Claudia Rankine – författare

WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2015WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY 2015WINNER OF THE PEN OPEN BOOK AWARD 2015WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY 2015'Everywhere were flashes, a siren sounding and a stretched-out roar. Get on the ground. Get on the ground now. Then I just knew.'And you are not the guy and still you fit the description because there is only one guy who is always the guy fitting the description.'In this moving, critical and fiercely intelligent collection of prose poems, Claudia Rankine examines the experience of race and racism in Western society through sharp vignettes of everyday discrimination and prejudice, and longer meditations on the violence - whether linguistic or physical - which has impacted the lives of Serena Williams, Zinedine Zidane, Mark Duggan and others.Citizen weaves essays, images and poetry together to form a powerful testament to the individual and collective effects of racism in an ostensibly 'post-race' society.

The award-winning poet's powerful exploration of an America ever more unable to process its own toxinsHere, available for the first time in the UK, is the book in which Claudia Rankine first developed the 'American Lyric' form which makes her Forward Prize-winning collection Citizen so distinctive: an original combination of poetry, lyric essay, photography and visual art, virtuosically deployed. Don't Let Me Be Lonely is Rankine's meditation on the self bewildered by race riots, terrorism, medicated depression and television's ubiquitous influence. Written in the years after 9/11, this is an unflinching and deeply felt meditation on life and death in a nation in flux.

A TLS, FINANCIAL TIMES, NEW STATESMAN, GUARDIAN, OBSERVER AND WHITE REVIEW BOOK OF THE YEARFINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION From award-winning writer Claudia Rankine, the stunning follow-up to Citizen and Don't Let Me Be Lonely 'Riveting' Bernardine Evaristo, TLS (Books of the Year)'Brilliant' Gary Younge, New Statesman (Books of the Year)'Timely and powerful' Fatima Bhutto, Financial Times'One of our time's most incisive, brilliant and necessary intellectuals' Seán Hewitt, Irish Times'Ranking is a writer of genius' Jeremy Noel-Tod, Sunday TimesAt home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences?Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division.Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde.Wry, vulnerable and prescient, this is Rankine's most intimate work, less interested in being right than in being true, and being together.

‘We are being asked to hold, visually and emotionally, realities we do not yet have a viable system of language or policy for’Two friends meet in an art gallery after decades of silence. The idealism that once bound them together fissured and fractured under the weight of collective and personal griefs. Through their memories of youthful certainty, the antagonism of their conversation and the embers of their enduring kinship, they navigate the wreckage of our world today – the hope, the anger and the exhaustion.In her most personal and emotionally resonant writing yet, Claudia Rankine blends narrative, memory and criticism in a poignant exploration of the beautiful but complicated friendships that we rely on to unsettle us, to make us better – exposing the fiction in the facts of our lives and demanding action in our time of relentless loss.

In her third collection of poems, Claudia Rankine creates a profoundly daring, ingeniously experimental examination of pregnancy, childbirth, and artistic expression. Liv, an expectant mother, and her husband, Erland, are at an impasse from her reluctance to bring new life into a bewildering world. The couple's journey is charted through conversations, dreams, memories, and meditations, expanding and exploding the emotive capabilities of language and form. A text like no other, it crosses genres, combining verse, prose, and dialogue to achieve an unparalleled understanding of creation and existence.

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in 21st century daily life and in the media. The accumulative stresses come to bear on a person's ability to speak, perform and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essays, images and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, post-race' society.'

'Exquisite . . . readers will find themselves transformed by it' Claire Lynch'Stunning . . . dazzlingly laser-like and movingly original' Lara Feigel'Inventive and searching' Calvin Bedient'I am awestruck . . . a masterpiece' Mary GordonThe stunningly original exploration of pregnancy and childbirth by the acclaimed author of CitizenIn this, the landmark achievement that crowned the first phase of her writing career, Claudia Rankine invites us into the lives of Liv and her husband Erland, as they find themselves propelled into the classic plot: boy loves girl, girl gets pregnant. The couple's journey is charted through dreams, conversations and reflections, in a text like no other, deftly moulding language and crossing genres to arrive at new life: baby Ersatz.Plot is an inventive and engrossing meditation on pregnancy and the changes it heralds: the potential bodily cost, the loss of self, the sense of impending stasis. Each fear compounds Liv's reluctance to bring new life into a bewildering world. A profoundly daring collection, it explodes the emotive capabilities of language and form to achieve an unparalleled understanding of creation and existence.

'Johnson is a leading voice of his generation.' - New York TimesThe most comprehensive publication to date on widely celebrated artist Rashid JohnsonWorking with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art.Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled 'conceptual post-black art'.A precocious talent (his work was included in the seminal 'Freestyle' exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.