Charles Neider - Böcker

Washington Irving's Life of George Washington (published in five volumes in 1856-59) was the product of his last years and remains his most personal work. Christened with the name of the great general, Irving was blessed by Washington while still a boy of seven, and later came to know many of the prominent figures of the Revolution. In these pages he describes them using firsthand source material and observation. The result is a book which is fascinating not only for its subject (the American Revolution), but also for how it reveals in illuminating detail the personality and humanity of a now remote, towering icon. Here is an intimate portrait of Washington the man, from Virginia youth to colonial commander to commander-in-chief of the patriot army to first president and great guiding force of the American federation. But one cannot read Irving's Life without marveling at the supreme art behind it, for his biography is foremost a work of literature. Charles Neider's abridgment and editing of Irving's long out-of-print classic has created a literary work comparable in importance and elegance to the original. George Washington, A Biography , Neider's title for his edition of Irving's Life , makes the work accessible to modern audiences. The extensive introduction provides a detailed analysis of Irving's life and times, and the difficulties he faced as he worked against his own failing health to finish what he felt was his masterpiece. This new edition of the superb biography of America's first citizen by America's first literary artist remains as fresh and unique today as when it was penned.

Washington Irving (1783--1859) was the first American literary artist to earn his living solely through his writings and the first to enjoy international acclaim. In addition to his long public service

Scottish novelist, poet, and essayist Robert Louis Stevenson (1850-1894) was a writer of power and originality, who penned such classics as Treasure Island, Kidnapped, and The Weir of Hermiston . The editor has collected in convenient form Stevenson's short fiction, including the complete New Arabian Nights and The Strange Case of Dr. Jekyll and Mr. Hyde , as well as ghost stories, medieval romances, farces, horror stories, and the South Sea Tales. This volume amply illustrates Stephenson's wide range and enduring appeal.

Mark Twain is best known as one of this country's finest humourists and novelists. As this collection confirms, he was one of our finest essayists as well. Gathered here in a single volume, these pieces reveal the complete range of this esteemed American writer and contain some of his best, funniest, and most caustic work. "English as She Is Taught," "What Is Man?," and "Letters to Satan" are among the seventy-seven essays, each featuring Twain's witty, vital, colourful style,and reminding us why, nearly one hundred years after his death, he continues to be one of the most widely read and beloved of all American authors.

Mark Twain's hilarity and irreverence shine through in this impeccably chosen collection.

This unorthodox but delightful anthology of 42 essays focuses on the masters of world literature—writers best known for novels, plays, and poems—and how they put the essay to their personal use. Contributors include Auden, Balzac, Conrad, Dickens, Dostoevski, Eliot, Faulkner, Flaubert, Gide, Goethe, Hardy, Hawthorne, Heine, Hemingway, Kafka, Kipling, Lawrence, Melville, Pirandello, Poe, Proust, Sartre, Tolstoy, Twain, Whitman, Wilde, Woolf, and Yeats.

In the title story, a voyage on an Antarctic icebreaker becomes dangerous when the ship's captain develops a mysterious enmity towards a photographer on board. The companion piece, The Left Eye Cries First, takes place during the last days of the Soviet Union, where Long Island lawyer Sid Little has returned after fleeing Odessa in his childhood. Encountering more than memories, Sid gains a new awareness of his mortality.

Ten classic short novels appear in this collection by noted editor Neider. The contents include: Benito Cereno by Herman Melville, Notes from Underground by F. M. Dostoyevsky, A Simple Heart by Gustave Flaubert, The Death of Ivan Ilych by L. N. Tolstoy, The Aspern Papers by Henry James, Ward No. 6 by A. P. Chekhov, Death in Venice by Thomas Mann, The Dead by James Joyce (recently made into a musical), The Metamorphosis by Franz Kafka, and The Fox by D. H. Lawrence. In the introduction, Neider discusses the themes that arise in several of the novels, grouping them by more than just their greatness.

Writer and Antarctic explorer Neider tells of his third trip to the frozen continent, describing the international stations there and the goals they are working toward. Neider also tours the Antarctic landscape, observing the geography and wildlife and evoking it in detail. Devoting scrutiny to the international treaties that protect the continent politically and environmentally, Neider reveals how important those treaties are. Also included in this work are interviews with Antarctic pioneers Sir Charles Wright, Sir Vivian Fuchs, and Laurence Gould.

Forty-nine short stories, selected for their richness of detail, accurate depictions of human passion, and international scope, fill this collection. The authors include Americans such as Hemingway, Faulkner, Saul Bellow, and Flannery O'Connor, 19th and 20th century Western European giants such as Proust, Sartre, Flaubert, Kafka, Mann, Pirandello, Rilke, and Balzac, Russian icons Tolstoy, Dostoyevsky, Pushkin, Turgenev, and Chekhov, and Asian writers Rabindranath Tagore and Lu Hsun. While many of the names are recognizable (though some, such as Bunin, Lagerlof, Nexo, and Svevo rank among the lesser-known), Neider has favored gems less familiar to the average reader.

First published in 1949, Kafka: His Mind and Art begins with an extended analysis of the Kafka literature, with emphasis on its shortcomings and their effect on Kafka’s vogue. Chapter two presents in broad terms a new aspect of Kafka which after the biographical chapter, chapter three, is studied in detail for the next two chapters. Up to this point the treatment does not presuppose a special key, but in chapters six and seven the secret key is discussed. To avoid confusion and unnecessary complications, the discussion of the key and its implications is delayed until more traditional ground has been covered. The author argues that it is appropriate to indicate only that the expressionist movement was not solely religious, that it arose from a dissatisfaction with a stagnant, spiritless society as well as with current modes in art and literature, and that Kafka avoided identifying himself- at least in his work- with any of the three or four factions of the movement. This is an important historical document for students of literature.

First published in 1949, Kafka: His Mind and Art begins with an extended analysis of the Kafka literature, with emphasis on its shortcomings and their effect on Kafka’s vogue. Chapter two presents in broad terms a new aspect of Kafka which after the biographical chapter, chapter three, is studied in detail for the next two chapters. Up to this point the treatment does not presuppose a special key, but in chapters six and seven the secret key is discussed. To avoid confusion and unnecessary complications, the discussion of the key and its implications is delayed until more traditional ground has been covered. The author argues that it is appropriate to indicate only that the expressionist movement was not solely religious, that it arose from a dissatisfaction with a stagnant, spiritless society as well as with current modes in art and literature, and that Kafka avoided identifying himself- at least in his work- with any of the three or four factions of the movement. This is an important historical document for students of literature.

Nowadays, I understand, the tourists come for miles to see Hendry Jones' grave out on the Punta del Diablo and to debate whether his bones are there or not... A stark and violent depiction of one of America's most alluring folk heroes, the mythical doomed gunslinger. Set on the majestic coast of Southern California, Doc Baker narrates his tale of the Kid's capture, trial, escape and eventual murder. Written in spare and subtle prose, this is one of the great literary treatments of America's obsession with the rule of the gun.