Darryl Chalk – författare

Circuits of disease correspond to previously unconsidered practices of caregiving in early modern English drama in this new volume by Darryl Chalk and Rebecca Totaro. They explore how the plays of Shakespeare and his contemporaries responded to and intersected with local and international ideas of communal care, health management, quarantine, embodiment, and theatricality.The role of the spectators who found themselves represented in such themes of caregiving in times of crisis finds new meaning in Chalk and Totaro’s framing. Foregrounded by pioneering archival research, chapters provide new insights into several Shakespeare plays performed on stages in London and at the court of King James I, as well as several plays by his contemporaries including Webster, Dekker, and Middleton. Contributors explore plague and privilege in Romeo and Juliet, servants and caregiving in King Lear, women and herbal medicine in The Winter’s Tale, astrology in The Duchess of Malfi, and the humour that attaches itself to illness in The Roaring Girl. These case studies expand our understanding of the caregiving that connected people across place and time as powerfully as the lived experience of disease did.

Circuits of disease correspond to previously unconsidered practices of caregiving in early modern English drama in this new volume by Darryl Chalk and Rebecca Totaro. They explore how the plays of Shakespeare and his contemporaries responded to and intersected with local and international ideas of communal care, health management, quarantine, embodiment, and theatricality.The role of the spectators who found themselves represented in such themes of caregiving in times of crisis finds new meaning in Chalk and Totaro's framing. Foregrounded by pioneering archival research, chapters provide new insights into several Shakespeare plays performed on stages in London and at the court of King James I, as well as several plays by his contemporaries including Webster, Dekker, and Middleton. Contributors explore plague and privilege in Romeo and Juliet, servants and caregiving in King Lear, women and herbal medicine in The Winter's Tale, astrology in The Duchess of Malfi, and the humour that attaches itself to illness in The Roaring Girl. These case studies expand our understanding of the caregiving that connected people across place and time as powerfully as the lived experience of disease did.

Circuits of disease correspond to previously unconsidered practices of caregiving in early modern English drama in this new volume by Darryl Chalk and Rebecca Totaro. They explore how the plays of Shakespeare and his contemporaries responded to and intersected with local and international ideas of communal care, health management, quarantine, embodiment, and theatricality.The role of the spectators who found themselves represented in such themes of caregiving in times of crisis finds new meaning in Chalk and Totaro's framing. Foregrounded by pioneering archival research, chapters provide new insights into several Shakespeare plays performed on stages in London and at the court of King James I, as well as several plays by his contemporaries including Webster, Dekker, and Middleton. Contributors explore plague and privilege in Romeo and Juliet, servants and caregiving in King Lear, women and herbal medicine in The Winter's Tale, astrology in The Duchess of Malfi, and the humour that attaches itself to illness in The Roaring Girl. These case studies expand our understanding of the caregiving that connected people across place and time as powerfully as the lived experience of disease did.

This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.