James Thomas – författare

Fully updated and revised for its second edition, the Oxford Handbook of Clinical Examination and Practical Skills is the only truly comprehensive pocket guide to all aspects of history taking, physical examination, practical procedures, data interpretation, and communication skills. Packed with expert knowledge and practical guidance it gives realistic advice on coping with common situations. The handbook is structured to allow rapid reference of key information, and to aid understanding with concise and practical clinical guidance. Full colour throughout, it includes over 140 detailed photographs and diagrams of all common examination skills to show you exactly what you need to do and the theory, practice and complications for each. More photos have been included, with over half completely new and specially produced for this edition. Each system chapter covers applied anatomy, history, examination, and the presentation of common and important disorders. Data interpretation covers the basics of x-rays, ECGs and other key areas. A new chapter on the eyes is included along with the sections on body language and non-verbal communication, and the section on practical procedures has been expanded. This handbook will help to ensure you have the confidence and skill to carry out an 'A' grade examination every time.

The Imaginary West, the Real West, the New West, and the Old West converge in this celebration of that fascinating landscape. Selected from over 100 periodicals, 16 contemporary stories by both established writers and relative newcomers tell of the contradictions of a landscape where cowboys may wear tennis shoes and limos park near pickups, but it's still a long way between towns.

"These stories are not merely flashes in the pan; there's pay dirt here!" —DeWitt Henry, editor of Ploughshares

Remember Sudden Fiction International—that bounty of short-short stories from all over the world? Literary folks loved them. Students carried the book around with them. And people on the run found the length of each story (no more than 2000 words) perfect respites from their busy lives.Responding to America's love affair with the short-short, editors Shapard and Thomas consulted nearly two-hundred magazines and chose the sixty stories, written in English or translated, that they considered best. Ranging across countries and cultures, the selection includes a number of new stories from the Pacific Rim.Well-known writers—William Maxwell, Margaret Atwood, Don DeLillo, Mark Richard—join lesser-known writers—Molly Giles, Andrew Lam, Judy Troy—who will be (or should be) better known. Each story revels in its own element of surprise; each, whether traditional or experimental, proves that a tale told quickly offers pleasure long past its telling. Students and lovers of literature take note: this is serious writing that's fun to read.

Responding to America’s love affair with the short-short, editors Robert Shapard and James Thomas searched thousands of books and magazines to select these sixty stories—each under 2,000 words, each with its own element of surprise, whether traditional, experimental, humorous, moving, or magical. In the process they discovered both new talents and a wealth of celebrated writers, such as Jorge Luis Arzola, Aimee Bender, Teolinda Gersão, Romulus Linney, Yann Martel, Sam Shepard, and Tobias Wolff. Zdravka Evitmova conjures blood drops that cure any disease. Ian Frazier writes public relations for crows. Juan José Milás leads an amnesiac husband to an affair in the candlelit darkness of a cathedral with his wife. These tales told quickly offer pleasures long past their telling.

What is a flash fiction called in other countries? In Latin America it is a micro, in Denmark kortprosa, in Bulgaria mikro razkaz. These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 83 of the most beautiful, provocative and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian "Queen of the Microstory" Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.

All of the stories in this book are exceptionally short, revealing themselves in no more than 300 words. With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

It has been more than thirty years since the term “flash fiction” was first coined, perfectly describing the power in the brevity of these stories, each under 1,000 words. Since then, the form has taken hold in the American imagination. For this latest installment in the popular Flash Fiction series, James Thomas, Sherrie Flick, and John Dufresne have searched far and wide for the most distinctive American voices in short-short fiction. The 73 stories collected here speak to the diversity of the American experience and range from the experimental to the narrative, from the whimsical to the gritty. Featuring fiction from writers both established and new, including Aimee Bender, K-Ming Chang, Bonnie Jo Campbell, Bryan Washington, Robert Scotellaro, and Luis Alberto Urrea, Flash Fiction America is a brilliant collection, radiating creativity and bringing together some of the most compelling and exciting contemporary writers in the United States.

'IT'S THE SUN WOT WON IT', was the famous headline claim of Britain's most popular newspaper following the Conservative party's victory over Labour in the 1992 general election. The headline referred to a virulent press campaign against Neil Kinnock's Labour party, and dramatically highlighted one of the chief features of British politics during the twentieth century - the conflict between a socialist Labour party and a capitalist popular press. Labour's frequent complaints of the political and electoral unfairness of newspaper bias meant that some commentators considered that this dispute had a heritage as old as the party itself. Others, including the Labour leadership at the time, argued that despite past tensions, the 1992 election marked the culmination of an unprecedented campaign of vilification against the party.Popular Newspapers, the Labour Party and British Politics assesses these competing claims, looking not only at 1992 but both back and forward to examine the continuities and changes in newspaper coverage of British politics and the Labour party over the twentieth century. The book explores whether the popular press has lived up to its claim of being a democratic 'fourth estate', or has merely, as Labour politicians have argued been a powerful 'fifth column' distorting the democratic process. Drawing on a range of previously unexamined sources this book offers the first original and comprehensive history of a fascinating aspect of British politics from Beaverbrook to Blair.James Thomas is a lecturer at the Cardiff School of Journalism, Media and Cultural Studies at Cardiff University, and has published articles and esays exploring the relationship between the popular press and British politics.

In the week following the death of Princess Diana, the media presented images of the entire British nation united in tearful hysterical grief to mourn their 'People's Princess'. However, despite this emphasis on the response of the 'people', their has so far been no detailed examination of popular attitudes or media coverage during September 1997. James Thomas radically challenges the myths surrounding the mourning with the first ever 'people's history' of the week. He combines a detailed survey of media coverage with analysis of a range of qualitative and quantitative evidence about popular attitudes, especially those of the 'ordinary' people across Britain who recorded their views and actions for the Mass-Observation of Britain project. 'Diana's Mourning' provides fascinating evidence of the diversity, complexity and ambiguity of popular reactions to Diana's death, and demonstrates that far from being united, the British people were in fact deeply divided in grief in September 1997. It not only questions the accuracy of media representations of popular opinion, but also illustrates the media's power to influence attitudes and shape the myth of a nation in mourning.

In the week following the death of Princess Diana, the media presented images of the entire British nation united in tearful hysterical grief to mourn their 'People's Princess'. However, despite this emphasis on the response of the 'people', their has so far been no detailed examination of popular attitudes or media coverage during September 1997. James Thomas radically challenges the myths surrounding the mourning with the first ever 'people's history' of the week. He combines a detailed survey of media coverage with analysis of a range of qualitative and quantitative evidence about popular attitudes, especially those of the 'ordinary' people across Britain who recorded their views and actions for the Mass-Observation of Britain project. 'Diana's Mourning' provides fascinating evidence of the diversity, complexity and ambiguity of popular reactions to Diana's death, and demonstrates that far from being united, the British people were in fact deeply divided in grief in September 1997. It not only questions the accuracy of media representations of popular opinion, but also illustrates the media's power to influence attitudes and shape the myth of a nation in mourning.

'IT'S THE SUN WOT WON IT', was the famous headline claim of Britain's most popular newspaper following the Conservative party's victory over Labour in the 1992 general election. The headline referred to a virulent press campaign against Neil Kinnock's Labour party, and dramatically highlighted one of the chief features of British politics during the twentieth century - the conflict between a socialist Labour party and a capitalist popular press. Labour's frequent complaints of the political and electoral unfairness of newspaper bias meant that some commentators considered that this dispute had a heritage as old as the party itself. Others, including the Labour leadership at the time, argued that despite past tensions, the 1992 election marked the culmination of an unprecedented campaign of vilification against the party.Popular Newspapers, the Labour Party and British Politics assesses these competing claims, looking not only at 1992 but both back and forward to examine the continuities and changes in newspaper coverage of British politics and the Labour party over the twentieth century. The book explores whether the popular press has lived up to its claim of being a democratic 'fourth estate', or has merely, as Labour politicians have argued been a powerful 'fifth column' distorting the democratic process. Drawing on a range of previously unexamined sources this book offers the first original and comprehensive history of a fascinating aspect of British politics from Beaverbrook to Blair.James Thomas is a lecturer at the Cardiff School of Journalism, Media and Cultural Studies at Cardiff University, and has published articles and esays exploring the relationship between the popular press and British politics.

This book is an insiders’ account of the groundbreaking Moscow production of Chekhov's The Seagull directed by Anatoly Efros in 1966, which heralded a paradigm shift in the interpretation and staging of Chekhov’s plays. It is a unique glimpse behind the curtain of the laboratory of new Russian theatre in the twentieth century. Efros' articles about Chekhov and The Seagull, his diaries, interviews and conversations, and most importantly the original rehearsal records combine to form an in-depth account of of the director and his working process. This is an essential book for anyone with an interest in Chekhov and the history of modern Russian theatre.

This book is an insiders’ account of the groundbreaking Moscow production of Chekhov's The Seagull directed by Anatoly Efros in 1966, which heralded a paradigm shift in the interpretation and staging of Chekhov’s plays. It is a unique glimpse behind the curtain of the laboratory of new Russian theatre in the twentieth century. Efros' articles about Chekhov and The Seagull, his diaries, interviews and conversations, and most importantly the original rehearsal records combine to form an in-depth account of of the director and his working process. This is an essential book for anyone with an interest in Chekhov and the history of modern Russian theatre.

Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production.This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work.An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production.This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work.An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

Modern loneliness and the absence of intimacy amongst London's millions are the ills suffered by the quirky yet deeply melancholic 30-something, Joseph Bogart. Weighed down with emotional baggage and feeling lost amidst a mass of failed relationships, Joseph uses his sharp wit and tragicomedy to fight the hopelessness gnawing at him. Through his trials, we discover if Joseph is able to find a successful way out of his life of 'quiet desperation'.

The revised edition of the Handbook offers the only guide on how to conduct, report and maintain a Cochrane Review 
The second edition of The Cochrane Handbook for Systematic Reviews of Interventions contains essential guidance for preparing and maintaining Cochrane Reviews of the effects of health interventions. Designed to be an accessible resource, the Handbook will also be of interest to anyone undertaking systematic reviews of interventions outside Cochrane, and many of the principles and methods presented are appropriate for systematic reviews addressing research questions other than effects of interventions.This fully updated edition contains extensive new material on systematic review methods addressing a wide-range of topics including network meta-analysis, equity, complex interventions, narrative synthesis, and automation. Also new to this edition, integrated throughout the Handbook, is the set of standards Cochrane expects its reviews to meet. Written for review authors, editors, trainers and others with an interest in Cochrane Reviews, the second edition of The Cochrane Handbook for Systematic Reviews of Interventions continues to offer an invaluable resource for understanding the role of systematic reviews, critically appraising health research studies and conducting reviews.

Published in 1999, this study focuses on the work of absolute idealist readers of Spinoza's metaphysics, such as John Clark Murray and Leslie Armour. The text is intended to establish a better absolute idealist interpretation of the identity of Spinoza's one substance (reality) with each of its diversity of "attributes". Consideration is given to the interpretations developed by these earlier commentators, who read the attributes as one metaphysical being diversely interpreted. The author finds this disadvantageous in understanding the "parallelism" of the attributes, or Spinoza's doctrine that the same order and connection of things is found in each. This problem can be solved with an alternative absolute idealist reading of the attributes as one order diversely intuited.

Published in 1999, this study focuses on the work of absolute idealist readers of Spinoza's metaphysics, such as John Clark Murray and Leslie Armour. The text is intended to establish a better absolute idealist interpretation of the identity of Spinoza's one substance (reality) with each of its diversity of "attributes". Consideration is given to the interpretations developed by these earlier commentators, who read the attributes as one metaphysical being diversely interpreted. The author finds this disadvantageous in understanding the "parallelism" of the attributes, or Spinoza's doctrine that the same order and connection of things is found in each. This problem can be solved with an alternative absolute idealist reading of the attributes as one order diversely intuited.