Janet Ulph – författare

Theft, deception, bribery, rogue trading and money laundering present massive and apparently insuperable problems for governments worldwide. On a national and international scale, these types of activities may have social, economic and political repercussions. This new book is primarily concerned with the impact of these activities upon private individuals. The text analyses the position of the victim, the fraudster, recipients of property and accessories. The focus is upon the civil law aspects of fraud and the increasing significance of money laundering legislation and the law of human rights. The main theme of this book is an examination of the extent to which fraudulent activity triggers special rules which are exceptions to the general principles of civil law. There is the further question of the extent to which theft and fraud affect transactions which are interlinked. Policy issues are weighed in the balance, such as the protection of property rights against the need to ensure the free circulation of goods and the security of good faith purchase, and the demand for certainty in the law against the need to deter fraud.

This interdisciplinary Research Handbook brings together leading scholars from different disciplines to explore art, culture and heritage law, their definition, protection and contestation. It critically assesses legal frameworks and ethical practices through four challenges: sustainable development, intergenerational equity, decolonisation and cultural rights.Adopting both a theoretical and practical approach, contributors debate the key areas in art, culture and heritage law, including the nature of cultural heritage, ethics and the art market, the development of international norms on the protection of cultural heritage, repatriation and its consequences, trafficking in peacetime and the intentional destruction of heritage and looting in wartime. Chapters discuss the significance of provenance research from both legal and ethical perspectives, outlining the changeable nature of heritage objects and the connections they can forge. This Research Handbook ultimately underscores the significance of cross-disciplinary research and public participation in cultural and heritage issues, drawing insights from law, criminology and sociology.The Research Handbook on Art, Culture and Heritage Law is a valuable resource for scholars and students of law, particularly those interested in the evolution of art and cultural heritage law. It is also a necessary read for those in related fields such as criminology, archaeology, museology and cultural studies.

This new text provides practical guidance on the modern law relating to cultural objects which have been stolen, looted or illegally exported. It explains how English criminal law principles, including money laundering measures, apply to those who deal in cultural objects in a domestic or international setting. It discusses the recovery of works of art and antiquities in the English courts where there are competing claims between private individuals, or between individuals and the UK Government or a foreign State. Significantly, this text also provides an exposition of the law where a British law enforcement agency, or a foreign law enforcement agency, is involved in the course of criminal or civil proceedings in an English court. The growth of relevant international instruments, which include not only those devoted to the protection of mankind''s cultural heritage but also those concerned with money laundering and serious organised crime, provide a backdrop to this discussion. The UK''s ratification of the UNESCO Convention on Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property 1970 in 2002 is considered. The problems posed in attempting to curb trafficking in art and antiquities are explored and the effectiveness of the current law is analysed.

This new text provides practical guidance on the modern law relating to cultural objects which have been stolen, looted or illegally exported. It explains how English criminal law principles, including money laundering measures, apply to those who deal in cultural objects in a domestic or international setting. It discusses the recovery of works of art and antiquities in the English courts where there are competing claims between private individuals, or between individuals and the UK Government or a foreign State. Significantly, this text also provides an exposition of the law where a British law enforcement agency, or a foreign law enforcement agency, is involved in the course of criminal or civil proceedings in an English court. The growth of relevant international instruments, which include not only those devoted to the protection of mankind''s cultural heritage but also those concerned with money laundering and serious organised crime, provide a backdrop to this discussion. The UK''s ratification of the UNESCO Convention on Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property 1970 in 2002 is considered. The problems posed in attempting to curb trafficking in art and antiquities are explored and the effectiveness of the current law is analysed.

This interdisciplinary Research Handbook brings together leading scholars from different disciplines to explore art, culture and heritage law, their definition, protection and contestation. It critically assesses legal frameworks and ethical practices through four challenges: sustainable development, intergenerational equity, decolonisation and cultural rights.Adopting both a theoretical and practical approach, contributors debate the key areas in art, culture and heritage law, including the nature of cultural heritage, ethics and the art market, the development of international norms on the protection of cultural heritage, repatriation and its consequences, trafficking in peacetime and the intentional destruction of heritage and looting in wartime. Chapters discuss the significance of provenance research from both legal and ethical perspectives, outlining the changeable nature of heritage objects and the connections they can forge. This Research Handbook ultimately underscores the significance of cross-disciplinary research and public participation in cultural and heritage issues, drawing insights from law, criminology and sociology.The Research Handbook on Art, Culture and Heritage Law is a valuable resource for scholars and students of law, particularly those interested in the evolution of art and cultural heritage law. It is also a necessary read for those in related fields such as criminology, archaeology, museology and cultural studies.

This interdisciplinary Research Handbook brings together leading scholars from different disciplines to explore art, culture and heritage law, their definition, protection and contestation. It critically assesses legal frameworks and ethical practices through four challenges: sustainable development, intergenerational equity, decolonisation and cultural rights.Adopting both a theoretical and practical approach, contributors debate the key areas in art, culture and heritage law, including the nature of cultural heritage, ethics and the art market, the development of international norms on the protection of cultural heritage, repatriation and its consequences, trafficking in peacetime and the intentional destruction of heritage and looting in wartime. Chapters discuss the significance of provenance research from both legal and ethical perspectives, outlining the changeable nature of heritage objects and the connections they can forge. This Research Handbook ultimately underscores the significance of cross-disciplinary research and public participation in cultural and heritage issues, drawing insights from law, criminology and sociology.The Research Handbook on Art, Culture and Heritage Law is a valuable resource for scholars and students of law, particularly those interested in the evolution of art and cultural heritage law. It is also a necessary read for those in related fields such as criminology, archaeology, museology and cultural studies.