Tim Mehigan – författare

A collection of essays examining the influence of Kant on Heinrich von Kleist.The great and eccentric German writer Heinrich von Kleist, famous for his enigmatic dramas and novellas, read the Enlightenment philosopher Immanuel Kant in 1801. A series of letters written around this time speak of the distresshe felt as he absorbed the implications of Kantian thought. This sense of distress -- long considered important to understanding Kleist's subsequent works -- has become known to Kleist scholars as the 'Kant crisis,' and marks Kleist's abandonment of the hope of gaining metaphysical certainty about his life. But it has never been established which texts of Kant Kleist actually read, how well he understood them, and why they precipitated such despair. Kleisthimself -- aside from one paraphrasing of Kant in a letter of 1801 -- was never explicit about what he called this 'sad philosophy.' Yet the distress seems never to have left him and remains an abiding preoccupation throughout his dramas and stories.This collection of essays, all in German language, represents the most recent work of prominent scholars in the field. It takes the pervasive sense of metaphysical crisis in Kleist's works as a startingpoint. In the context of Kleist's response to Kant, the essays deal with his subversive treatment of the literary motifs and genres of his day, and with the ambiguity of truth in his works -- for his characters and readers alike.In tracing the source of crisis to specific writings of Kant and to other Enlightenment thinkers such as Rousseau and Wieland, the essays show Kleist's complex dialogue with the Enlightenment to be an important new approach to understanding this notoriously difficult writer.Tim Mehigan is Professor of German in the Department of Languages and Cultures at the University of Otago, New Zealand.

New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity.Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today.This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity?Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider.Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.

Kleist viewed anew as a major contributor to the tradition of post-Kantian thought.The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one.The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas.Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

New essays providing critical views of Coetzee's major works for the scholar and the general reader.J. M. Coetzee is perhaps the most critically acclaimed bestselling author of imaginative fiction writing in English today. He received the Nobel Prize for Literature in 2003 and is the first writer to have been awarded two BookerPrizes. The present volume makes critical views of this important writer accessible to the general reader as well as the scholar, discussing Coetzee's main works in chronological order and introducing the dominant themes in the academic discussion of his oeuvre.The volume highlights Coetzee's exceptionally nuanced approach to writing as both an exacting craft and a challenging moral-ethical undertaking. It discusses Coetzee's complex relation to apartheid and post-apartheid South Africa, the land of his birth, and evaluates his complicated responses to the literary canon. Coetzee emerges as both a modernist and a highly self-aware postmodernist - a champion of the truths of aliterary enterprise conducted unrelentingly in the mode of self-confession.Contributors: Chris Ackerley, Derek Attridge, Carrol Clarkson, Simone Drichel, Johan Geertsema, David James, Michelle Kelly, Sue Kossew, MikeMarais, James Meffan, Tim Mehigan, Chris Prentice, Engelhard Weigl, Kim L. Worthington.Tim Mehigan is Professor of Languages in the Department of Languages and Cultures at the University of Otago, New Zealand and Honorary Professor in the Department of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

New essays examining the intellectual allegiances of Coetzee, arguably the most decorated and critically acclaimed writer of fiction in English today and a deeply intellectual and philosophical writer.Arguably the most decorated and critically acclaimed writer of today, J. M. Coetzee is a deeply intellectual writer. Yet while just about everyone who comes to Coetzee's writing is aware that the visible superstructure of his works is moved from below by a vast substructure of ideas, we are still far from grasping Coetzee's intellectual allegiances as a whole. This book sets out to examine these allegiances in ways not attempted before, by bringing leadingfigures in the philosophy of literary fiction and ethics together with leading Coetzee scholars. The book is organized into three parts: the first part evaluates Coetzee with respect to notions of truth and justification. At issue is how the reader is to understand the ground on which Coetzee builds his ethical commitments. The second part considers the problem of language, in which ethics is rooted and on which it depends. The chapters of the third partposition Coetzee's writing with respect to notions of social and moral solidarity, where, in regard to literature as such or experience as such, philosophy and literature together exercise an unrivaled right to be heard.Contributors: Elisa Aaltola, Derek Attridge, David Attwell, Maria Boletsi, Carrol Clarkson, Simon During, Patrick Hayes, Alexander Honold, Anton Leist, Tim Mehigan, Christian Moser, Robert B. Pippin, Robert Stockhammer, Markus Winkler, Martin Woessner.Tim Mehigan is Deputy Director of the Institute for Advanced Studies in the Humanities at the University of Queensland. Christian Moser is Professor of Comparative Literature at the University of Bonn.

A major new study of Robert Musil by one of the world's leading Musil scholars. Musil's extraordinary works, the study reveals, emerged from the problem of the "two cultures."The modern era is marked by the separate life of two cultures of understanding, one derived from art and its discourses, the other from science and its practices. This "problem of the two cultures" (as coined by C.P. Snow) describes the difficulty of bringing these distinct ways of understanding the world together.The works of the Austrian author Robert Musil (1930-33) represent the most distinguished treatment of this problem in the modern era. Nevertheless, doubts persist about Musil's true intentions. Did he maintain that the separation between art and science could be resolved? Or did he rise above the problem by advocating a new order of being or "other condition" that would dispense with it altogether? Mehigan's study moves these questions to center stage. He lends new clarity to the debate about Musil's position in regard to the two cultures by shining a light on ethical questions the author ultimately wished to clarify. It is the shape of a hard-won ethics, Mehigan argues, that provides the key to an effective response to the problem of the two cultures - an ethics, in the end, that can only be put forward as a new kind of art.Tim Mehigan is Professor of German and Deputy Director of the Institute for Advanced Studies in the Humanities at the University of Queensland, Australia.

Topics treated in this volume include Schiller's philosophical background, his theoretical writings, Schiller's philosophical writing in light of his entire oeuvre, and Schiller's philosophical legacy.

Topics treated in this volume include Schiller's philosophical background, his theoretical writings, Schiller's philosophical writing in light of his entire oeuvre, and Schiller's philosophical legacy.

How does the experience of travel transform culture over time? This question is at the heart of this book, which brings together two main areas of scholarship: the cultural analysis of German literature and film and the emerging field of mobilities studies, which places movement and travel at the centre of human experience. The author grounds her analysis in two main concepts or ways of being: dwelling, or remaining in one place, which connotes stability, groundedness and permanence; and mobility, or travel to other destinations, which connotes movement, change and uncertainty. Travel Texts and Moving Cultures provides a comparison of travel writing from two significant periods of global social change: historical (1770–1830) and contemporary (1985–2010). The study includes literature such as Georg Forster’s A Voyage Round the World (1777), which recounts the young German scientist’s journey to New Zealand with Captain Cook; Erich Loest’s Zwiebelmuster [Blue Onion] (1985), which exposes the travel desires of East Germans before the Wende via a semi-autobiographical narrator; and Bernhard Schlink’s Die Heimkehr [Homecoming] (2006), which recontextualises and deconstructs Homer’s Odyssey in the present moment through a son’s search for his father. Whereas a culture founded on mobilities and a desire for travel emerges in the historical period, the contemporary period reveals an increasingly mobile world in which travel is regarded as a human right. The approach taken in this book sheds light on the ethics of ever-increasing mobility and problematises the possibility of homecoming.

Ausgehend von der Disjunktion zwischen einer philosophisch orientierten 'Berliner' und einer semiotisch ausgerichteten 'Pariser' Hermeneutik erkunden die Beiträge des Bandes neue Positionen, die das Potential besitzen, die Suche nach Ethik in einer postreligiösen Ära neu zu orientieren. Die vielversprechendsten dieser neuen Positionen versuchen, über die Konzepte der Berliner und Pariser Hermeneutik hinauszugehen, indem sie den Prozess der Welterzeugung in Kunst und Literatur als ein dezidiert ethisch-hermeneutisches Unterfangen konfigurieren. Der Band verhandelt das Wechselverhältnis zwischen Philosophie und Literatur und bemüht sich darum, die fiktionalen Szenarien der Letzteren als einen spezifischen Modus ethischer Reflexion kenntlich zu machen.

How space – mental, emotional, visual – is implicated in our constructions of reality and our art is the focus of this set of innovative essays. For the first time art theorists and historians, visual artists, literary critics and philosophers have come together to assay the problem of space both within conventional discipline boundaries and across them. What emerges is a stimulating discussion of the problem of embodied space and situated consciousness that will be of interest to the general reader as well as specialists working in the fields of art history and art practice, literature, philosophy and education.