Research Handbook on Art, Culture and Heritage Law

Edited by Sophie Vigneron, Kent Law School, University of Kent, UK, Janet Ulph, Leicester Law School, University of Leicester, UK and Antoinette Maget Dominicé, Faculty of Law, University of Geneva, Switzerland

‘The Research Handbook on Art, Culture and Heritage Law gathers leading experts with diverse perspectives and will be an indispensable tool for everyone who works in the challenging, multi-faceted and complex field of art, culture and heritage law. My congratulations to the editors and authors.’

• ContentsList of contributors ix1 Introduction 1Janet Ulph, Antoinette Maget Dominicé and Sophie VigneronPART I CONCEPTS2 Authentic v fake 12Sophie Vigneron3 Circulation, journey and itineraries of cultural objects 35Rosemary A. Joyce4 Cultural heritage as a concept in religious studies 48Andrew J. M. Irving5 Heritage and identity 67Mirosław Michał Sadowski6 Cultural heritage and destruction 80Leva Wenzel7 Digital cultural heritage as a concept 98Jörg LehmannPART II INTERNATIONAL FRAMEWORKS8 The development of the International Cultural Heritage Law Framework 115Sebastian M. Spitra9 Heritage and sovereignty 134Andrzej Jakubowski10 Participation of non-state actors in cultural heritage management andrulemaking 151Alice Lopes Fabris11 International heritage law and communities 174Lucas LixinskiPART III INTERNATIONAL CONVENTIONS12 The 1954 Hague Convention 188Emma Cunliffe13 Dissecting international cultural heritage crimes 210Anne-Marie Carstens14 The 1970 UNESCO Convention 232Patty Gerstenblith15 Back to the future 253Giuditta Giardini and Marina Schneider16 World heritage and sustainable development 268Sophia Labadi17 The 2001 UNESCO Convention on the Protection of the UnderwaterCultural Heritage 280Elena Perez-Alvaro18 The Council of Europe conventions 297Robert PickardPART IV DOMESTIC PERSPECTIVES19 Cultural heritage law in the United States 321Derek Fincham20 The safeguarding of cultural heritage 342Jorge Sánchez Cordero21 Between Prague and Ljubljana 358Wolfgang Wieshaider22 Cultural heritage as a legal and political construct 369Marie Cornu and Noé Wagener23 From a moral function to a utilitarian function 383Jihane ChedoukiPART V THE ART TRADE24 Ethics and the art market 405Janet Ulph25 Provenance, due diligence and discourse(s) 426Marie Cornu and Antoinette Maget Dominicé26 Provenance as accountability 441Lynn Rother, Max Koss and Fabio Mariani27 Art export controls 458Anna Pirri Valentini28 Transnational criminal regulation and its domestic effects on the art trade 474Saskia Hufnagel29 EU Regulation 2019/880 on the import of cultural goods 500Neil Brodie30 Exploring aspects of the online trade in antiquities through snapshotanalysis 513Emily Peacock and Donna YatesPART VI RESTITUTION AND RETURN31 ADR and the Indigenous repatriation claim 529Debbie De Girolamo32 Cross-border restitution 552Evelien Campfens33 The return of cultural objects 569Kristin Hausler34 To share or not to share? Shared heritage in the post-colonial context 584Marie-Marie-Sophie de Clippele35 Digital activism as tool for the return of cultural objects 609Emiline Smith36 Restitution beyond the object 627Andrea Wallace, Francesca Farmer and Mathilde Pavis