Charles E. Jones – författare

The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that “AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology.” Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.

The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that “AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology.” Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.

This title offers a look back at a powerful moment in New Orleans' history. ""Showdown in Desire"" portrays the Black Panther Party in New Orleans in 1970, a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the Panthers and the police in the Desire housing development. Through interviews with Malik Rahim, the Panther; Robert H. King, Panther and member of the Angola 3; Larry Preston Williams, the black policeman; Moon Landrieu, the mayor; Henry Faggen, the Desire resident; Robert Glass, the white lawyer; Jerome LeDoux, the black priest; William Barnwell, the white priest; and, many others, Orissa Arend tells a nuanced story that unfolds amid guns, tear gas, desperate poverty, oppression, and inflammatory rhetoric to capture the palpable spirit of rebellion, resistance, and revolution of an incendiary summer in New Orleans.

Matthew Wolfgang Stolper began working for the Chicago Assyrian Dictionary in 1978 and became full professor in the Oriental Institute 1987, focusing on Neo-Babylonian and Middle Elamite. Matt has worked tirelessly to raise the necessary funding, to assemble a team of scholars, to promote the importance of the Persepolis Fortification Archive to academic and popular audiences, and most significantly, to concisely, passionately, and convincingly place the Persepolis Archives in their Achaemenid, ancient Near Eastern, and modern geo-political contexts. The twenty-six papers from Stolper's colleagues, friends, and students show the breadth of his interests.

This is the first volume (text and plates) of the analytically legible seals (ca. 1,162) retrieved through many thousands of full or partial impressions preserved on the 2,087 Elamite administrative tablets recovered during the 1930s excavations at Persepolis, Iran, and published by Richard T Hallock (OIP 92) in 1969. The tablets are dated by date formulae in the texts to the years 509-494 BC in the reign of Darius the Great.Volume I introduces the archive and documents the 312 seals of heroic encounter (retrieved via 1,970 impressions) with high quality composite drawings and a separate volume of 291 halftone and line plate illustrations presented at a scale of 2:1. Entries provide commentary on administrative, social, stylistic, and iconographical features of the seals as well as systematic analysis of seal application patterns. The thirty-four seal inscriptions are presented by Charles E Jones. Twelve appendices synthesize formal and iconographical data and integrate the seals with their associated texts.Volume I is in two parts: Part 1: text 562pp; Part 2: plates 1-291 318pp