Antoinette Maget Dominice – författare

This interdisciplinary Research Handbook brings together leading scholars from different disciplines to explore art, culture and heritage law, their definition, protection and contestation. It critically assesses legal frameworks and ethical practices through four challenges: sustainable development, intergenerational equity, decolonisation and cultural rights.Adopting both a theoretical and practical approach, contributors debate the key areas in art, culture and heritage law, including the nature of cultural heritage, ethics and the art market, the development of international norms on the protection of cultural heritage, repatriation and its consequences, trafficking in peacetime and the intentional destruction of heritage and looting in wartime. Chapters discuss the significance of provenance research from both legal and ethical perspectives, outlining the changeable nature of heritage objects and the connections they can forge. This Research Handbook ultimately underscores the significance of cross-disciplinary research and public participation in cultural and heritage issues, drawing insights from law, criminology and sociology.The Research Handbook on Art, Culture and Heritage Law is a valuable resource for scholars and students of law, particularly those interested in the evolution of art and cultural heritage law. It is also a necessary read for those in related fields such as criminology, archaeology, museology and cultural studies.

Intellectual property goods are frequently referred to as intangible or abstract. Yet, traditionally, they have almost always needed to be embodied or materialized in order to be protected (and - to a certain extent - to be used and enjoyed), regardless of whether they are copyrighted works, patented inventions or trademarks. With a focus on the issue of access and the challenges of new technologies such as biotechnology and digital technologies, this unique collection analyzes the relationship between intellectual property and its physical embodiments. It contains a mixture of theoretical and practical perspectives and encompasses an interdisciplinary approach, including chapters on the connection between intellectual property and cultural heritage law, cultural property law and international trade law. The book furthermore comprises historical reflections that illuminate how intellectual property has never been purely about the intangible.Intellectual Property and Access to Im/material Goods will be of interest to scholars, practitioners and law and policymakers. Users of intellectual property goods such as museums, libraries, archives and/or other cultural institutions, as well as users of biomaterials, copyrighted works, patented inventions and/or trademarked goods will find value in this book.Contributors include: C.E. Bell, M. Blakeney, D.L. Burk, S. Corbett, S. Frankel, M.J. Madison, A. McMahon, A. Pottage, L.K. Skorodenski, G. Spedicato, P.K. Yu

Intellectual property goods are frequently referred to as intangible or abstract. Yet, traditionally, they have almost always needed to be embodied or materialized in order to be protected (and - to a certain extent - to be used and enjoyed), regardless of whether they are copyrighted works, patented inventions or trademarks.

With a focus on the issue of access and the challenges of new technologies such as biotechnology and digital technologies, this unique collection analyzes the relationship between intellectual property and its physical embodiments. It contains a mixture of theoretical and practical perspectives and encompasses an interdisciplinary approach, including chapters on the connection between intellectual property and cultural heritage law, cultural property law and international trade law. The book furthermore comprises historical reflections that illuminate how intellectual property has never been purely about the intangible.

Intellectual Property and Access to Im/material Goods will be of interest to scholars, practitioners and law and policymakers. Users of intellectual property goods such as museums, libraries, archives and/or other cultural institutions, as well as users of biomaterials, copyrighted works, patented inventions and/or trademarked goods will find value in this book.

Contributors include: C.E. Bell, M. Blakeney, D.L. Burk, S. Corbett, S. Frankel, M.J. Madison, A. McMahon, A. Pottage, L.K. Skorodenski, G. Spedicato, P.K. Yu

This interdisciplinary Research Handbook brings together leading scholars from different disciplines to explore art, culture and heritage law, their definition, protection and contestation. It critically assesses legal frameworks and ethical practices through four challenges: sustainable development, intergenerational equity, decolonisation and cultural rights.Adopting both a theoretical and practical approach, contributors debate the key areas in art, culture and heritage law, including the nature of cultural heritage, ethics and the art market, the development of international norms on the protection of cultural heritage, repatriation and its consequences, trafficking in peacetime and the intentional destruction of heritage and looting in wartime. Chapters discuss the significance of provenance research from both legal and ethical perspectives, outlining the changeable nature of heritage objects and the connections they can forge. This Research Handbook ultimately underscores the significance of cross-disciplinary research and public participation in cultural and heritage issues, drawing insights from law, criminology and sociology.The Research Handbook on Art, Culture and Heritage Law is a valuable resource for scholars and students of law, particularly those interested in the evolution of art and cultural heritage law. It is also a necessary read for those in related fields such as criminology, archaeology, museology and cultural studies.

This interdisciplinary Research Handbook brings together leading scholars from different disciplines to explore art, culture and heritage law, their definition, protection and contestation. It critically assesses legal frameworks and ethical practices through four challenges: sustainable development, intergenerational equity, decolonisation and cultural rights.Adopting both a theoretical and practical approach, contributors debate the key areas in art, culture and heritage law, including the nature of cultural heritage, ethics and the art market, the development of international norms on the protection of cultural heritage, repatriation and its consequences, trafficking in peacetime and the intentional destruction of heritage and looting in wartime. Chapters discuss the significance of provenance research from both legal and ethical perspectives, outlining the changeable nature of heritage objects and the connections they can forge. This Research Handbook ultimately underscores the significance of cross-disciplinary research and public participation in cultural and heritage issues, drawing insights from law, criminology and sociology.The Research Handbook on Art, Culture and Heritage Law is a valuable resource for scholars and students of law, particularly those interested in the evolution of art and cultural heritage law. It is also a necessary read for those in related fields such as criminology, archaeology, museology and cultural studies.