Christopher Merrill – författare

What is a flash fiction called in other countries? In Latin America it is a micro, in Denmark kortprosa, in Bulgaria mikro razkaz. These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 83 of the most beautiful, provocative and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian "Queen of the Microstory" Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.

Only the Nails Remain: Scenes from the Balkan Wars is a chronicle of poet and critic Christopher Merrill's ten war-time journeys to the Balkans from the years 1992 through 1996. At once a travelogue, a book of war reportage, and a biography of the imagination under siege, this beautifully written and personal narrative takes the reader along on the author's journeys to all the provinces and republics of the former Yugoslavia—Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia, Slovenia, and Vojvodina—as well as to Albania, Austria, Bulgaria, Greece, Hungary, Italy, and Turkey. His journeys provide the narrative structure for an exploration of the roles and responsibility of intellectuals caught up in a decisive historical moment, many of whom either helped to incite the war or else bore eloquent witness to its carnage. What separates this book-the first non-native literary work on the conflict-from other collections of reportage, political analysis, and polemic, is its concern for capturing the texture of particular places in the midst of dramatic change-the sounds and sights and smells, the stories and observations of victim and perpetrator alike, the culture of war. Here is a literary meditation on war, a fascinating portrait of the poetry, politics and the people of the Balkans that will provide insight into the past, present, and future of those war-torn lands.Hear an interview with the author on NPR's Weekend All Things Considered, February 20th, "Balkan Poets."

Only the Nails Remain: Scenes from the Balkan Wars is a chronicle of poet and critic Christopher Merrill's ten war-time journeys to the Balkans from the years 1992 through 1996. At once a travelogue, a book of war reportage, and a biography of the imagination under siege, this beautifully written and personal narrative takes the reader along on the author's journeys to all the provinces and republics of the former Yugoslavia—Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia, Slovenia, and Vojvodina—as well as to Albania, Austria, Bulgaria, Greece, Hungary, Italy, and Turkey. His journeys provide the narrative structure for an exploration of the roles and responsibility of intellectuals caught up in a decisive historical moment, many of whom either helped to incite the war or else bore eloquent witness to its carnage. What separates this book-the first non-native literary work on the conflict-from other collections of reportage, political analysis, and polemic, is its concern for capturing the texture of particular places in the midst of dramatic change-the sounds and sights and smells, the stories and observations of victim and perpetrator alike, the culture of war. Here is a literary meditation on war, a fascinating portrait of the poetry, politics and the people of the Balkans that will provide insight into the past, present, and future of those war-torn lands.Hear an interview with the author on NPR's Weekend All Things Considered, February 20th, "Balkan Poets."

Lauded poet Christopher Merrill hatched a brilliant plan: invite six other poets to join him in four days of writing in Iowa City. The poets would write for 30 minutes, creating a poem of 15 lines, and then read it aloud to the group. As poets heard the poems, they noted memorable words, images, and lines, which they would borrow to insert in subsequent poems of their own. These rounds continued, until, in a process of call and response and unprecedented collaboration, 80 poems had been composed. Those 80 poems are collected in this book, penned by authors who represent some of the best and brightest the world of poetry has to offer. Transcending differences of generation, gender, language, and vision, these poets have invented an entirely new facet of the poet’s creative process.

In the course of researching dogwood trees, beloved poet and essayist Christopher Merrill realized that a number of formative moments in his life had some connection to the tree named—according to one writer—because its fruit was not fit for a dog. As he approached his sixtieth birthday, Merrill began to compose a self-portrait alongside this tree whose lifespan is comparable to a human’s and that, from an early age, he’s regarded as a talisman.Dogwoods have never been far from Merrill’s view at significant moments throughout his life, helping to shape his understanding of place in the great chain of being; entwined in his experience is the conviction that our relationship to the natural world is central to our walk in the sun. The feeling of a connection to nature has become more acute as his life has taken him to distant corners of the earth, often to war zones where he has witnessed not only humankind’s propensity for violence and evil but also the enduring power of connections that can be forged across languages, borders, and politics. Dogwoods teach us persistence humility and wonder.Self-Portrait with Dogwood is no ordinary memoir, but rather the work of a traveler who has crisscrossed the country and the globe in search of ways to make sense of his time here. Merrill provides new ways of thinking about personal history, the environment, politics, faith, and the power of the written word. In his descriptions of places far and near, many outside of the average American’s purview—a besieged city in Bosnia, a hidden path in a Taiwanese park, Tolstoy’s country house in Russia, a castle in Slovakia, a blossoming dogwood at daybreak in Seattle—the reader’s understanding of the world will flourish as well.

"e;If I had learned anything during the war, it was that our walk in the sun is brief, and so I resolved to wander from monastery to monastery, a sojourner in the world of last things."e; So poet and journalist Christopher Merrill tells us near the beginning of this gripping account of the transforming pilgrimages he made to Mount Athos, in Greece, in the aftermath of the Balkan wars of the 1990s. "e;It was time for me to come to terms with the way my life had turned out: the love I had squandered, the misgivings I had about my vocation and my faith, the dread I felt at every turn."e;In despair and longing to end his spiritual desolation, Merrill became one of a handful of visitors permitted entry to Mount Athos--a mysterious land that for more than a thousand years has been the secret heart of the Eastern Orthodox Church. There, amid the beautiful terrain, the ancient rhythms, and the spiritual rigor of this holy place, he found a haven. As Merrill's story unfolds, we, too, hike the rough trails of Athos, exploring a place and a way of life scarcely altered since medieval times. We share encounters with monks and spiritual seekers; visit Athos's twenty monasteries, where exquisite art treasures are sequestered; make our way to lonely hermitages that clutch the cliffs above the sea. Like Merrill, we come to consider existence in a new and different light. Part journal of personal discovery, part meditation upon the history and traditions of the contemplative life, Things of the Hidden God takes us where the temporal and the eternal intersect, where community and solitude coexist, and where centuries-old practices offer insight for how to live today.

"Merrill is one of the most gifted, audacious, and accomplished poets of an extraordinary rich generation. His range of sympathy, subject, and tone has always been prodigious."--W. S. Merwin Necessities is a meditation on the deepest promptings of the spirit that could be discovered through language. Influenced by his reading of Franz Kafka, Italo Calvino, Zbigniew Herbert, Czeslaw Milosz, Charles Simic, James Tate, and other explorers of the marvelous, these poems are parables, which deepen with each reading. Christopher Merrill has published four collections of poetry, more than a dozen edited volumes and books of translations, and five works of nonfiction. He is the director of the International Writing Program at the University of Iowa.

Like Neruda and Paz, Perse and Milosz, Christopher Merrill is both a writer and a cultural envoy, crisscrossing the globe as chronicler and courier. Boat records a series of passages over a decade, employing varied formal strategies: meditations and fantasias, prose poems and versets, lyric sequences and narratives, translations and ghazals. Composed in war zones and embassies, refugee camps and monasteries, Boat is a logbook tracking questions of memory, the body and body politic, faith, mortality, and the ways of knowledge moves through generations. Reflecting ten years of life on the wing and forty years of writing, including extensive translation from other languages, Boat bears witness to what Merrill has heard and seen in places most Americans will never visit.

The richly imagined fables, vignettes, and prose poems of Flares reveal the elementary strangeness of this world. Here is the improvised travel record of a poet haunted by history, who documents what he discovers in foreign lands with an exacting and hallucinatory eye. Composed in transit, on diplomatic missions to scores of countries, Flares will endure in the reader’s imagination as a series of signals in the night, illuminating the hidden corners of our time here on earth.

A iterary testament to friendship and the ways in which a vibrant collaboration can inspire poets to plumb the depths of their experiences.The concluding volumes of a ten-year-long conversation in prose poetry between the award-winning poets Marvin Bell and Christopher Merrill. They write from different generations and places around the world on a range of themes from memory to politics, aging and mortality, the vagaries of desire and the imagination.Bell and Merrill wanted to create a wide-ranging dialogue to explore the meaning not only of their separate experiences but of the very ways in which a collaboration fosters a deeper engagement with each other—and the world. In his penultimate message to Merrill, written just hours before he suffered a heart attack from which he never recovered, Bell said that what he loved about their collaboration was that each new prose poem defined his immediate future—which was what After the Fact provided both of them for ten glorious years.

In the course of researching dogwood trees, beloved poet and essayist Christopher Merrill realized that a number of formative moments in his life had some connection to the tree named--according to one writer--because its fruit was not fit for a dog. As he approached his sixtieth birthday, Merrill began to compose a self-portrait alongside this tree whose lifespan is comparable to a human's and that, from an early age, he's regarded as a talisman. Dogwoods have never been far from Merrill's view at significant moments throughout his life, helping to shape his understanding of place in the great chain of being; entwined in his experience is the conviction that our relationship to the natural world is central to our walk in the sun. The feeling of a connection to nature has become more acute as his life has taken him to distant corners of the earth, often to war zones where he has witnessed not only humankind's propensity for violence and evil but also the enduring power of connections that can be forged across languages, borders, and politics. Dogwoods teach us persistence humility and wonder.Self-Portrait with Dogwood is no ordinary memoir, but rather the work of a traveler who has crisscrossed the country and the globe in search of ways to make sense of his time here. Merrill provides new ways of thinking about personal history, the environment, politics, faith, and the power of the written word. In his descriptions of places far and near, many outside of the average American's purview--a besieged city in Bosnia, a hidden path in a Taiwanese park, Tolstoy's country house in Russia, a castle in Slovakia, a blossoming dogwood at daybreak in Seattle--the reader's understanding of the world will flourish as well.

This is a collection including poems from Christopher Merrill's first two books as well as later poems. It concludes with his exquisite long poem 'Luck', which begins "For those not born to wealth or royalty, / Luck's a language learned by fits and starts". Merrill treats the fickleness of fate -- and humanity's attempts to define fate -- with both poignancy and humour. His imagery enters the mind like a new dialect, not with trite or cliched metaphors, but startling and uncommon word pictures that heighten the mood as well as the senses, such as in 'The Rope': "Your eyes, when you turn away, burn black -- before you disappear, / leaving on the sidewalk a trail of charcoal". Merrill's art is for those who love uniqueness in poetry.

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Winner of the 1993 Lavan Younger Poets Award from the Academy of American Poets, Merrill's previous work has received wide acclaim.