Anthony Cascardi - Böcker
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16 produkter
16 produkter
1 858 kr
Skickas inom 3-6 vardagar
Del 4 - Literature, Culture, Theory
Onomatopoetics
Theory of Language and Literature
Häftad, Engelska, 2010
477 kr
Skickas inom 7-10 vardagar
The relationship of words to the things they represent and to the mind which forms them has long been the subject of linguistic enquiry. Joseph Graham's challenging book, first published in 1992, takes this debate into the field of literary theory, making a searching enquiry into the nature of literary representation. It reviews the arguments of Plato's Cratylus on how words signify things, and of Chomsky's theory of the innate 'natural' status of language (contrasted with Saussure's notion of its essential arbitrariness). In the process, Graham explores the issues of meaning and intentionality in representation, and examines plausible theories of how the mind represents the world. He transcends the controversies amongst literary theorists, arguing that the solution lies not in epistemology or philosophy, but in psychology and the study of how literature teaches and why humans learn best by example.
Del 18 - Literature, Culture, Theory
Kenneth Burke
Rhetoric, Subjectivity, Postmodernism
Häftad, Engelska, 1996
493 kr
Skickas inom 7-10 vardagar
Kenneth Burke, arguably the most important American literary theorist of the twentieth century, helped define the theoretical terrain for contemporary literary and cultural studies. His perspectives were literary and linguistic, but his influences ranged across history, philosophy, and the social sciences. In this important study, first published in 1996, Robert Wess traces the trajectory of Burke's long career and situates his work in relation to postmodernity. His study is both an examination of contemporary theories of rhetoric, ideology, and the subject, and an explanation of why Burke failed to complete his Motives trilogy. Burke's own critique of the 'isolated unique individual' led him to question the possibility of unique individuation, a strategy which anticipated important elements of postmodern concepts of subjectivity. Robert Wess' study is a judicious exposition of Burke's massive oeuvre, and a crucial intervention in debates on rhetoric and human agency.
1 431 kr
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The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.
629 kr
Skickas inom 7-10 vardagar
The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.
493 kr
Skickas inom 7-10 vardagar
Peter Szondi is widely regarded as being among the most distinguished post-war literary critics. This first English edition of one of his most lucid and interesting series of lectures opens up his work in hermeneutics for English-speaking readers. The question of what is involved in understanding a text occupied Biblical and legal scholars long before it became a concern of literary critics. Peter Szondi here traces the development of hermeneutics through examination of the work of eighteenth-century German scholars. Ordinarily treated only as prefigurations of Schleiermacher, the work of Enlightenment theorists Johann Martin Chladenius, George Friedrich Meier, and Friedrich Ast yields valuable insight into the 'material theory' of interpretation, on which a practical interpretive methodology might be built.
1 371 kr
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The material elements of writing have long been undervalued, and have been dismissed by recent historicising trends of criticism; but analysis of these elements - sound, signature, letters - can transform our understanding of literary texts. In this 1994 book Tom Cohen shows how, in an era of representational criticism and cultural studies, the role of close reading has been overlooked. Arguing that much recent criticism has been caught in potentially regressive models of representation, Professor Cohen undertakes to counter this by rethinking the 'materiality' of the text itself. Through a series of revealing new readings of the work of writers including Plato, Bakhtin, Poe, Whitman and Conrad, Professor Cohen exposes the limitations of new historicism and neo-pragmatism, and demonstrates how 'the materiality of language' operates to undo the representational models of meaning imposed by the literary canon.
493 kr
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The work of Jacques Derrida can be seen to reinvent most theories. In this book Robert Smith offers both a reading of the philosophy of Derrida and an investigation of current theories of autobiography. Smith argues that for Derrida autobiography is not so much subjective self-revelation as relation to the other, not so much a general condition of thought as a general condition of writing - what Derrida calls the 'autobiography of the writing' - which mocks any self-centred finitude of living and dying. In this context, and using literary-critical, philosophical, and psychoanalytical sources, Smith thinks through Derrida's texts in a new, but distinctly Derridean, way, and finds new perspectives to analyse the work of classical writers including Hegel, Nietzsche, Kierkegaard, Freud, and de Man.
493 kr
Skickas inom 7-10 vardagar
The material elements of writing have long been undervalued, and have been dismissed by recent historicising trends of criticism; but analysis of these elements - sound, signature, letters - can transform our understanding of literary texts. In this 1994 book Tom Cohen shows how, in an era of representational criticism and cultural studies, the role of close reading has been overlooked. Arguing that much recent criticism has been caught in potentially regressive models of representation, Professor Cohen undertakes to counter this by rethinking the 'materiality' of the text itself. Through a series of revealing new readings of the work of writers including Plato, Bakhtin, Poe, Whitman and Conrad, Professor Cohen exposes the limitations of new historicism and neo-pragmatism, and demonstrates how 'the materiality of language' operates to undo the representational models of meaning imposed by the literary canon.
538 kr
Skickas inom 7-10 vardagar
What is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated.
Del 23 - Literature, Culture, Theory
Chronoschisms
Time, Narrative, and Postmodernism
Häftad, Engelska, 1997
720 kr
Skickas inom 7-10 vardagar
In Chronoschisms Ursula Heise explores the way developments in transportation, communication and information technology have led to the emergence of a different culture of time in Western societies. The radical transformation in our understanding and experience of time has also profoundly affected the structure of the novel. Heisse argues that postmodern novels are centrally concerned with the possibility of experiencing time in an age when temporal horizons have been drastically foreshortened. Drawing on theories of postmodernism and narratology, she shows how postmodern narratives break up the concept of plot into a spectrum of contradictory story lines. The coexistence of these competing experiences of time then allows new conceptions of history and posthistory to emerge, and opens up comparisons with recent scientific approaches to temporality. This wide-ranging study offers readings of postmodernist theory and fresh insight into the often vexed relationship between literature and science.
Del 21 - Literature, Culture, Theory
Theorising Textual Subjects
Agency and Oppression
Inbunden, Engelska, 1997
1 371 kr
Skickas inom 7-10 vardagar
This book addresses the central crisis in critical theory today: how to theorise the subject as both a construct of oppressive discourse and a dialogical agent. By engaging with a wide range of leading political, philosophical, and critical thinkers - Jameson, Habermas, MacIntyre, Rorty, Taylor, Benhabib, and West are all critiqued - Meili Steele proposes linking language with human agency in order to develop an alternative textual and ethical theory of the subject. Steele shows how constructivist theories of agency fail to account for the ethical implications of the supposed contingency of all contexts, and how dialogical theorists fail to acknowledge the insight of postmodern critiques. Developing this theory through readings of texts that address issues of identity, politics, race, and feminist theory, Steele illustrates that we do not have to choose between an idealised or demonised modernity.
Del 21 - Literature, Culture, Theory
Theorising Textual Subjects
Agency and Oppression
Häftad, Engelska, 1997
523 kr
Skickas inom 7-10 vardagar
This book addresses the central crisis in critical theory today: how to theorise the subject as both a construct of oppressive discourse and a dialogical agent. By engaging with a wide range of leading political, philosophical, and critical thinkers - Jameson, Habermas, MacIntyre, Rorty, Taylor, Benhabib, and West are all critiqued - Meili Steele proposes linking language with human agency in order to develop an alternative textual and ethical theory of the subject. Steele shows how constructivist theories of agency fail to account for the ethical implications of the supposed contingency of all contexts, and how dialogical theorists fail to acknowledge the insight of postmodern critiques. Developing this theory through readings of texts that address issues of identity, politics, race, and feminist theory, Steele illustrates that we do not have to choose between an idealised or demonised modernity.
Del 27 - Literature, Culture, Theory
Ideology and Inscription
'Cultural Studies' after Benjamin, De Man, and Bakhtin
Inbunden, Engelska, 1998
1 371 kr
Skickas inom 7-10 vardagar
In Ideology and Inscription Tom Cohen questions the way history, ideology and politics are invoked in contemporary cultural studies. Enlisting the work of three seminal figures in literary theory - Walter Benjamin, Paul de Man, and M. Bakhtin - Cohen argues for a new politics of memory that moves beyond what he sees as our current paralysing preoccupation with the present, and also for a new approach to the reading and analysis of cultural texts that breaks with the mimetic premises of traditional criticism. The book challenges many of the prevailing methodologies and assumptions of the contemporary critical scene and, through analyses of such topics as the rhetoric of science, ecological criticism, and the films of Hitchcock, demonstrates the subtlety and critical power of a more genuinely 'materialist' approach to a wide range of cultural texts.
Del 27 - Literature, Culture, Theory
Ideology and Inscription
'Cultural Studies' after Benjamin, De Man, and Bakhtin
Häftad, Engelska, 1998
614 kr
Skickas inom 7-10 vardagar
In Ideology and Inscription Tom Cohen questions the way history, ideology and politics are invoked in contemporary cultural studies. Enlisting the work of three seminal figures in literary theory - Walter Benjamin, Paul de Man, and M. Bakhtin - Cohen argues for a new politics of memory that moves beyond what he sees as our current paralysing preoccupation with the present, and also for a new approach to the reading and analysis of cultural texts that breaks with the mimetic premises of traditional criticism. The book challenges many of the prevailing methodologies and assumptions of the contemporary critical scene and, through analyses of such topics as the rhetoric of science, ecological criticism, and the films of Hitchcock, demonstrates the subtlety and critical power of a more genuinely 'materialist' approach to a wide range of cultural texts.
Del 32 - Literature, Culture, Theory
Theorizing the Avant-Garde
Modernism, Expressionism, and the Problem of Postmodernity
Häftad, Engelska, 1999
477 kr
Skickas inom 7-10 vardagar
In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.