Benjamin Loy – författare

Visionary Chilean writer Roberto Bolaño was known for his darkly poetic prose and postmodern narratives, exemplified in his novel The Savage Detectives. His work is also deeply infused with references to the Western literary canon—from French and Spanish baroque texts to American and German modernism, as well as postmodern literature from Latin America and France. Taking Bolaño's notion of "savage" reading as a point of departure, this study explores the key authors and literary traditions that underpin his oeuvre. Blending close textual analysis with insights from the history of literature and ideas, Loy offers fresh perspectives on some of Bolaño's most significant works, including Distant Star, By Night in Chile, and 2666. The intertextual dialogues Loy traces—with figures such as Blaise Pascal, Sor Juana Inés de la Cruz, Charles Baudelaire, William Carlos Williams, Ernst Jünger, Nicanor Parra, and Georges Perec—illuminate the aesthetic universe of an author now regarded as a central figure in twenty-first-century world literature.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Visionary Chilean writer Roberto Bolaño was known for his darkly poetic prose and postmodern narratives, exemplified in his novel The Savage Detectives. His work is also deeply infused with references to the Western literary canon—from French and Spanish baroque texts to American and German modernism, as well as postmodern literature from Latin America and France. Taking Bolaño's notion of "savage" reading as a point of departure, this study explores the key authors and literary traditions that underpin his oeuvre. Blending close textual analysis with insights from the history of literature and ideas, Loy offers fresh perspectives on some of Bolaño's most significant works, including Distant Star, By Night in Chile, and 2666. The intertextual dialogues Loy traces—with figures such as Blaise Pascal, Sor Juana Inés de la Cruz, Charles Baudelaire, William Carlos Williams, Ernst Jünger, Nicanor Parra, and Georges Perec—illuminate the aesthetic universe of an author now regarded as a central figure in twenty-first-century world literature.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

How can we talk about World Literature if we do not actually examine the world as a whole? Research on World Literature commonly focuses on the dynamics of a western center and a southern periphery, ignoring the fact that numerous literary relationships exist beyond these established constellations of thinking and reading within the Global South. Re-Mapping World Literature suggests a different approach that aims to investigate new navigational tools that extend beyond the known poles and meridians of current literary maps. Using the example of Latin American literatures, this study provides innovative insights into the literary modeling of shared historical experiences, epistemological crosscurrents, and book market processes within the Global South which thus far have received scant attention. The contributions to this volume, from renowned scholars in the fields of World and Latin American literatures, assess travelling aesthetics and genres, processes of translation and circulation of literary works, as well as the complex epistemological entanglements and shared worldviews between Latin America, Africa and Asia. A timely book that embraces highly innovative perspectives, it will be a must-read for all scholars involved in the field of the global dimensions of literature.

With its new subtitle, Romance Literatures of the World, the book series mimesis presents an innovative and integral understanding of the Romance world and Romance Studies from the perspective of literary studies and cultural theory. It takes account of the fact that the fascinating development of Romance literatures and cultures both in Europe and beyond has set in motion worldwide dynamics which continue the great traditions of the Romance world and open up new horizons for them. mimesis works from a transareal understanding of Romance Studies which integrates Romance literatures and cultures both within and outside Europe and which transcends the national and disciplinary boundaries which often conceal the interactions between different traditions and developmentsin Europe and the Americas, in Africa and Asia. In the archipelago of Romance Studies, mimesis reveals how the representation of reality in the Romance literatures of the world opens the door to a multilingual cosmos of diverse logics.

From the perspective of Latin American Studies, this volume offers a critical contribution to the current debate on world literature. It is structured around three conceptual blocks: "gatekeepers", as the dispositives and actors mediating the international circulation of literature; "translation", as an unavoidable but always problematic mechanism; and "local literatures", as modes of writing that remain intrinsically tied to their contexts.

Phenomena such as the Covid-19 pandemic, climate change, or the surge of political populism show that the current phase of accelerated globalization is over. New concepts are needed in order to respond to this exhaustion of the global project: the volume scrutinizes these responses in the aesthetic realm and under a "post-global" banner, while incorporating alternative, non-Western epistemologies and literatures of the post-colonial Global South.

With its new subtitle, Romance Literatures of the World, the book series mimesis presents an innovative and integral understanding of the Romance world and Romance Studies from the perspective of literary studies and cultural theory. It takes account of the fact that the fascinating development of Romance literatures and cultures both in Europe and beyond has set in motion worldwide dynamics which continue the great traditions of the Romance world and open up new horizons for them. mimesis works from a transareal understanding of Romance Studies which integrates Romance literatures and cultures both within and outside Europe and which transcends the national and disciplinary boundaries which often conceal the interactions between different traditions and developmentsin Europe and the Americas, in Africa and Asia. In the archipelago of Romance Studies, mimesis reveals how the representation of reality in the Romance literatures of the world opens the door to a multilingual cosmos of diverse logics.

Phenomena such as the Covid-19 pandemic, climate change, or the surge of political populism show that the current phase of accelerated globalization is over. New concepts are needed in order to respond to this exhaustion of the global project: the volume scrutinizes these responses in the aesthetic realm and under a "post-global" banner, while incorporating alternative, non-Western epistemologies and literatures of the post-colonial Global South.