Bernd Fischer – författare

New essays on the most prominent German dramatist and short-story writer of the early 19th century.For over 150 years, Heinrich von Kleist (1777-1811) has been one of the most widely read and performed German authors. His status in the literary canon is firmly established, but he has always been one of Germany's most contentiously discussed authors. Today's critical debate on his unique prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of late nineteenth- and early twentieth-century modernism. Yet there can be no question that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. During the last thirty years, the scholarship on Kleist's work and life has departed from the existentialist wave of the 1950s and early 1960s and opened up new avenues for coming to terms with his unusual talent. The present volume brings together the most important and innovative of these newer scholarly approaches: the essays include critically informed, up-to-date interpretations of Kleist's most-discussed stories and dramas. Other contributions analyze Kleist's literary means and styles and their theoretical underpinnings. They include articles on Kleist's narrative and theatrical technique, poetic and aesthetic theory, philosophical and political thought, and insights from new biographical research.Contributors: Jeffrey L. Sammons,Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Seán Allan. Bernd Fischer is Professor of German and Head of theDepartment of German at Ohio State University.

New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity.Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today.This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity?Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider.Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.

This book constitutes the refereed proceedings of the 15th International Colloquium on Theoretical Aspects of Computing, ICTAC 2018, held in Stellenbosch, South Africa, in October 2018. The 25 revised full papers presented together with two short and two long invited talks were carefully reviewed and selected from 59 submissions. The ICTAC conference aims at bringing together researchers and practitioners from academia, industry and government to present research and exchange ideas and experience addressing challenges in both theoretical aspects of computing and the exploitation of theory through methods and tools for system development. ICTAC also specifically aims to promote research cooperation between developing and industrial countries.

The last decade has seen renewed interest in political theories of the public sphere, reacting to new challenges posed by globalization, communication technology, and intra- and international conflicts. However, the role of culture and aesthetics in the formation of the public sphere has received insufficient analytical attention. The essays in this volume explore different strategies for enriching the ongoing debates on this issue, ranging from historical case studies to theoretical examinations of cultural interdependencies and the aesthetic potential of literature and art. The contributions implicitly challenge Jürgen Habermas’ assumption that the public discourse about art and literature should be seen as a mere precursor to the emergence of the public sphere in the eighteenth century, which, from his point of view, is best discussed in the terminology of political theory. Topics range from the French Revolution’s exclusive social metaphors to Herder’s anticipation of virtual publics, from the distortions of public communication to revolutionary potentials of popular taste, and from postcolonial feuilletons to the global bio-political imaginaries evoked by mobile communication. The essays are intended for scholars and students in political theory and philosophy as well as in German, Latin American, and Modern Hebrew literature and culture.

This book constitutes the refereed proceedings of the 22nd International Symposium on Model Checking Software, SPIN 2015, held in Stellenbosch, South Africa, in August 2015. The 18 papers presented – 14 regular papers and 4 tool or new idea papers – were carefully reviewed and selected from 27 submissions.

Hyperbaric medicine involves the use of barometric pressure great­ er than that at sea level for the treatment of diseases. The term makes no distinction between air, oxygen or any other gas used as a medium of compression. Hyperbaric oxygenation (HBO) refers to the use of pure oxygen for breathing in a hyperbaric chamber via a mask or similar device or breathing freely in a monoplace chamber pressurized with oxygen. HBO is an intermittent, high­ dose oxygen inhalation therapy. We have confined ourselves to the subject of HBO therapy and have not included oxygen therapy at normobaric pressures. With the exception of decompression sick­ ness we have made no attempt to cover diving medicine as many excellent treatises are available on this SUbject. Literature on HBO is extensive, and we estimate that the total number of publication on the subject of hyperbaric medicine dur­ ing the past 150 years exceeds 20000, nearly half published during the past 30 years. No comprehensive textbook on this topic has ever been written in English, nor is there any bibliography more up to date than 1965. The books on the subject have consisted of monographs, reports of symposia and proceedings of the various international congresses on hyperbaric medicine. No definitive work has been published in the past 10 years.

Welcome to the proceedings of the 4th Workshop on Biomedical Image R- istration (WBIR). Previous WBIRs took place in Bled, Slovenia (1999), at the UniversityofPennsylvania,USA(2003)andinUtrecht,TheNetherlands(2006). This year, WBIR was hosted by the Institute Mathematics and Image Proce- ing and the Fraunhofer Project Group on Image Registration and it was held in Lub ¨ eck, Germany. It provided the opportunity to bring together researchers from all over the world to discuss some of the most recent advances in image registration and its applications. We had an excellent collection of papers that were reviewed by at least three reviewers each from a 35-member Program Committee assembled from a wor- wide community of registration experts. This year 17 papers were accepted for oral presentation, while another 7 papers were accepted as poster papers. We believe all of the conference papers were of excellent quality. Registration is a fundamental task in image processing used to match two or more pictures taken, for example, at di?erent times, from di?erent sensors, or from di?erent viewpoints. Establishing the correspondence of structures within medical images is fundamental to diagnosis, treatment planning, and surgical guidance. The conference papers address state-of-the-art techniques for prov- ing reliable and e?cient registration techniques, thereby imposing relationships between speci?c application areas and appropriate registration schemes. We are grateful to all those who contributed to the success of WBIR 2010.