developing Spoken Language comes complete with classroom-ready practice materials.This textbook can be used as a resource by both teachers and Korean learners from introductory to intermediate and proficient levels.

Korean Conversation Gambits: Developing Spoken Language provides specific linguistic and communicative strategies that help Korean language learners engage in daily conversations as well as discussions and negotiations in work and academic contexts. The book presents, and provides practice in, spoken Korean gambits that will help speakers organise their conversations and frame the type of extended discourse that is common in spoken Korean. The book introduces students to strategies for getting thinking time, dealing with breakdowns in comprehension, asking for and providing clarification, exemplifying, floor-holding, interrupting, checking understanding, disagreeing, reformulating and organising longer stretches of discourse; for example, when giving presentations, telling stories or providing self-introductions. Korean Conversation Gambits: Developing Spoken Language comes complete with classroom-ready practice materials.This textbook can be used as a resource by both teachers and Korean learners from introductory to intermediate and proficient levels.

Snapshots and Soundbites of Korean Culture takes a novel approach to understanding Korea’s past and present by blending sounds, imagery, texts, and online and printed materials to provide a multisensory, multimodal experience of Korean culture.Each entry showcases vitally important people, objects, places, events, and institutions that help us conceptualise Korean history, society, and culture. The volume comprises short, transcribed lectures on specific aspects of Korean culture, accompanied by explanatory notes, images, and links to a specially prepared website featuring voice recordings, additional images, and class-ready teaching resources. Contributors to the volume include some of the most respected researchers in Korean Studies, such as Martina Deuchler, Don Baker, Chan E. Park, Vladimir Tikhonov, John Duncan, and Park, Tae-gyun, alongside emerging scholars. Each entry is written in an accessible style, making the book appealing to scholars, Korean Studies students, and readers with a general interest in Korea. The variety of topics examined includes iconic objects (ondol), important historical figures (Yun Sŏn-do, Pak Hŏn-yŏng), central events (the 1637 Qing Invasion and the 1980 Kwangju Uprising), and vital beliefs (shamanism) – all of which help us conceptualise what has made Korea the place it is.Additional resources can be found at snapshotssoundbites.wordpress.com. The text serves as an academic study, a reference work, a book for leisurely reading, or as primer for university-level Korean Studies survey courses.

Snapshots and Soundbites of Korean Culture takes a novel approach to understanding Korea’s past and present by blending sounds, imagery, texts, and online and printed materials to provide a multisensory, multimodal experience of Korean culture.Each entry showcases vitally important people, objects, places, events, and institutions that help us conceptualise Korean history, society, and culture. The volume comprises short, transcribed lectures on specific aspects of Korean culture, accompanied by explanatory notes, images, and links to a specially prepared website featuring voice recordings, additional images, and class-ready teaching resources. Contributors to the volume include some of the most respected researchers in Korean Studies, such as Martina Deuchler, Don Baker, Chan E. Park, Vladimir Tikhonov, John Duncan, and Park, Tae-gyun, alongside emerging scholars. Each entry is written in an accessible style, making the book appealing to scholars, Korean Studies students, and readers with a general interest in Korea. The variety of topics examined includes iconic objects (ondol), important historical figures (Yun Sŏn-do, Pak Hŏn-yŏng), central events (the 1637 Qing Invasion and the 1980 Kwangju Uprising), and vital beliefs (shamanism) – all of which help us conceptualise what has made Korea the place it is.Additional resources can be found at snapshotssoundbites.wordpress.com. The text serves as an academic study, a reference work, a book for leisurely reading, or as primer for university-level Korean Studies survey courses.

Examines the 1990s growth of art film exhibition, consumption, and cinephilia within South Korean cinemaThis book is a narrative history of art film exhibition and cinephilia in post-dictatorship South KoreaIt is the first study to consider the practical, cultural, and social experience of cinema-going during a formative period of Korean film historyIt presents an argument about the important legacy of the 1990s period of cinephilia; especially, its connections to the critical and economic success of South Korean filmThe book charts the rise and subsequent fall of art film exhibition spaces like videotheques (cinematheques) and independent art houses and the reasons for the decline of the art film sectorThe research is based on data drawn from contemporary media reports, archival research, as well as interviews and surveys with art film exhibitors, distributors, importers, and spectators from the periodThis monograph examines an unexplored area of South Korean cinema history the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film.This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.

This monograph examines an unexplored area of South Korean cinema history the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.

The inaugural volume of the Cinemas of Asia series, this book offers a fresh perspective on South Korean director Lee Kwang-mo’s 1998 film Spring in My Hometown (아름다운 시절). Written and directed by Lee, the intensely personal film tells the story of his grandfather’s relationship with his ten-year-old father during the Korean War. This volume examines the industrial context in which Lee attempted to bring his film into production, the cinematic cycle from which it emerged, the unique style that captivated festival juries and audiences, and the critical reception that challenged and inspired critics but divided audiences. Jackson’s book offers a rare, historical insight into an important Asian cinematic industry on the verge of commercial transformation at the end of the last century.Cinemas of Asia is the first series dedicated to the cinemas of South, Southeast, East, Central Asia, and global Asian diasporas. Each volume provides a critical analysis and interpretation of a notable film from Asian cinema and consists of thematic chapters, accessible writing, and screenshots and illustrations. Authors analyze each film from a variety of angles, including film, literary, historical, gender, post-/decolonial studies, and each volume is accessibly written, informative, and appeals to academics, students, cinephiles, and non-experts alike.

This book departs from existing studies by focusing on the impact of international influences on the society, culture, and language of both North and South Korea.

This book departs from existing studies by focusing on the impact of international influences on the society, culture, and language of both North and South Korea.

The «Korean Wave», or Hallyu phenomenon, has brought South Korean popular culture to the global population. Studies on Korean visual culture have therefore often focused on this aspect, leaving North Korea sidelined and often considered in a negative light because of its political regime. Korean Screen Cultures sets out to redress this imbalance with a broad selection of essays spanning both North and South as well as different methodological approaches, from ethnographic and audience studies to cultural materialist readings. The first section of the book, «The South», highlights popular media – including online gaming and television drama – and concentrates on the margins, in which the very nature of «The South» is contested. «The South and the North» examines North Korea as an ideological other in South Korean popular culture as well as discussing North Korean cinema itself. «The Global» offers new approaches to Korean popular culture beyond national borders and includes work on K-pop and Korean television drama. This book is a vital addition to existing scholarship on Korean popular culture, offering a unique view by providing an imaginary unification of the two Koreas negotiated through local and transnational popular culture flows.