James Thomas – författare

Published in 1999, this study focuses on the work of absolute idealist readers of Spinoza''s metaphysics, such as John Clark Murray and Leslie Armour. The text is intended to establish a better absolute idealist interpretation of the identity of Spinoza''s one substance (reality) with each of its diversity of "attributes". Consideration is given to the interpretations developed by these earlier commentators, who read the attributes as one metaphysical being diversely interpreted. The author finds this disadvantageous in understanding the "parallelism" of the attributes, or Spinoza''s doctrine that the same order and connection of things is found in each. This problem can be solved with an alternative absolute idealist reading of the attributes as one order diversely intuited.

Published in 1999, this study focuses on the work of absolute idealist readers of Spinoza''s metaphysics, such as John Clark Murray and Leslie Armour. The text is intended to establish a better absolute idealist interpretation of the identity of Spinoza''s one substance (reality) with each of its diversity of "attributes". Consideration is given to the interpretations developed by these earlier commentators, who read the attributes as one metaphysical being diversely interpreted. The author finds this disadvantageous in understanding the "parallelism" of the attributes, or Spinoza''s doctrine that the same order and connection of things is found in each. This problem can be solved with an alternative absolute idealist reading of the attributes as one order diversely intuited.

Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production.

This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work.

An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production.

This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work.

An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.