Dave Stewart – författare

Graphic novels to read anywhere: DC Compact Comics collect DC s bestselling, most iconic stories in a new size! Experience iconic writer-artist Darwyn Cooke s retro futuristic masterpiece, exploring the Justice League s adventures in an alternate 1950s America! Welcome to the DC Universe in 1950s America a land of promise and paranoia, of glittering cities and segregated slums, of dizzying scientific progress and simmering Cold War conflict. A land without the Justice League Superman, Batman and Wonder Woman. Or so it seems. The masked mystery men who fought for freedom in the Second World War have been outlawed. The soldiers and spies who conducted top-secret missions into the unknown now work in the shadows. And those icons who do still fight on Superman, Wonder Woman, Batman operate under hidden agendas and dueling ideologies. Yet this America needs its heroes more than ever. With darkness gathering on the horizon once more, only a bold new generation of adventurers young, daring, and dedicated to the better angels of our nature is equal to the challenge of the New Frontier. From Eisner Award winning writer-artist Darwyn Cooke and Eisner Award-winning colorist Dave Stewart comes DC: THE NEW FRONTIER a timeless tale of idealism that has become one of the most acclaimed superhero comics of the 21st century. This edition collects the original 6-issue miniseries together with the JUSTICE LEAGUE: THE NEW FRONTIER SPECIAL.

Learning musical notation can be intimidating. But regardless of instrument or proficiency in reading music, there's hope and help for all musicians in this practical guide. Writing in a friendly manner that puts readers at ease, author Dave Stewart starts with the basics: staves, clefs, and how to find the notes. He then advances step by step through rhythm, key signatures, chords and intervals, and how to write it all down. This book is useful for novices, seasoned players who never learned to read music, and pros seeking a refresher course.

For those who want to learn the inner workings of music without, as author Dave Stewart notes, “getting bogged down in a lot of fearsome technicalities ” this is an enlightening exploration of the theory and practice of music. Picking up where The Musician's Guide to Reading & Writing Music leaves off, Stewart uses the same amusing style, clear examples, and practical advice to encourage readers not just to read music, but to write some of their own. The book sheds light on tonality, chord sequences, scales and modes, tempo, rhythm, improvisation and composition, chords and chord voicings, MIDI, and more. 128 pages, 6 1/8″ x 9 1/4″

Hillforts are among the most dramatic and visually striking of prehistoric monuments in the British Isles. Dorset, in southern England, is particularly rich in these Iron Age earthwork enclosures, with over 30 examples being so far recorded, including the internationally famous sites of Maiden Castle, Hod Hill, Badbury Rings and Hambledon Hill. Many have been the subject of archaeological investigation, such as the excavations conducted at Maiden Castle in the 1930s by Tessa and Mortimer Wheeler, but few have, to date, been intensively examined. This volume sets out the results of a detailed programme of non-intrusive geophysical survey conducted across the Dorset hillforts, generating detailed subsurface maps of archaeological features, in the hope of better resolving the phasing, form and internal structure of these iconic sites. The dataset presented here not only helps to change our perception of what hillforts were, how they functioned and what went on within them, but also provides a way of assessing their longevity, reconsidering how they were perceived and reused in subsequent periods. Given the oft-cited association between the Dorset enclosures and the Durotriges tribe, who are thought to have occupied the area in the Later Iron Age, serious consideration is also for the first time given to the belief that hillforts formed the focus of conflict between the native tribes and the armies of imperial Rome in the first century AD.