Andrew Dorman – författare

Since the end of the Cold War, and especially following the US decision to invade Iraq, the once strong partnership between the US, Canada, and the European allies has faced the serious possibility of significant change, or even dissolution. At the very least, fundamental differences have emerged in the ways that many of the partners, perceive the issues that are most important to them—from perceptions of the threat of terrorism and attitudes to the use of force, to expectation about the future nature of the NATO Alliance—and in the ways in which those perceptions have become translated into policy decisions. In this book, experts from both sides of the Atlantic seek to explain why there has been so much divergence in the approach the various countries have taken. And it seeks to raise questions about what those divergent paths might mean for the future of transatlantic relations.

Since the end of the Cold War, and especially following the US decision to invade Iraq, the once strong partnership between the US, Canada, and the European allies has faced the serious possibility of significant change, or even dissolution. At the very least, fundamental differences have emerged in the ways that many of the partners, perceive the issues that are most important to them—from perceptions of the threat of terrorism and attitudes to the use of force, to expectation about the future nature of the NATO Alliance—and in the ways in which those perceptions have become translated into policy decisions. In this book, experts from both sides of the Atlantic seek to explain why there has been so much divergence in the approach the various countries have taken. And it seeks to raise questions about what those divergent paths might mean for the future of transatlantic relations.

This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

Andrew Dorman introduces Sierra Leone as Blair''s second great military adventure after Kosovo and the first he undertook on his own. It is tied to Blair''s 1999 Chicago speech on the ''Doctrine of the International Community'', his move towards humanitarianism and the impact of the Kosovo experience. The book links this move with the rise of cosmopolitan militaries and the increasing involvement of Western forces in humanitarian operations and their impact on the international system. Furthermore, it places it within the context of defence transformation and the emerging Western expeditionary capabilities, in particular the European Union''s new battle group concept and developments in concepts such as Network Centric Warfare and Networked Enabled Capability. Examining the whole campaign and considering the impact on the Blair Government, this book will prove to be a key reader on the topic.

Andrew Dorman introduces Sierra Leone as Blair''s second great military adventure after Kosovo and the first he undertook on his own. It is tied to Blair''s 1999 Chicago speech on the ''Doctrine of the International Community'', his move towards humanitarianism and the impact of the Kosovo experience. The book links this move with the rise of cosmopolitan militaries and the increasing involvement of Western forces in humanitarian operations and their impact on the international system. Furthermore, it places it within the context of defence transformation and the emerging Western expeditionary capabilities, in particular the European Union''s new battle group concept and developments in concepts such as Network Centric Warfare and Networked Enabled Capability. Examining the whole campaign and considering the impact on the Blair Government, this book will prove to be a key reader on the topic.

Alongside war, there has always been diplomacy; alongside the warlord, the diplomat seeking a nonmilitary solution. Diplomatic efforts have shortened some of our worst wars and exacerbated others. The interaction of war and diplomacy is a theme avidly studied worldwide, considered by political and military strategists, and watched over by all those interested in international affairs.War and Diplomacy uses twentieth- and twenty-first-century case studies to review the evolution of this aspect of conflict prevention or reduction. Its contributors consider not only the changing philosophies of the participants—politicians, diplomats, and the military—but also the outside influences that may have changed the nature, and even the purpose, of peacekeeping and conflict resolution over the past century. As today a military threat can be applied without deploying vast armies and, conversely, can be reduced with pressure from international organizations rather than from an individual warlord, so the public's awareness of military conflict is now heightened by instantaneous broadcasts to worldwide audiences and by loud calls for diplomatic intervention. Regarding media and military affairs, therefore, evidence suggests the metaphoric pen can indeed be mightier than the sword.