Art Spiegelman – författare

The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him'The first masterpiece in comic book history' The New YorkerMaus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits, studying the bloody pawprints of history and tracking its meaning for those who come next.HAILED AS THE GREATEST GRAPHIC NOVEL OF ALL TIME, THIS COMBINED, DEFINITIVE EDITION INCLUDES MAUS I: A SURVIVOR'S TALE AND MAUS II.___________________'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal'A brutally moving work of art' Boston Globe'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman'A capital-G Genius' Michael Chabon

A SPECIAL-EDITION BOXSET CREATED TO CELEBRATE THE PULITZER-PRIZE WINNING GRAPHIC NOVEL'S 40TH ANNIVERSARY'The first masterpiece in comic book history' The New Yorker 'The most affecting and successful narrative ever done about the Holocaust' Wall Street JournalA brutally moving work of art -- widely hailed as the greatest graphic novel ever written -- MAUS recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.This paperback box set includes MAUS in its original two-volume format, re-released with an exclusive sixteen-page booklet designed by the artist himself. ___________________________________________________________________________'A brutally moving work of art' Boston Globe'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman'A capital-G Genius' Michael Chabon

VISUALLY AND EMOTIONALLY RICH, TAKE A LOOK INSIDE ART SPIEGELMAN'S MODERN CLASSIC, MAUS'If you are serious about comics or the Holocaust, this book should be on your shelf' San Francisco Book Review*****************************MAUS is widely renowned as one of the greatest pieces of art and literature ever written about the Holocaust. Readers adore it, and it's studied in colleges and universities all over the world.In MetaMAUS, Art Spiegelman re-enters the world of his Pulitzer-prize winning graphic novel to probe the questions that it often evokes: Why the Holocaust? Why mice? Why comics?Including never-before-seen sketches, alternate drafts, family photos, diary entries and the transcript of his interviews with his father Vladek as well as an interview with Art himself, MetaMAUS is as ground-breaking as the masterpiece whose creation it reveals.The perfect gift, this vital companion is a must-read for any fan of MAUS.*****************************'Richly rewarding...The book serves as a masterclass on the making and reading of comics' The New York Times Book Review'A fascinating meditation on art, writing, and one of the darkest periods in human history' The Atlantic'MetaMaus will leave even the most ardent admirers of Maus newly in awe of its author's creative courage, ingenuity and stamina' San Francisco Chronicle

"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord."- The New York TimesArt Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets.Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day.Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

A richly illustrated book in which leading cultural critics, authors, and academics reflect on the radical achievement and innovation of Art Spiegelman's Pulitzer Prize-winning masterpiece Maus'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal___________________________________________________________________________It is hard to overstate Art Spiegelman's effect on postwar American culture. The Pulitzer Prize-winning author is one of our most influential contemporary artists, and his masterpiece Maus has shaped the fields of literature, history, and art. Collecting responses to the work that confirm its unique and terrain-shifting status, Maus Now is a new collection of essays that sees writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approaching the complexity of Maus from a wide range of viewpoints and traditions.Offering translations of important French, Hebrew, and German essays on Maus for the first time, this collection edited by American literary scholar Hillary Chute - an expert on comics and graphic narratives - assembles the world's best writing on this classic work of graphic testimony.___________________________________________________________________________'The first masterpiece in comic book history' The New Yorker on Maus'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik on Maus'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman on Maus

The creator of the Pulitzer Prize-winning Maus explores the comics form...and how it formed him!**In a new flexibound format with an updated afterword**This book opens with Portrait of the Artist as a Young %@&*!, creating vignettes of the people, events, and comics that shaped Art Spiegelman. It traces the artist's evolution from a MAD-comics obsessed boy in Rego Park, Queens, to a neurotic adult examining the effect of his parents' memories of Auschwitz on his own son.The second part presents a facsimile of Breakdowns, the long-sought after collection of the artist's comics of the 1970s, the book that triggers these memories. Breakdowns established the mode of formally sophisticated comics that transformed the medium, and includes the prototype of Maus, cubist experiments, an essay on humor, and the definitive genre-twisting pulp story "Ace Hole-Midget Detective."Pulling all this together is an illustrated essay that looks back at the sixties as the artist pushes sixty, and explains the obsessions that brought these works into being. Poignant, funny, complex, and innovative, Breakdowns alters the terms of what can be accomplished in a memoir.'Art Spiegelman is the single most important comic creator' Alan Moore

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day.Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

A richly illustrated book in which leading cultural critics, authors, and academics reflect on the radical achievement and innovation of Art Spiegelman's Pulitzer Prize-winning masterpiece Maus'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal___________________________________________________________________________It is hard to overstate Art Spiegelman's effect on postwar American culture. The Pulitzer Prize-winning author is one of our most influential contemporary artists, and his masterpiece Maus has shaped the fields of literature, history, and art. Collecting responses to the work that confirm its unique and terrain-shifting status, Maus Now is a new collection of essays that sees writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approaching the complexity of Maus from a wide range of viewpoints and traditions.Offering translations of important French, Hebrew, and German essays on Maus for the first time, this collection edited by American literary scholar Hillary Chute - an expert on comics and graphic narratives - assembles the world's best writing on this classic work of graphic testimony.___________________________________________________________________________'The first masterpiece in comic book history' The New Yorker on Maus'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik on Maus'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman on Maus

A gorgeous 350-page collection of the greatest children’s comics, compiled by Art Spiegelman and Françoise Mouly, now back in print for a new generation of kids (and classic comics fans of all ages).This unprecedented collection of the greatest comics for children was artfully compiled by two of the best-known creators in publishing and the field of comics, Art Spiegelman and Françoise Mouly, who also contribute a funny foreword that they call "Out of the Trash and into a Treasury."This treasury contains humorous stories that range from a single page to eight or even twenty-two pages, each complete and self-contained. Pogo, Donald Duck and Uncle Scrooge, and Dennis the Menace are among the favorite characters who appear in these pages.The comics have been culled from the Golden Age of comic books, roughly the 1940s through the early 1960s, and feature the best examples of works by such renowned artists and writers as Carl Barks, John Stanley, Sheldon Mayer, Walt Kelly, Basil Wolverton, and George Carlson, among many, many others.The book is organized into five categories (Hey, Kids!; Funny Animals; Fantasyland; Story Time!; and Wacky & Weird), and Spiegelman and Mouly have used their expertise to frame each category with an introductory essay and provide brief biographies of the artists.The TOON Treasury of Classic Children’s Comics is essential reading for kids of all ages.

What's got a tail and just wants to go home with you, but will never make a mess on the carpet, or smell like, well, wet dog?Through the power of a wizard's magic comes a book that isn't a book-it's a DOG! We promise.Have you ever seen a book that barks? How about a dog with pages? For all the kids who keep asking for a dog and don't seem to appreciate their books enough, we have the perfect solution. Pulitzer Prize-winner Art Spiegelman, the author of Maus and Jack and the Box, has conjured up a winning mix of dog and hardcover picture book, complete with fuzzy, cuddly pages, a tail, a sturdy cotton leash, and so much more. Bring this lovable pooch into your family and he's sure to become a kid's-or reader's-best friend!

Maus flätar ihop två starka historier till en viktig och angelägen roman om Förintelsen och de överlevandes traumatiska arv. Den ena historien handlar om hur handelsresanden Vladek Spiegelman, en polsk jude, med tur och rådighet lyckades överleva Förintelsen tillsammans med hustrun Anja i det av Nazityskland ockuperade Polen. Denna nyutgåva av Maus är noggrant övervakad av Art Spiegelman själv och har en helt ny översättning, som är mer korrekt gentemot originalet än den gamla. Det är en hemsk berättelse om ständig fara för livet, osannolika räddningar, ångest och svält på trånga gömställen, oväntad hjälp och otäckt förräderi. Och slutligen det djupaste helvetet i Auschwitz. Den andra historien handlar om serieskaparen Art Spiegelmans plågade relation till sin åldrande far, som efter kriget flyttat till USA. Som många andra överlevande från Förintelsen har också Vladek hållit tyst om sina upplevelser. Men nu kräver Art att pappan ska berätta, för han vill nedteckna sin fars fasansfulla historia innan det är för sent, och han hoppas att därigenom bättre kunna förstå och kanske kunna förlika sig med sin rätt påfrestande far. Men pappans berättelse slungar ut sonen i förtvivlan, hopplöshet och depression. Maus är på många plan den definitiva berättelsen om Förintelsens överlevande – och därutöver berättelsen om deras barn, som på något sätt blir de överlevandes överlevande. “MAUS förändrade seriemediet för alltid. Serier kan nu handla om allting.” Alison Bechdel “MAUS är en bok som inte går att lägga ifrån sig, tro mig, inte ens för att sova.När två av mössen talar om kärlek blir du rörd, när de lider, då gråter du.” Umberto Eco “MAUS handlar om då och där – men också om nu och här. Spiegelman skildrar sin far, mor och sig – men också mig och dig.” Bengt Eriksson, Bild och Bubbla “Som ett unikt vittnesbörd om de verkligt fasansfulla illdåd vi människor är i stånd att göra mot varandra, är MAUS onekligen ett mästerverk.” Tom Engelhardt, Unbanning MAUS (2022) Art Spiegelman (född 1948) är en av nutidens mest hyllade serieskapare. Han har tagit emot nära nog alla USA:s och Europas stora seriepriser och många andra kulturpriser. Som första och än så länge enda serieskapare fick han USA:s berömda Pulitzerpris (1992) för Maus. Han började sin seriekarriär på USA:s uppkäftiga undergroundseriescen i slutet av 1960-talet. Hans serier var ofta experimentella analyser av seriernas bildspråk och berättarstruktur. De samlades i boken Breakdowns (1977). Tillsammans med sin hustru, designern och förläggaren Françoise Mouly, startade han Raw (1980–1991), en tidskrift för internationella avantgardeserier. I andra numret av Raw kom första kapitlet av Maus. Han har gjort få serier efter Maus. Nämnas bör In the Shadow of No Towers (2004) om attentatet 2001 mot New Yorks Twin Towers och Portrait of the Artist as a Young %@&*! (2008), en utvidgad nyutgåvaav Breakdowns. Från 1992 till 2002 tecknade han omslag åt tidskriften The New Yorker. Han har illustrerat romaner och dikter, The Wild Party (1994) och Street Cop (2021). Tillsammans med Mouly har han givit ut moderna klassiska barnserier i Toon Books och Little Lit. Han har undervisat vid School of Visual Arts i New York och arrangerat internationella utställningar (Co-Mix, 2012–2014). I böcker som Jack Cole (2001) och Meta-Maus (2011) har han undersökt de populära serier som var jordmånen för hans konst.

The creator of the Pulitzer Prize-winning Maus explores the comics form...and how it formed him!This book opens with Portrait of the Artist as a Young %@&*!, creating vignettes of the people, events, and comics that shaped Art Spiegelman. It traces the artist's evolution from a MAD-comics obsessed boy in Rego Park, Queens, to a neurotic adult examining the effect of his parents' memories of Auschwitz on his own son.The second part presents a facsimile of Breakdowns, the long-sought after collection of the artist's comics of the 1970s, the book that triggers these memories. Breakdowns established the mode of formally sophisticated comics that transformed the medium, and includes the prototype of Maus, cubist experiments, an essay on humor, and the definitive genre-twisting pulp story "Ace Hole-Midget Detective."Pulling all this together is an illustrated essay that looks back at the sixties as the artist pushes sixty, and explains the obsessions that brought these works into being. Poignant, funny, complex, and innovative, Breakdowns alters the terms of what can be accomplished in a memoir.

The second volume of collected woodcut graphic novels from a “brilliant and iconoclastic” author who has been compared to Frank Capra and John Steinbeck (Jonathan Lethem, New York Times–bestselling author of The Fortress of Solitude)In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate.The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.