Damion Searls – författare

A deep dive into the nature of translation from one of its most acclaimed practitioners  “Searls’s philosophy is ultimately one of freedom—to move beyond mere equivalence, to translate how a text communicates rather than simply what it says.”—Max Norman, New Yorker  Avoiding theoretical debates and clichéd metaphors, award‑winning translator Damion Searls has written a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. Here, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.

A child who will be named Johannes is born. An old man named Johannes dies. Between these two points, Jon Fosse gives us the details of an entire life, starkly compressed. Beginning with Johannes’s father’s thoughts as his wife goes into labour, and ending with Johannes's own thoughts as he embarks upon a day in his life when everything is exactly the same, yet totally different, Morning and Evening is a novel concerning the beautiful dream that our lives have meaning.

A deep dive into the nature of translation from one of its most acclaimed practitioners  “Searls’s philosophy is ultimately one of freedom—to move beyond mere equivalence, to translate how a text communicates rather than simply what it says.”—Max Norman, New Yorker  Avoiding theoretical debates and clichéd metaphors, award‑winning translator Damion Searls has written a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. Here, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.

The captivating, untold story of Hermann Rorschach and his famous inkblot test, which has shaped our view of human personality and become a fixture in popular culture.

SUNDAY TIMES 'BOOKS OF THE YEAR': 'the book develops into a bigger biography of the strange set of images [Rorschach] bequeathed, taking in everything from the origins of abstract art to the invention of the idea of empathy' – James McConnachie, Sunday Times IRISH INDEPENDENT 'BOOKS OF THE YEAR'The captivating, untold story of Hermann Rorschach and his famous inkblot test, which has shaped our view of human personality and become a fixture in popular culture.In 1917, working alone in a remote Swiss asylum, psychiatrist Hermann Rorschach devised an experiment to probe the human mind. He had come to believe that who we are is less a matter of what we say, as Freud thought, than what we see. Rorschach himself was a talented illustrator, and his test, a set of ten carefully designed inkblots, quickly made its way to America, where it took on a life of its own.Co-opted by the military after Pearl Harbor, Rorschach’s test was a fixture at the Nuremberg trials and in the jungles of Vietnam. It became an advertising staple, a cliché in Hollywood and journalism, and an inspiration to everyone from Andy Warhol to Jay-Z. The test was also taken by millions of defendants, job applicants, parents in custody battles and people suffering from mental illness – or simply trying to understand themselves better. And it is still used today.Damion Searls draws on untranslated letters and diaries, and a cache of previously unknown interviews with Rorschach’s family, friends and colleagues, to tell the unlikely story of the test’s creation, its controversial reinvention and its remarkable endurance. Elegant and original, The Inkblots shines a light on the twentieth century’s most visionary synthesis of art and science.

In his debut collection, Damion Searls gives us five extraordinary tales of the life of the mind in America today. “56 Water Street” and “Goldenchain” follow writers whose projects only lead them deeper into the labyrinth of modern relationships and friendships. The nasty office satire “The Cubicles” and the atmospheric “A Guide to San Francisco” take place in the sun and fog of West Coast dreams. In the final story, “Dialogue Between the Two Chief World Systems,” a Hungarian beauty creates a scholarly conundrum with surprising parallels to the book as a whole.Set amidst Ethiopian healing scrolls and sponges of the Adriatic and the guy who invented flashing the temperature on bank clocks, What We Were Doing and Where We Were Going plays in the intersection of knowledge and life in contemporary America. Searls’s flights of fancy and painterly eye for detail introduce a range of intelligent characters feeling their way toward complex moral and personal truths.

Acclaimed translator Damion Searls's exuberant debut novella navigates the bittersweet tug-of-war between nostalgia and living life meaningfully in a world buzzing with information overload.Analog Days is a snapshot of a circle of friends living through the sorrows and joys of a particular inflection point in history. Amid the ever-present news cycles, watching the world shift around them, they fall back on film and friendship and art as the last bastions of meaning in their fragmented lives. Moving from coffee shops to bars, from New York City to San Francisco, Analog Days immerses us in the individual lives set adrift among the pivotal events of our recent history.

For more than ninety years, eager writers and young poets, even those simply looking for a purpose in life, have embraced the wisdom of Rainer Maria Rilke’s Letters to a Young Poet, first published in 1929. Most readers and scholars assumed that the letters from young poet were forever lost to posterity. Yet, shockingly, the letters were recently discovered by Erich Unglaub, a Rilke scholar, and published in German in 2019. The acclaimed translator Damion Searls has now not only retranslated Rilke’s original letters but also translated the letters by Franz Xaver Kappus, an Austrian military cadet and aspiring poet. This timeless edition, in addition to joining the two sets of letters together for the first time in English, provides a new window into the workings of Rilke’s visionary poetic and philosophical mind, allowing us to re-experience the literary genius of one of the most inspiring works of twentieth-century literature.

Melancholy I-II is a fictional invocation of the nineteenth-century Norwegian artist Lars Hertervig, who painted luminous landscapes, suffered mental illness and died poor in 1902. In this wild, feverish narrative, Jon Fosse delves into Hertervig’s mind as the events of one day precipitate his mental breakdown. A student of Hans Gude at the Academy of Art in Düsseldorf, Hertervig is paralyzed by anxieties about his talent and is overcome with love for Helene Winckelmann, his landlady’s daughter. Marked by inspiring lyrical flights of passion and enraged sexual delusions, Hertervig’s fixation on Helene persuades her family that he must leave. Oppressed by hallucinations and with nowhere to go, Hertervig shuttles between a cafe, where he endures the mockery of his more sophisticated classmates, and the Winckelmann’s apartment, which he desperately tries to re-enter – a limbo state which leads him inexorably into a state of madness. Published here in one volume in English for the first time, Melancholy I-II is a major novel by ‘the Beckett of the twenty-first century’ (Le Monde).

In her old house by the fjord, Signe lies on a bench and sees a vision of herself as she was more than twenty years earlier: standing by the window waiting for her husband Asle, on that terrible late November day when he took his rowboat out onto the water and never returned. Her memories widen out to include their whole life together, and beyond: the bonds of family and the battles with implacable nature stretching back over five generations, to Asle's great-great-grandmother Aliss. In Jon Fosse's vivid, hallucinatory prose, all these moments in time inhabit the same space, and the ghosts of the past collide with those who still live on. Aliss at the Fire, is a visionary masterpiece, a haunting exploration of love and loss that ranks among the greatest meditations on marriage and human fate.

A man starts driving without knowing where he is going. He alternates between turning right and left, and finally he gets stuck at the end of a forest road. Soon it gets dark and starts to snow, but instead of going back to find help, he ventures, foolishly, into the dark forest. Inevitably, the man gets lost, and as he grows cold and tired, he encounters a glowing being amid the obscurity. Strange, haunting and dreamlike, A Shining is the latest work of fiction by Jon Fosse, ‘the Beckett of the twenty-first century’ (Le Monde).