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44 produkter
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In this exhaustive book on Hilma af Klint published to date, twenty specialists in Modern Art, Art History, the History of Ideas and Religious Studies use their expertise to explore af Klint s unique artistry. The topics range from early Abstract Art and the impact of Darwin and Goethe s Colour Theory, to the importance of occult religious movements such as Theosophy and Anthroposophy which influenced the early modernists. Some of Hilma af Klint s own diary notes and research are also included. The book is based on a seminar held in conjunction with the extremely successful exhibition Hilma af Klint A Pioneer of Abstraction in 2013 at Moderna Museet in Stockholm. The book has an epilogue by Daniel Birnbaum. This is a new edition that includes a recent essay by Kurt Almqvist, Hilma af Klint s Secret Teachings, Message and Philosophy , based on previously unpublished material. It investigates parts of Hilma af Klint s story that have not been looked at before: the background of her teachings and philosophy; the developments after her death in 1944 up until the formation of The Hilma af Klint Foundation in 1972; and the only heir to her works: the anthropologist Vice-Admiral Erik af Klint (1901 1981), the Foundation s founder and only donor.
120 kr
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When the State Bauhaus opened in Weimar in 1918, the Swiss artist and art theorist Johannes Itten (1888 – 1967) was one of the first teachers to be appointed by Walter Gropius. With his preliminary course, Itten had a considerable effect on the creative training in the Bauhaus; to this day his insights into the theory of colours set standards in art education and in the field of design. Enquiring mind and lecturer, painter and art teacher – Johannes Itten was a very thoughtful artist personality which was reflected in numerous theoretical texts and artworks covering a wide range of styles. Constantly in dialogue with students and colleagues as well as in a study of other cultures and artistic ideas, Itten created works in which he examined colours, their aura, contrasts and forms. Inspired by Adolf Hölzel, his teacher at the Stuttgart Academy, Itten developed, amongst other things, the famous doctrine of colour types whose significance extends far beyond the realms of art into everyday culture. The acknowledged Itten expert Christoph Wagner introduces the artist with his complex and symbolic work and traces an arc from the revolutionary Bauhaus teacher and founder of various art schools to the art theorist of the theory of colours.
676 kr
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Contains Nearly 100 Pages of New MaterialThe recent financial crisis has shown that credit risk in particular and finance in general remain important fields for the application of mathematical concepts to real-life situations. While continuing to focus on common mathematical approaches to model credit portfolios, Introduction to Credit Risk Modeling, Second Edition presents updates on model developments that have occurred since the publication of the best-selling first edition.New to the Second EditionAn expanded section on techniques for the generation of loss distributionsIntroductory sections on new topics, such as spectral risk measures, an axiomatic approach to capital allocation, and nonhomogeneous Markov chainsUpdated sections on the probability of default, exposure-at-default, loss-given-default, and regulatory capital A new section on multi-period modelsRecent developments in structured creditThe financial crisis illustrated the importance of effectively communicating model outcomes and ensuring that the variation in results is clearly understood by decision makers. The crisis also showed that more modeling and more analysis are superior to only one model. This accessible, self-contained book recommends using a variety of models to shed light on different aspects of the true nature of a credit risk problem, thereby allowing the problem to be viewed from different angles.
2 680 kr
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Contains Nearly 100 Pages of New MaterialThe recent financial crisis has shown that credit risk in particular and finance in general remain important fields for the application of mathematical concepts to real-life situations. While continuing to focus on common mathematical approaches to model credit portfolios, Introduction to Credit Risk Modeling, Second Edition presents updates on model developments that have occurred since the publication of the best-selling first edition.New to the Second Edition An expanded section on techniques for the generation of loss distributionsIntroductory sections on new topics, such as spectral risk measures, an axiomatic approach to capital allocation, and nonhomogeneous Markov chainsUpdated sections on the probability of default, exposure-at-default, loss-given-default, and regulatory capital A new section on multi-period modelsRecent developments in structured creditThe financial crisis illustrated the importance of effectively communicating model outcomes and ensuring that the variation in results is clearly understood by decision makers. The crisis also showed that more modeling and more analysis are superior to only one model. This accessible, self-contained book recommends using a variety of models to shed light on different aspects of the true nature of a credit risk problem, thereby allowing the problem to be viewed from different angles.
Del 12 - Sport, History and Culture
Crossing the Line?
The Press and Anglo-German Football Rivalry
Häftad, Engelska, 2023
554 kr
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Franz Beckenbauer once observed that, in England, «war correspondents get their say whenever their team plays us.» In Crossing the Line?, Christoph Wagner surveys German football rivalry in the second half of the twentieth century as it was played out on the pitch and in the press. The Second World War undoubtedly cast a long shadow, framing the way in which matches were previewed and reported. The contrasting fortunes of the British and West German economies and British anxieties regarding German unification also impacted on sports coverage.An intense Anglo-German international football rivalry was forged against this backdrop. Newspaper readers often turn to the back page first and first impressions are important. Press coverage helped to shape what the English thought of the Germans and what they thought of themselves. Crossing the Line? – which includes an important chapter on the German media – focuses largely on the part played by English newspapers in generating a simplistic sporting commentary heavily dependent on stereotypes before it overreached itself in the mid-1990s and the German popular press began to hit back. As English football pundits often remind their viewers: «You can never underestimate the Germans».
Pictorial Cultures and Political Iconographies
Approaches, Perspectives, Case Studies from Europe and America
Inbunden, Engelska, 2011
2 356 kr
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The pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually. Political iconographies are taken to interpret norms of actions, support ideological formations, and enhance moral concepts. Visual rhetorics are understood as active players in the construction and contestation of the political realm and public space. The twenty-one articles by scholars from Europe and the United States explore the political function and cultural impact of images from the perspectives of Art History, American Studies, Visual Culture Studies, History, and Political Science. The contributions in particular address the complex interplay between agent and addressee in the public space as well as issues of national identity, discourses of inclusion and exclusion, and the designation of political spaces within transnational contexts. The publication is part of the interdisciplinary research initiative “Perceiving and Understanding: Functions, Perception Processes, Forms of Visualizations, Cultural Strategies of Pictures and Texts” at the University of Regensburg.
1 069 kr
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This volume discusses, from various disciplinary perspectives, the challenges that researchers face when studying the agency of visual media, which has been a central approach since the Iconic Turn of 30 years ago. The editors combine contributions from an international lecture series, showcasing current positions on dealing with the impulses of the Iconic Turn, with others by researchers from the University of Regensburg, where more than 10 years ago the transdisciplinary research cluster "Seeing and Understanding" was founded. The contributions represent a wide range of fields, including art history, philosophy, theology, history, and pedagogy as well as film, dance, religious, and cultural studies.
443 kr
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- Nyhet
1 206 kr
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189 kr
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Entwicklung und Bedeutung der Farbe im Film am Beispiel von Gary Ross "Pleasantville"
Häftad, Tyska, 2008
210 kr
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433 kr
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364 kr
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Web-TV-Beiträge für das strategische Management aus Sicht der ressourcenorientierten Strategielehre
Häftad, Tyska, 2011
588 kr
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759 kr
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Extreme Eigenkapitalausstattungen kleiner und mittlerer Unternehmen
Bestandsaufnahme und explorative Untersuchung
Häftad, Tyska, 2017
617 kr
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Christoph Wagner analysiert kleine und mittlere Unternehmen mit extremen Eigenkapitalausstattungen in einem generell schwach eigenkapitalisierten Branchenumfeld. Auch das Wissen der Gesellschafter zu Finanzierungsthemen hat keinen Einfluss auf die Höhe der Eigenkapitalausstattung.
770 kr
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Christoph Wagner nimmt eine managementethische Analyse von Situationskonstellationen im Kontext der Schaffung, des Erhalts und Abbaus von Arbeitsplätzen vor.
Staat, Rechtsstaat und Demokratie
Konzeptionelle und aktuelle Diskussionen in der vergleichenden Politikwissenschaft
Häftad, Tyska, 2022
797 kr
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In diesem Sammelband werden aktuelle Ansätze und Entwicklungen zu grundlegenden Konzepten der Vergleichenden Politikwissenschaft diskutiert, insbesondere zu den Themengebieten Staat und Staatlichkeit, Demokratie sowie Rechtsstaatlichkeit und Governance.
414 kr
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243 kr
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525 kr
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1 028 kr
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Johannes Itten: Catalogue raisonné Vol. I.
Paintings, Watercolors, Drawings. 1907-1938
Inbunden, Engelska, 2019
853 kr
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The Swiss artist Johannes Itten (1888 – 1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonné covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre.Paintings, graphic works, sculptures, textiles and furniture – Johannes Itten was an unusually versatile artist who during the six decades of his creative career also produced one of the most important works on the theory of colours in the twentieth century. His artistic work is examined here for the first time scientifically on the basis of 120,00 0 biographical documents and sources and is being expanded in comparison with the catalogue raisonné of 1972 by more than 1,000 works from all creative periods. The three-volume catalogue raisonné includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten three-volume catalogue raisonné includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten.
Johannes Itten. Catalogue RaisonnéVol. III.
Documents and Sources on the Biography. Graphic Work, Sculpture, Tapestries, Furniture. 1888-1967
Inbunden, Engelska, 2026
939 kr
Kommande
The Swiss artist Johannes Itten (1888–1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonné covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre. Paintings, graphic works, sculptures, textiles and furniture – Johannes Itten was an unusually versatile artist who during the six decades of his creative career also produced one of the most important works on the theory of colours in the twentieth century. His artistic work is examined here for the first time scientifically on the basis of 120,000 biographical documents and sources and is being expanded in comparison with the catalogue raisonné of 1972 by more than 1,000 works from all creative periods. The three-volume catalogue raisonné includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten.
308 kr
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The Bauhaus master Johannes Ittenis one of the prominent protagonists of early Modernism in twentieth-century art. Few people are aware of the close links between his beginnings as an artist and his experience of landscape and nature in the town of Thun and Lake Thun. Johannes Itten gained decisive impulses for the development of his concept of art and his path towards abstraction through various stations and sojourns in Thun and its surroundings. By means of examples of the representations of nature in his early work the publication shows in scholarly depth how Itten discovered his own, very personal and later internationally famous approach to art and painting style and presents his pictorial transformation of natureextending through to the artist’s late works.
120 kr
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The painter Hans Purrmann (1880–1966) ranks among the most important colourists of twentieth- entury art. Drawing on Henri Matisse and the expressionists, he developed a distinct and acclaimed artistic practice over the course of a life lived in places from Munich to Paris to Berlin to Florence to Switzerland. Part of the secret of Hans Purrmann’s art is that in his work he translated the visible in a very specific and vibrant manner. With irrepressible curiosity, attentiveness and an unerring eye for beauty and the primal and essential, he produced works whose classification as “representational painting” falls short. In fact, his place in art history is one which continues to offer points of departure for modernism [“einen für die Moderne bis heute anschlussfähigen Rang”: in der Kunst ist die Moderne eine abgeschlossene Epoche]: in 1955 Purrmann was included in documenta I in Kassel, and in 1962 he was the subject of a major retrospective at the Haus der Kunst in Munich which was hailed by the press as a sensation. Based on new sources, Christoph Wagner presents the life and work of Hans Purrmann and places the painter as a prominent protagonist within the coordinates of twentieth-century art history.
120 kr
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His paintbrush set everything in motion: the landscape of Provence, the colourful still lifes, his portraits and the picturesque coast of southern France. More than any other artist, Paul Cézanne, the “Father of Modernism”, captured the light and the play of colours of the South in his pictures and lent them through his new pictorial language a liveliness and dynamism which continue to fascinate viewers to this day.Paul Cézanne (1839 – 1906) painted the Montagne Sainte-Victoire, a rocky massif near his birthplace Aix-en-Provence, some 80 times. The artist translated the interplay of sunlight and shadow on the constantly changing stone into pictures on the threshold of abstraction. Today they are seen as icons of art history and they underline Cézanne’s reputation as one of the most important pioneers of Classical Modernism. Countless artists, including Matisse, Derain, Picasso, Braque and Léger found inspiration in Cézanne’s ideas on colour modulation and pictorial composition. In this publication the author Christoph Wagner positions Cézanne as an artistic genius who opened up for future generations a completely new view of the world through his paintings and watercolours.
101 kr
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The painter Hermann Stenner (1891–1914) was one of the outstanding talents of the 20th century. It is impressive to note that he achieved his rapid artistic development and distinct pictorial language during just five years of study and creative work. His remarkably extensive oeuvre is being rediscovered today following his death at an early age during the First World War.Stenner was born in Bielefeld and belonged to the circle of Westphalian Expressionists as well as the “Hölzel Circle”. His career began very promisingly. After attending the painting class at the Academy of Fine Arts in Stuttgart, he transferred to Adolf Hölzel and became the latter’s master student in 1912. The following year Stenner was already participating in important exhibitions in Germany and abroad; his works were shown beside those of artists like Egon Schiele and Max Slevogt. In 1914, only a few months before he died in the war, he executed the cycle of wall paintings in the entrance hall of the Werkbund exhibition in Cologne – now destroyed – together with Oskar Schlemmer and Willi Baumeister.
336 kr
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Gunta Stölzl (1897–1983) and the Swiss artist Johannes Itten (1888–1967) were Bauhaus teachers who met in the experimental field at important stages of their biographies from their time at the Bauhaus in Weimar until well into the 1960s. This volume assembles in picturesque detail their impressive contributions to the art of textile design.Few people are aware that the prominent Swiss Bauhaus master Johannes Itten made an in-depth study of textile design. Accordingly, this publication invites readers to rediscover him as a textile designer in conjunction with the Bauhaus teacher Gunta Stölzl, who has a place in art history as a “classic of textile art”. Both artists left Nazi Germany in the 1930s. Not only did they revive textile art in Switzerland with new ways of inventing forms and ornamentation; they also established a network of modern Swiss textile art.
1 016 kr
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