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26 produkter
26 produkter
E-bok
PDF, Engelska, 1996913 kr
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Häftad, Engelska, 2005
457 kr
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This is the first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building. From Pushkin's ambivalent portrayal of an alpine Circassia to Tolstoy's condemnation of tsarist aggression against Muslim tribes in Hadji Murat, the literary analysis is firmly set in its historical context, and the responses of the Russian readership too receive extensive attention. As well as exploring literature as such, this study introduces material from travelogues, oriental studies, ethnography, memoirs, and the utterances of tsarist officials and military commanders. While showing how literature often underwrote imperialism, the book carefully explores the tensions between the Russian state's ideology of a European mission to civilise the Muslim mountaineers, and romantic perceptions of those tribes as noble primitives whose extermination was no cause for celebration. By dealing with imperialism in Georgia as well, the study shows how the varied treatment of the Caucasus in literature helped Russians construct a satisfying identity for themselves as a semi-European, semi-Asian people.
Häftad, Engelska, 2005
627 kr
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Jacques Catteau's much-acclaimed book on Dostoyevsky, which has already received three literary prizes (and one medical) in France, appears here in English for the first time. It is an original and detailed attempt to re-examine Dostoyevsky the artist, tracing the creative process from its beginnings in the notebooks to its expression in the novels, and at the same time analysing the structures of time and space, the role of colour, and other important features of the texts. For this edition the author has taken the opportunity to revise his text and bring the bibliography up to date, where possible giving references to the Soviet Academy of Sciences' edition of Dostoyeysky's works and to English versions of critical sources.
Häftad, Engelska, 2005
689 kr
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The work of the great Russian theorist Mikhail Bakhtin has been examined from a wide variety of literary and theoretical perspectives. None of the many studies of Bakhtin begins to do justice, however, to the Christian dimension of his work. Christianity in Bakhtin for the first time fills this important gap. Having established the strong presence of a Christian framework in his early philosophical essays, Ruth Coates explores the way in which Christian motifs, though suppressed, continue to find expression in the work of Bakhtin's period of exile, and re-emerge in texts written during the time of his rehabilitation. Particular attention is paid to the themes of Creation, Fall, Incarnation and Christian love operating within metaphors of silence and exile, concepts which inform Bakhtin's world view as profoundly as they influence his biography.
Häftad, Engelska, 2006
720 kr
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This book explores the unique way in which Russian culture constructs the notion of everyday life, or byt, and offers the first unified reading of Silver-age narrative which it repositions at the centre of Russian modernism. Drawing on semiotics and theology, Stephen C. Hutchings argues that byt emerged from a dialogue between two traditions, one reflected in western representational aesthetics for which daily existence figures as neutral and normative, the other encapsulated in the Orthodox emphasis on iconic embodiment. Hutchings identifies early 'Decadent' formulations of byt as a milestone after which writers from Chekhov to Rozanov sought to affirm the iconic potential hidden in Russian realism's critique of representationalism. Provocative, yet careful, textual analyses reveal a consistent urge to redefine art's function as one not of representing life, but of transfiguring the everyday.
Jews in Russian Literature after the October Revolution
Writers and Artists between Hope and Apostasy
Häftad, Engelska, 2006
565 kr
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This work is an innovative and controversial study of how four famous Jews writing in Russian in the early Soviet period attempted to resolve the conflict between their cultural identity and their place in Revolutionary Russia. Babel, Mandelstam, Pasternak and Ehrenburg struggled in very different ways to form creative selves out of the contradictions of origins, outlook, and social or ideological pressures. Efraim Sicher also explores the broader context of the literature and art of the Jewish avant-garde in the years immediately preceding and following the Russian Revolution. By comparing literary texts and the visual arts the author reveals unexpected correspondences in the response to political and cultural change. This study contributes to our knowledge of an important aspect of modern Russian writing and will be of interest to both Jewish scholars and those concerned with Slavonic studies.
Häftad, Engelska, 2006
565 kr
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This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical writing in Russian literature and will be of interest not only to Slavicists but also to those interested in genre theory. Through the close analysis of seminal satirical texts written by five Russian and émigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. The author focuses on a variety of these genres and modes and offers practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works demonstrate the variety and vitality of Russian and Soviet satire.
Häftad, Engelska, 2006
689 kr
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The Soviet writer Andrei Platonov (1899-1951) belongs to a Russian philosophical tradition that includes such figures as Vladimir Solov'ev, Mikhail Bakhtin and Boris Pasternak. This 1992 study investigates the interrelation of themes, imagery and the use of language in his prose. Thomas Seifrid shows how Platonov was particularly influenced by Russian utopian thought of the late nineteenth and early twentieth centuries, and how his world view was also shaped by its implicit dialogue with the 'official' Soviet philosophy of Marxism-Leninism, and later with Stalinist utopianism. He discusses how in Platonov's masterpieces of the late 1920s and early 1930s linguistic parody comes together with existential angst and dystopian doubts about the course of Soviet history. The study concludes with consideration of the works Platonov wrote from 1934 to 1951, in the age of socialist realism. In these, he manoeuvred to preserve some of the essentials of his earlier world view and verbal manner while fusing them to the literary formulae that were expected of him.
Häftad, Engelska, 2006
828 kr
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This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism.
Häftad, Engelska, 2006
565 kr
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Khlebnikov is becoming recognized as one of the major Russian poets of the twentieth century, having for years been dismissed as a purveyor of unintelligible verbal trickery. This book provides a broad survey of his work. Dr Cooke's aim is to be both informative and interpretative by mapping out the contours of Khlebnikov's still largely uncharted poetic world. He highlights the complex relations between the poet and his public, draws attention to Khlebnikov's preoccupation with the meaning as well as the poetry of language, points to the significance of images of war and conflict in his work, and shows how the figure of the poet-warrior can metamorphose into the poet-prophet. There is also an examination of the vexed problem of Khlebnikov's attitudes towards his manuscripts and his concept of the book.
Häftad, Engelska, 2007
783 kr
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This 1996 book offers a fascinating investigation into the lives and careers of the British in eighteenth-century Russia and, more specifically, into the development of a vibrant British community in St Petersburg during the city's first century of existence as the new capital of an ever-expanding Russian empire. Based on an extremely wide range of primary sources from Britain and Russia, the book concentrates on the activities of the British within various fields such as commerce, the navy, the medical profession, science and technology, and the arts and ends with a broad survey of travellers and of travel literature, much of which is nowadays completely unknown. Also included are many attractive and unusual illustrations which help to demonstrate the variety and character of Russia's British community.
Häftad, Engelska, 1986
658 kr
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This book is a major critical biography of the poet Maria Tsvetaeva by one of the foremost authorities on her work. It draws on a profusion of recent documentation and research, some of it hitherto unpublished, and encompasses the whole course of her life. Professor Karlinsky is careful to supply the reader with the necessary context for understanding the work by setting out the historical, political and literary background against which Tsvetaeva's life and literary development evolved. A particular feature of the book is a discussion of Tsvetaeva's relationships with her literary contemporaries, especially Mandelstam, Rilke, Akhmatova, Pasternak, and Mayakovsky, and of her emotional involvement with various men and women that are reflected in her poetry, plays and prose. Interest in Tsvetaeva's work has grown considerably and this important book will be essential reading both to scholars of twentieth-century Russian literature and cultural studies and to all serious students of modern literature.
Häftad, Engelska, 1984
565 kr
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Vladimir Nabokov was always a controversial writer. Long before the furore that attended the publication of Lolita, controversy raged over the virtues of his work. His detractors insisted that, although he wrote nine Russian novels, he had forsaken the humanistic concerns of the Russian literary tradition, while his supporters claimed that his work actually extended and enriched that tradition. David Rampton faces these apparent contradictions head on and, adopting a more detached, critical perspective than is usually found in writing on Nabokov, he tries to reach a more balanced, integrated view of the novelist's achievement. Rampton assembles evidence from Nabokov's own critical writings to show that the relationship of art to human life is central to Nabokov's work. He pursues this argument through a close reading of novels from different stages of Nabokov's career. What emerges is a provocative and stimulating revaluation of Nabokov that will interest any serious student of twentieth-century literature.
Inbunden, Engelska, 1995
1 771 kr
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Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has remained largely unexplored. This book, which draws extensively on unpublished archival materials and other contemporary sources, aims to show that in certain important respects, Wagner's music and ideas found more fertile ground in Russia than anywhere else in Europe. Beginning with the first mention of Wagner's name in the Russian press in 1841, and ending almost 150 years later when the composer was finally rehabilitated during the years of glasnost, this study provides a detailed account of Wagner's visit to Russia in 1863, and a history of the productions of his works in Russia. The book pays special attention to Wagner's important influence on the Russian modernist movement, focusing particularly on his impact on the leading Symbolist writers, Vyacheslav Ivanov, Andrey Bely and Aleksandr Blok.
Inbunden, Engelska, 1995
2 220 kr
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This is the first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building. From Pushkin's ambivalent portrayal of an alpine Circassia to Tolstoy's condemnation of tsarist aggression against Muslim tribes in Hadji Murat, the literary analysis is firmly set in its historical context, and the responses of the Russian readership too receive extensive attention. As well as exploring literature as such, this study introduces material from travelogues, oriental studies, ethnography, memoirs, and the utterances of tsarist officials and military commanders. While showing how literature often underwrote imperialism, the book carefully explores the tensions between the Russian state's ideology of a European mission to civilise the Muslim mountaineers, and romantic perceptions of those tribes as noble primitives whose extermination was no cause for celebration. By dealing with imperialism in Georgia as well, the study shows how the varied treatment of the Caucasus in literature helped Russians construct a satisfying identity for themselves as a semi-European, semi-Asian people.
Inbunden, Engelska, 1996
1 822 kr
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This 1996 book offers a fascinating investigation into the lives and careers of the British in eighteenth-century Russia and, more specifically, into the development of a vibrant British community in St Petersburg during the city's first century of existence as the new capital of an ever-expanding Russian empire. Based on an extremely wide range of primary sources from Britain and Russia, the book concentrates on the activities of the British within various fields such as commerce, the navy, the medical profession, science and technology, and the arts and ends with a broad survey of travellers and of travel literature, much of which is nowadays completely unknown. Also included are many attractive and unusual illustrations which help to demonstrate the variety and character of Russia's British community.
Inbunden, Engelska, 1999
1 632 kr
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The Development of Russian Verse explores the Russian verse tradition from Pushkin to Brodsky, showing how certain formal features are associated with certain genres and, at times, specific themes. Michael Wachtel's basic thesis is that form is never neutral: poets can react positively in terms of stylization and development, or negatively in terms of parody or revision, to the work of their predecessors, but they cannot ignore it. Keeping technical terms to a minimum and providing English translations of quotations, Wachtel offers close readings of individual poems of more than fifty poets. He aims to help English-speaking readers reconstruct the strong sense of continuity that Russian poets have always felt, transcending any individual age or ideology. Ultimately, his 1999 book is an inquiry into the nature of literary tradition itself, and how it coalesces in a country that has always taken so much of its identity from its written legacy.
Inbunden, Engelska, 1998
1 477 kr
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The turn of the nineteenth century, a time of exceptional creativity in Russia, was also a time of great receptivity to foreign cultural influences. Among the most important of these were English poetry and aesthetic thought, which gave new impetus to the Russian imagination. This 1998 book is a study of the Russian reception of English literature from Romanticism to aestheticism, focusing particularly on the reception by Russian poets of Shelley, Ruskin, Pater, Frazer and Wilde. Framing this account is a pioneering exploration of the intellectual background to these influences in comparative scholarship, illuminating a common interest in myth, folklore, anthropology, and the origins of language. This book discusses the relationship between Russian conceptions of national identity, literary influence and the origins of comparative literary history.
Inbunden, Engelska, 2000
1 378 kr
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Peter the Great's visit to England in the first months of 1698 has been called 'the most picturesque episode in the history of Anglo-Russian relations', and lives on most vividly in popular memory for the devastation caused at Sayes Court, John Evelyn's house and garden in Deptford. Recent celebrations of the tercentenary of that visit have refocused attention on the most famous of Russian tsars, but the story of Britain's love-hate relationship with him over the intervening centuries has never before been told. This study analyses changing British reactions to Peter in an extremely wide variety of printed sources - newspapers and journals, letters and collections of anecdotes, histories and biographies, novels, poems and plays. A final innovative chapter is devoted to images of the tsar as interpreted by British painters from Godfrey Kneller to Daniel Maclise, and by a whole cohort of engravers, illustrating biographies and travel accounts.
Häftad, Engelska, 2014
355 kr
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Inbunden, Engelska, 2014
560 kr
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Häftad, Engelska, 2003
549 kr
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This collection of essays includes historical and theological studies in the sacraments from a Baptist perspective. Subjects explored include the physical side of being spiritual, baptism, the Lord's Supper, the church, ordination, preaching, worship, religious liberty and the issue of disestablishment.
Häftad, Engelska, 2003
549 kr
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In this collection of essays scholars representative of a number of Nonconformist traditions reflect thematically on Nonconformistsa life and witness during the twentieth century. Among the subjects reviewed are biblical studies, theology, worship, evangelism and spirituality, and ecumenism. Over and above its immediate interest, this collection provides a marker to future scholars and others wishing to know how some of their forebears assessed Nonconformityas contribution to a variety of fields during the century leading up to Christianityas third millennium.
Häftad, Engelska, 2012
370 kr
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Inbunden, Engelska, 2012
605 kr
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E-bok
Engelska, 202649 kr
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You have spent forty hours upgrading your character, mastering complex combat mechanics, and acquiring the ultimate, world-shattering weapon. You face a generic, low-level bandit in the late game, unleash your most devastating attack, and watch in horror as only a tiny fraction of his health bar vanishes. The enemy isn't smart, fast, or tactical-he just possesses a mathematically absurd amount of hit points. This is the plague of the "e;Bullet Sponge,"e; the laziest and most frustrating mechanic in video game design. Instead of programming advanced AI or creating intricate behavioral patterns, developers artificially inflate enemy health pools and armor stats to stall player progression. This mathematical bloat completely destroys immersion, turning thrilling combat into an exhausting, repetitive chore of attrition. This book deconstructs the flawed mathematics of artificial difficulty. We examine how dynamic level scaling, endless health bars, and arbitrary damage resistance break the fundamental psychological contract of risk and reward in gaming. Learn how true difficulty is engineered. By studying the contrast between cheap numerical inflation and genuine mechanical challenge, designers and players alike will understand what makes a boss fight feel profoundly rewarding instead of punishingly tedious.