Beverly Guy-Sheftall – författare

Audre Lorde was not only a famous black poet; she was also one of the most important radical black feminists of the past half century. I Am Your Sister collects her non-fiction prose from 1976 to 1990, and it is the first volume to provide a full picture of Lorde's political work (as opposed to her aesthetic work). The essays cover an impressive variety of topics: sexuality, race, gender, culture, class, parenting, disease, resistance, and power--both within the United States and across the African diaspora. While Lorde is best known as a progenitor of black feminist studies, I Am Your Sister stresses her signal influence in the creation of gay and lesbian studies. Lorde's work presaged the late 1980s shift in the academy toward the emphasis on the tight connections between race, class, gender, and sexuality--and later disability. Accordingly, the breadth of topics Lorde tackles in the various essays in I Am Your Sister capture the spirit of intersectionality that now dominates analysis in the humanities and critical social sciences.

Audre Lorde was not only a famous poet; she was also one of the most important radical black feminists of the past century. Her writings and speeches grappled with an impressive broad list of topics, including sexuality, race, gender, class, disease, the arts, parenting, and resistance, and they have served as a transformative and important foundation for theorists and activists in considering questions of power and social justice. Lorde embraced difference, and at each turn she emphasized the importance of using it to build shared strength among marginalized communities. I Am Your Sister is a collection of Lorde's non-fiction prose, written between 1976 and 1990, and it introduces new perspectives on the depth and range of Lorde's intellectual interests and her commitments to progressive social change. Presented here, for the first time in print, is a major body of Lorde's speeches and essays, along with the complete text of A Burst of Light and Lorde's landmark prose works Sister Outsider and The Cancer Journals. Together, these writings reveal Lorde's commitment to a radical course of thought and action, situating her works within the women's, gay and lesbian, and African American Civil Rights movements. They also place her within a continuum of black feminists, from Sojourner Truth, to Anna Julia Cooper, Amy Jacques Garvey, Lorraine Hansberry, and Patricia Hill Collins. I Am Your Sister concludes with personal reflections from Alice Walker, Gloria Joseph, Johnnetta Betsch Cole, Beverly Guy-Sheftall, and bell hooks on Lorde's political and social commitments and the indelibility of her writings for all who are committed to a more equitable society.

Martin Luther King Jr.'s idea of "the beloved community" focused on the hoped-for new relationship between the oppressor and the oppressed after the success of a nonviolent movement. But the vision excluded, and sometimes still excludes, LGBTQIA people and Black women.The editors curate essays that see beloved community as a generous space that centers justice. Taking inspiration from the radical moral vision of figures like Bayard Rustin and Audre Lorde, the contributors look at how Black queer, feminist, and trans thought and practice can cultivate belonging across lines of race, gender, sexuality, class, and region. Essayists use a variety of disciplinary and methodological perspectives that includes archival recovery, institutional critique, cultural analysis, ethnography, and political theory. The contributors define beloved community for themselves while offering entry points—through art, culture, activism, policy, pedagogy, and theory—for exploring what it means to belong, to resist, and to build.Expansive and interdisciplinary, Whose Beloved Community? begins the process of advancing toward truly inclusive communities that are more honest, more complex, and more loving.

Martin Luther King Jr.'s idea of "the beloved community" focused on the hoped-for new relationship between the oppressor and the oppressed after the success of a nonviolent movement. But the vision excluded, and sometimes still excludes, LGBTQIA people and Black women.The editors curate essays that see beloved community as a generous space that centers justice. Taking inspiration from the radical moral vision of figures like Bayard Rustin and Audre Lorde, the contributors look at how Black queer, feminist, and trans thought and practice can cultivate belonging across lines of race, gender, sexuality, class, and region. Essayists use a variety of disciplinary and methodological perspectives that includes archival recovery, institutional critique, cultural analysis, ethnography, and political theory. The contributors define beloved community for themselves while offering entry points—through art, culture, activism, policy, pedagogy, and theory—for exploring what it means to belong, to resist, and to build.Expansive and interdisciplinary, Whose Beloved Community? begins the process of advancing toward truly inclusive communities that are more honest, more complex, and more loving.

"This is a valuable project. The editors are excellent, well-known scholars, and activists in the academy." -Darlene Clark Hine "After looking carefully at Traps' selections, I have to confess that I'm both excited and satisfied by what Rudolph Byrd and Beverly Guy-Sheftall have assembled here from the 19th century to the present. Educators genuinely need a text like this for opening their classroom to critical discussions on the well-worn subjects of race and gender." -Charles Johnson Traps is the first anthology of writings by 19th- and 20th-century African American men on the overlapping categories of race, gender, and sexuality. The selections on gender in Sections I and II reveal what some may view as the unexpected commitment of African American men to feminism. Included here are critiques of the subordinate social, economic, and political position of black women. Sections III and IV analyze the taboos and myths in which black sexuality is enmeshed. These essays also stress the importance of rejecting homophobia and the need to contest the predominance of a heterosexual paradigm.Monolithic constructions of gender and sexuality, reinforced by sexism and historically sanctioned homophobia, are the "traps" that give this book its focus and its title.

The timeless and essential anthology of Black Feminist thought—showing that Black women have always understood the need for feminism to be intersectional“In this pathbreaking collection of articles, Dr. Beverly Guy-Sheftall has taken us from the early 1830s to contemporary times. . . . She has refused to cut off contemporary African American women from the long line of sisters who have righteously struggled for the liberation of African American women from the dual oppressions of racism and sexism.” —from the epilogue by Johnnetta B. ColeThe first major anthology to trace the development of Black Feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall’s comprehensive collection of writings by more than sixty Black women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of feminist critics Michele Wallace and bell hooks, Black women have been writing about the multiple jeopardies—racism, sexism, and classism—that have made it imperative to forge a brand of feminism uniquely their own. In the words of Audre Lorde, “the master’s tools will never dismantle the master’s house”—Words of Fire provides the tools to dismantle the interlocking systems that oppress us and to rebuild from their ashes a society of true freedom.Contributors include: Shirley ChisholmThe Combahee River CollectiveAnna Julia CooperAngela DavisAlice Dunbar-NelsonLorraine Hansberrybell hooksClaudia JonesJune JordanAudre LordeBeth E. RichieBarbara SmithSojourner TruthAlice WalkerMichele WallaceIda Wells-Barnett

Feminists speak out on race and gender in the 2008 Presidential campaign.Who should be first? With Barack Obama and Hillary Clinton as frontrunners, the 2008 Democratic primary campaign was a watershed moment in United States history. Offering the choice of an African American man or a white woman as the next Democratic candidate for U.S. President, the primary marked an unprecedented moment-but one that painfully echoed previous struggles for progressive change that pitted race and gender against each other. Who Should Be First? collects key feminist voices that challenge the instances of racism and sexism during the presidential campaign season, offer personal reflections on this historic moment, and trace the historic legacy of opposing issues of race and gender that informed debates and media representations of the 2008 Democratic primary. In this collection of writings by leading feminists including Patricia J. Williams, Gloria Steinem, Alice Walker, Carol Moseley Braun, Maureen Dowd, Katha Pollitt, Pearl Cleage, Robin Morgan, Erica Jong, Mark Anthony Neal, and M. Jacqui Alexander about and during this unprecedented-and to many, unexpected-moment, editors Beverly Guy-Sheftall and Johnnetta Cole deftly balance charged conversations in the first collection on this key moment in contemporary U.S. history.