Ashley Woodward – författare

This collection of essays, including one by Simondon himself, outlines the central tenets of Simondon''s thought, the implication of his thought for numerous disciplines and his relationship to other thinkers such as Heidegger, Deleuze and Canguilhem. Complete with a contextualising introduction and a glossary of technical terms, it offers an entry point to this important thinker and will appeal to people working in philosophy, philosophy of science, media studies, social theory and political philosophy. Contributors include: Miguel de Beistegui, University of Warwick; Elizabeth Grosz, Rutgers University, New Jersey; Anne Sauvagnargues, Ecole Normale Supérieure, Lyon and Bernard Stiegler, Pompidou Centre, Paris.

Ashley Woodward demonstrates what a new generation of scholars are just discovering: that Lyotard’s incisive work is essential for current debates in the humanities. Lyotard’s ideas about the arts and the confrontations between humanist traditions and cutting-edge sciences and technologies are today known as ‘posthumanism’. Woodward presents a series of studies to explain Lyotard’s specific interventions in information theory, new media arts and the changing nature of the human. He assesses their relevance and impact in relation to a number of important contemporary thinkers including Bernard Stiegler, Luciano Floridi, Quentin Meillassoux and Paul Virilio.

Interpreting Nietzsche explores how some of the most important thinkers of the 20th century have responded to the legacy of his writings. Each chapter focuses on how Nietzsche''s work has been read by such major figures as:

Martin HeideggerJacques DerridaGiles DeleuzeLuce IrigarayGianni Vattimo

Encouraging students to take their studies further, each chapter also includes annotated guides to further primary and secondary reading.

Ashley Woodward demonstrates what a new generation of scholars are just discovering: that Lyotard’s incisive work is essential for current debates in the humanities. Lyotard’s ideas about the arts and the confrontations between humanist traditions and cutting-edge sciences and technologies are today known as ‘posthumanism’. Woodward presents a series of studies to explain Lyotard’s specific interventions in information theory, new media arts and the changing nature of the human. He assesses their relevance and impact in relation to a number of important contemporary thinkers including Bernard Stiegler, Luciano Floridi, Quentin Meillassoux and Paul Virilio.

This collection presents, for the first time in English, Jean-François Lyotard’s major essays on film: ''Acinema'', ''The Unconscious as Mise-en-scène'', ''Two Metamorphoses of the Seductive in Cinema'' and ''The Idea of a Sovereign Film''. Then, eight critical essays by philosophers and film theorists examine Lyotard''s film work and influence across two sections: ''Approaches and Interpretations'' and ''Applications and Extensions''. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard’s film-philosophy, an overview of Lyotard’s practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard’s reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.

This collection presents, for the first time in English, Jean-François Lyotard’s major essays on film: ''Acinema'', ''The Unconscious as Mise-en-scène'', ''Two Metamorphoses of the Seductive in Cinema'' and ''The Idea of a Sovereign Film''. Then, eight critical essays by philosophers and film theorists examine Lyotard''s film work and influence across two sections: ''Approaches and Interpretations'' and ''Applications and Extensions''. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard’s film-philosophy, an overview of Lyotard’s practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard’s reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.