Margaret Cool Root – författare

This volume accompanies an exhibition of the same name at the Kelsey Museum of Archaeology, February 4-September 30, 2005. Far more than merely a catalogue of the exhibition, it offers for a wide readership an introduction to the art of late prehistory (around 4000 BC) in Iran and Iraq, by bringing together a range of expressive visual tools-seals, sealings, and painted pottery. The focus is on a time before written expressions of belief, mythology, identity, or administrative documentation, but also a time of ripened recourse to other visual strategies of communication that set the stage for writing as we conceive it. A series of 11 imaginative interpretative essays explores the evidence and the methods we can use to approach an understanding of the role of visual imagery (of signs and symbols) in late prehistory, and to ask questions of this material as a means of approaching possible social meanings. The book is lavishly illustrated, and includes catalogue entries for every object included in the exhibition.

Passionate Curiosities explores the collections held in the University of Michigan's Kelsey Museum of Archaeology through the lens of the people whose intellectual interests, financial backing, and social networks brought artefacts to Ann Arbor from the 1880s to the 1990s. The purchases and expeditions shaped the Museum's internationally recognized antiquities from the ancient civilizations of Greece, Rome, North Africa, Egypt, and the Near East, extensive photographic documentation of these regions from the early 1900s, and significant assemblages of early Christian and Islamic visual culture. All of these are reflected in this lavishly illustrated volume. An intriguing array of personalities - from archaeologists, missionaries, and diplomats to industrialists, bankrollers, and inventors - weave through the book. They include Ernst Herzfeld, the eminent Orientalist who helped forge antiquities legislation in Iran; Luigi Cesnola, the rapacious harvester of Cypriot sites; Esther Van Deman, the pioneering feminist and scholar of Roman construction techniques; and Samuel Goudsmit, the renowned nuclear physicist and avid Egyptologist. World-famous dealers who established standards in antiquities connoisseurship also appear.  Readers will encounter Edgar J. Banks, a swashbuckling purveyor of Mesopotamian antiquities and entrepreneur of biblical documentary films; Maurice Nahman, the "lion of Cairo"; and the colourful members of the Tano dealer dynasty in Egypt.