Acinemas

This collection presents, for the first time in English, Jean-François Lyotard’s major essays on film: ''Acinema'', ''The Unconscious as Mise-en-scène'', ''Two Metamorphoses of the Seductive in Cinema'' and ''The Idea of a Sovereign Film''. Then, eight critical essays by philosophers and film theorists examine Lyotard''s film work and influence across two sections: ''Approaches and Interpretations'' and ''Applications and Extensions''. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard’s film-philosophy, an overview of Lyotard’s practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced.
Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard’s reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.