Frances Smith Foster – författare

This abridgement of The Oxford Companion to African American Literature will make the entries of the greatest general interest available to a wider audience, providing the same calibre of scholarship and information as the original volume. The Concise collects more than 400 biographies (authors, critics, literary characters and historical figures) of both well-known figures and the lives and careers of writers not found in other reference works. The abridgement also includes the 150 plot summaries of major works. The editors briefly update the biographic details for author entries to include mention of major new works, death dates, and awards since the Companion's 1997 publication. A revised introduction, contributors list, subject index, cross-references, and updated bibliographical notes are also included. The volume reprints in its entirety the five-part fifteen page essay, "Literary History", capturing the full sweep of African American writing in the U.S. from the colonial and early national eras to the present day.

Conventional wisdom says that marriage was rare or illegal for slaves and that if African Americans married at all, their vows were tenuous ones: "until death or distance do us part." It is believed that this history explains the dysfunction of the African American family to this day. In this groundbreaking book, Frances Smith Foster shows that this common wisdom is flawed as it is based upon partial evidence and it ignores the writings African Americans created for themselves. Rather than relying on documents produced for abolitionists, the state, or other biased parties, Foster draws upon a trove of little-examined alternative sources and in so doing offers a correction to this widely held but misinformed viewpoint. The works examined include family histories, folkloric stories, organizational records, personal memoirs, sermons and especially the fascinating and varied writings published in the Afro-Protestant Press of the times. She shows that "jumping the broom" was but one of many wedding rituals and that love, marriage and family were highly valued and central to early African American society. Her book offers a provocative new understanding of a powerful belief about African American history and sheds light on the roles of memory and myth, story and history in defining contemporary society and shaping the future.

This abridgement of The Oxford Companion to African American Literature will make the entries of the greatest general interest available to a wider audience, providing the same calibre of scholarship and information as the original volume. The Concise collects more than 400 biographies (authors, critics, literary characters and historical figures) of both well-known figures and the lives and careers of writers not found in other reference works. The abridgement also includes the 150 plot summaries of major works. The editors briefly update the biographic details for author entries to include mention of major new works, death dates, and awards since the Companion''s 1997 publication. A revised introduction, contributors list, subject index, cross-references, and updated bibliographical notes are also included. The volume reprints in its entirety the five-part fifteen page essay, "Literary History", capturing the full sweep of African American writing in the U.S. from the colonial and early national eras to the present day.

Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it's a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn't tell the whole story.Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press,'Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life.Frances Smith Foster applies the knowledge she's developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.

Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it''s a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn''t tell the whole story.Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press,''Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life.Frances Smith Foster applies the knowledge she''s developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.

This abridgement of The Oxford Companion to African American Literature will make the entries of the greatest general interest available to a wider audience, providing the same calibre of scholarship and information as the original volume. The Concise collects more than 400 biographies (authors, critics, literary characters and historical figures) of both well-known figures and the lives and careers of writers not found in other reference works. The abridgement also includes the 150 plot summaries of major works. The editors briefly update the biographic details for author entries to include mention of major new works, death dates, and awards since the Companion''s 1997 publication. A revised introduction, contributors list, subject index, cross-references, and updated bibliographical notes are also included. The volume reprints in its entirety the five-part fifteen page essay, "Literary History", capturing the full sweep of African American writing in the U.S. from the colonial and early national eras to the present day.

Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it''s a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn''t tell the whole story.Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press,''Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life.Frances Smith Foster applies the knowledge she''s developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.

Frances Foster’s classic study of pre-Civil War American slave autobiography is now issued in an accessible paperback edition. The first book to represent these slave narratives as literary in the complete sense of the word, and the first study to call attention to the significance of gender in the narratives, Witnessing Slavery will be welcomed by both general readers and students of the American south, slavery, the Civil War, and race issues.

This Norton Critical Edition includes:The first edition (1861), with the editors’ explanatory annotations, introduction, and glossary of the people of Incidents in the Life of a Slave Girl.Three illustrations.Key public statements by Harriet Jacobs, William C. Nell, the Reverend Francis J. Grimke, and others.A rich selection of correspondence by Harriet Jacobs, Lydia Maria Child, and John Greenleaf Whittier, suggesting Incidents’s initial reception.Ten major critical essays, six of them new to the Second Edition.A Chronology and a Selected Bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.