Carolyn Hamilton – författare

Political violence has disrupted the lives of millions of children around the world. Responding to the gravity and scale of this phenomenon, this volume is intended to stimulate discussion and research on children's exposure to political violence and its psycho-social effects. It brings together for the first time in a single volume three areas of scientific activity in different disciplines: research on effects, programs for intervention, and laws and policy for prevention of political violence to children.Section I presents reviews of research on children exposed to political violence, including child soldiers and refugee children, as well as an examination of methodology and ethics. Section II contains research on interventions with children exposed to political violence, including individual therapy and school, family, and community interventions. Section III covers legal and social issues in deterring the recruitment of children to violent causes and protecting children in armed conflict. Pulling together the work of leading scholars and practitioners in the social sciences and international law, this volume argues that the prevention of political violence to children is possible, and it provides a crucial basis for ideas for prevention.

Coming fifteen years after South Africa's achievement of majority rule, this book takes a critical and searching look at the country's past. It presents South Africa's past in an objective, clear, and refreshing manner. With chapters contributed by ten of the best historians of the country, the book elaborately weaves together new data, interpretations, and perspectives on the South African past, from the Early Iron Age to the eve of the mineral revolution on the Rand. Its findings incorporate new sources, methods, and concepts, for example providing new data on the relations between Africans and colonial invaders and rethinking crucial issues of identity and consciousness. This book represents an important reassessment of all the major historical events, developments, and records of South Africa - written, oral, and archaeological - and will be an important new tool for students and professors of African history worldwide.

Since his assassination in 1828, King Shaka Zulu—founder of the powerful Zulu kingdom and leader of the army that nearly toppled British colonial rule in South Africa—has made his empire in popular imaginations throughout Africa and the West. Shaka is today the hero of Zulu nationalism, the centerpiece of Inkatha ideology, a demon of apartheid, the namesake of a South African theme park, even the subject of a major TV film.Terrific Majesty explores the reasons for the potency of Shaka’s image, examining the ways it has changed over time—from colonial legend, through Africanist idealization, to modern cultural icon. This study suggests that “tradition” cannot be freely invented, either by European observers who recorded it or by subsequent African ideologues. There are particular historical limits and constraints that operate on the activities of invention and imagination and give the various images of Shaka their power. These insights are illustrated with subtlety and authority in a series of highly original analyses.Terrific Majesty is an exceptional work whose special contribution lies in the methodological lessons it delivers; above all its sophisticated rehabilitation of colonial sources for the precolonial period, through the demonstration that colonial texts were critically shaped by indigenous African discourse. With its sensitivity to recent critical studies, the book will also have a wider resonance in the fields of history, anthropology, cultural studies, and postcolonial literature.

Coming fifteen years after South Africa's achievement of majority rule, this book takes a critical and searching look at the country's past. It presents South Africa's past in an objective, clear, and refreshing manner. With chapters contributed by ten of the best historians of the country, the book elaborately weaves together new data, interpretations, and perspectives on the South African past, from the Early Iron Age to the eve of the mineral revolution on the Rand. Its findings incorporate new sources, methods, and concepts, for example providing new data on the relations between Africans and colonial invaders and rethinking crucial issues of identity and consciousness. This book represents an important reassessment of all the major historical events, developments, and records of South Africa - written, oral, and archaeological - and will be an important new tool for students and professors of African history worldwide.

"Ideas for Hermeneutic Phenomenology of Natural Sciences" (published in 1993 as volume 15 of this series) comprised mainly ontological reflections on the natural sciences. That book explained why the natural sciences must be considered inherently interpretive in character, and clarified the conditions under which scientific interpretations are "legitimate" and may be called "true". This companion volume focuses on methodological issues. Its first part elucidates the methodical hermeneutics developed in the 19th century by Boeckh, Birt, Dilthey, and others. Its second part, through the use of concrete examples drawn from modern physics as it unfolded from Copernicus to Maxell, clarifies and "proves" the main points of the ontologico-hermeneutical conception of the sciences elaborated in the earlier volume. It thereby both illuminates the most important problems confronting an ontologico-phenomenological approach to the natural sciences and offers an alternative to Kuhn's conception of the historical development of the natural sciences.

Uncertain Curature is a volume of bold and original explorations of the archive—the past, our material inheritance—and the ways it is displayed, interpreted, and given meaning in the postcolonial world of South Africa. This operation on the past, what the authors have called ""curature,"" can be seen as the postcolony's way of rescripting its own history, which is both a trauma to be dealt with and a resource for the future. The idea of curation is beautifully explored in a series of chapters, whose subjects include a controversial Bushman diorama, a cache of negatives found in a disused mining hostel, fieldwork photographs of the exhumation of children's bodies from an archaeological dig, artefacts and images of ""the Zulu"" in Oxford's Pitt Rivers Museum, artists' depictions of Steve Biko's corpse, the colonial inheritance of Victoriana and the queen herself, and anti-apartheid black-centered films.

In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and variedThe notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society. Babel Unbound examines charged examples from the Global South, such as the centuries old Timbuktu archive, Nelson Mandela as a powerful absent presence in 1960s public life, and the challenges to the terms of contemporary debate around the student activism of #rhodesmustfall and #feesmustfall. These show how issues of public discussion span both archive and media, verbal debates in formal spaces and visual performances that circulate in unpredictable ways.

In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and variedThe notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society. Babel Unbound examines charged examples from the Global South, such as the centuries old Timbuktu archive, Nelson Mandela as a powerful absent presence in 1960s public life, and the challenges to the terms of contemporary debate around the student activism of #rhodesmustfall and #feesmustfall. These show how issues of public discussion span both archive and media, verbal debates in formal spaces and visual performances that circulate in unpredictable ways.

This book covers concepts and methods from the work of Isabel Hofmeyr, a leading South African scholar of print cultures and intellectual trajectories in the Atlantic and Indian oceans.

This set of essays analyses the work of Isabel Hofmeyr, globally recognised as one of South Africa's foremost literary and Indian Ocean scholars. The essays elucidate Hofmeyr's path-breaking studies of transnational histories of the book, African print cultures, and cultural circulations in the Indian Ocean world. This book draws together reflective and analytical essays by renowned intellectuals from around the world who critically engage with the work of one of the global South's leading scholars of African print cultures and the oceanic humanities. Isabel Hofmeyr's scholarship spans more than four decades, and its sustained and long-term influence on her discipline and beyond is formidable.While much of the history of print cultures has been written primarily from the North, Isabel Hofmeyr is one of the leading thinkers producing new knowledge in this area from Africa, the Indian Ocean world and the global South. Her major contribution encompasses the history of the book as well as shorter textual forms and abridged iterations of canonical works such as John Bunyan's The Pilgrim's Progress. She has done pioneering research on the ways in which such printed matter moves across the globe, focusing on intra-African trajectories and circulations as well as movements across land and sea, port and shore. The essays gathered here are written in a blend of intellectual and personal modes, and mostly by scholars of Indian and African descent. Via their engagement with Hofmeyr's path-breaking work, the essays in turn elaborate and contribute to studies of print culture as well as critical oceanic studies, consolidating their findings from the point of view of global South historical contexts and textual practices.

The idea that the period of social turbulence in the nineteenth century was a consequence of the emergence of the powerful Zulu kingdom under Shaka has been written about extensively as a central episode of southern African history. Considerable dynamic debate has focused on the idea that this period – the 'mfecane'- left much of the interior depopulated, thereby justifying white occupation. One view is that 'the time of troubles' owed more to the Delagoa Bay Slave trade and the demands of the labour-hungry Cape colonists than to Shaka's empire building. But is there sufficient evidence to support the argument?The Mfecane Aftermath investigates the very nature of historical debate and examines the uncertain foundations of much of the previous historiography.

The pernicious combination of tribe and tradition continues to tether modern South Africans to ideas about the region’s remote past as primitive, timeless and unchanging. Any hunger for knowledge or understanding of the past before European colonialism thus remains to a significant degree unsated, even denied, in the face of a narrowly prescribed archive and repugnant, but insidiously resilient stereotypes.These volumes track how the domain of the tribal and traditional was marked out and came to be sharply distinguished from modernity, how it was denied a changing history and an archive and was endowed instead with a timeless culture. These volumes also offer strategies for engaging with the materials differently – from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualised and politicised experience.The central proposition of these volumes is to make the marooned archive of material culture more visible and more available for consideration as an archival resource than it is currently. They also seek to spring the identity trap, releasing the material from pre-assigned identity positions as tribal into settings that enable them to be used as resources for thinking critically about identity in the long past and in the present.

The pernicious combination of tribe and tradition continues to tether modern South Africans to ideas about the region’s remote past as primitive, timeless and unchanging. Any hunger for knowledge or understanding of the past before European colonialism thus remains to a significant degree unsated, even denied, in the face of a narrowly prescribed archive and repugnant, but insidiously resilient stereotypes.These volumes track how the domain of the tribal and traditional was marked out and came to be sharply distinguished from modernity, how it was denied a changing history and an archive and was endowed instead with a timeless culture. These volumes also offer strategies for engaging with the materials differently – from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualised and politicised experience.The central proposition of these volumes is to make the marooned archive of material culture more visible and more available for consideration as an archival resource than it is currently. They also seek to spring the identity trap, releasing the material from pre-assigned identity positions as tribal into settings that enable them to be used as resources for thinking critically about identity in the long past and in the present.

The pernicious combination of tribe and tradition continues to tether modern South Africans to ideas about the region’s remote past as primitive, timeless and unchanging. Any hunger for knowledge or understanding of the past before European colonialism thus remains to a significant degree unsated, even denied, in the face of a narrowly prescribed archive and repugnant, but insidiously resilient stereotypes.These volumes track how the domain of the tribal and traditional was marked out and came to be sharply distinguished from modernity, how it was denied a changing history and an archive and was endowed instead with a timeless culture. These volumes also offer strategies for engaging with the materials differently – from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualised and politicised experience.The central proposition of these volumes is to make the marooned archive of material culture more visible and more available for consideration as an archival resource than it is currently. They also seek to spring the identity trap, releasing the material from pre-assigned identity positions as tribal into settings that enable them to be used as resources for thinking critically about identity in the long past and in the present.