David Andrews - Böcker

New possibilities have recently emerged for producing optical beams with complex and intricate structures, and for the non-contact optical manipulation of matter. Structured Light and Its Applications fully describes the electromagnetic theory, optical properties, methods and applications associated with this new technology. Detailed discussions are given of unique beam characteristics, such as optical vortices and other wavefront structures, the associated phase properties and photonic aspects, along with applications ranging from cold atom manipulation to optically driven micromachines.

Features include:

Comprehensive and authoritative treatments of the latest research in this area of nanophotonics, written by the leading researchers Accounts of numerous microfluidics, nanofabrication, quantum informatics and optical manipulation applications Coverage that fully spans the subject area, from fundamental theory and simulations to experimental methods and results

Graduate students and established researchers in academia, national laboratories and industry will find this book an invaluable guide to the latest technologies in this rapidly developing field.

Comprehensive and definitive source of the latest research in nanotechnology written by the leading people in the field From theory to applications - all is presented in detail Editor is Chair of the SPIE Nanotechnology Technical Group and is leading the way in generation and manipulation of complex beams

Structured Light for Optical Communication highlights principles and applications in the rapidly evolving field of structured light in wide-ranging contexts, from classical forms of communication to new frontiers of quantum communication. Besides the basic principles and applications, the book covers the background of structured light in its most common forms, as well as state-of-the-art developments. Structured light has been hailed as affording outstanding prospects for the realization of high bandwidth communication, enhanced tools for more highly secure cryptography, and exciting opportunities for providing a reliable platform for quantum computing.This book is a valuable resource for graduate students and other active researchers, as well as others who may be interested in learning about this cutting-edge research field. Broadly covers the use of structured light in communication applications Highlights quantum and photonics principles, emerging and future applications Assesses the major challenges of using structured light for communication applications

The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies-an activity that has occurred across film history and across film subcultures-rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement.David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.

Physical cultural studies (PCS) is a dynamic and rapidly developing field of study. This handbook offers the first definitive account of the state of the art in PCS, showcasing the latest research and methodological approaches. It examines the boundaries, preoccupations, theories and politics of PCS, drawing on transdisciplinary expertise from areas as diverse as sport studies, sociology, history, cultural studies, performance studies and anthropology. Featuring chapters written by world-leading scholars, this handbook examines the most important themes and issues within PCS, exploring the active body through the lens of class, age, gender, sexuality, race, ethnicity, (dis)ability, medicine, religion, space and culture. Each chapter provides an overview of the state of knowledge in a particular subject area, while also considering possibilities for developing future research. Representing a landmark contribution to physical cultural studies and allied fields, the Routledge Handbook of Physical Cultural Studies is an essential text for any undergraduate or postgraduate course on physical culture, sports studies, leisure studies, the sociology of sport, the body, or sport and social theory.

Well-connected in academia, business and government, John Maynard Keynes was one of the most influential economic theorists of the twentieth century. It appears that his theories will be just as important for the twenty-first. As Keynes himself explained, his ideas throughout his life were influenced by the moral philosophy he learned as an undergraduate. Nevertheless, the meaning and significance for Keynes of this early philosophy have remained largely unexplored.Keynes and the British Humanist Tradition offers an interpretation of Keynes’s early philosophy and its implications for his later thought. It approaches that philosophy from the perspective of the nineteenth century intellectual context out of which it emerged. The book argues that roots of Keynes’s early beliefs are to be found in the traditions of the Apostles, the very famous secret society to which he and most of his teachers belonged. The principles of Keynes’s philosophy can be seen in such writers as John Stuart Mill and Henry Sidgwick, but the underlying ideas have been obscured by changing fashions in philosophy and thus require excavation and reconstruction.This book will be of interest to students and researchers in the history of economics, in particular the thought of John Maynard Keynes, especially his ethics, politics and economics.

The Cold War spanned some five decades from the devastation that remained after World War Two until the fall of the Berlin wall, and for much of that time the perception was that only on the Eastern side were politics and sport inextricably linked. However, this assumption underestimates the extent to which sport was an important symbol for both power blocs in their ongoing ideological struggle.This collection of essays from leading international authorities on sport, culture and ideology brings together an impressive body of work organized around key political themes and outstanding moments in sport, and is at once a political history of sport and an illuminating new perspective on the forces that shaped this unsettled time.

The Cold War spanned some five decades from the devastation that remained after World War Two until the fall of the Berlin wall, and for much of that time the perception was that only on the Eastern side were politics and sport inextricably linked. However, this assumption underestimates the extent to which sport was an important symbol for both power blocs in their ongoing ideological struggle.This collection of essays from leading international authorities on sport, culture and ideology brings together an impressive body of work organized around key political themes and outstanding moments in sport, and is at once a political history of sport and an illuminating new perspective on the forces that shaped this unsettled time.

Well-connected in academia, business and government, John Maynard Keynes was one of the most influential economic theorists of the twentieth century. It appears that his theories will be just as important for the twenty-first. As Keynes himself explained, his ideas throughout his life were influenced by the moral philosophy he learned as an undergraduate. Nevertheless, the meaning and significance for Keynes of this early philosophy have remained largely unexplored.Keynes and the British Humanist Tradition offers an interpretation of Keynes’s early philosophy and its implications for his later thought. It approaches that philosophy from the perspective of the nineteenth century intellectual context out of which it emerged. The book argues that roots of Keynes’s early beliefs are to be found in the traditions of the Apostles, the very famous secret society to which he and most of his teachers belonged. The principles of Keynes’s philosophy can be seen in such writers as John Stuart Mill and Henry Sidgwick, but the underlying ideas have been obscured by changing fashions in philosophy and thus require excavation and reconstruction.This book will be of interest to students and researchers in the history of economics, in particular the thought of John Maynard Keynes, especially his ethics, politics and economics.

This book raises critical questions about the explanatory framework guiding sports coaching research and presents a new conceptualization for research in the field. Through mapping and contextualizing sports coaching research within a corporatized higher education, the dominant or legitimate forms of sports coaching knowledge are problematized and a new vision of the field, which is socially and culturally responsive, communitarian and justice-oriented emerges.

2020 Choice​ Outstanding Academic TitleThe moving body-pervasively occupied by fitness activities, intense training and dieting regimes, recreational practices, and high-profile sporting mega-events-holds a vital function in contemporary society. As the body moves-as it performs, sweats, runs, and jumps-it sets in motion an intricate web of scientific rationalities, spatial arrangements, corporate imperatives, and identity politics (i.e. politics of gender, race, social class, etc.). It represents vitality in its productive and physiological capacities, it drives a complex economy of experiences and products, and it is a meaningful site of cultural identities and politics.  Contributors to Sport, Physical Culture, and the Moving Body work from a simple premise: as it moves, the material body matters. Adding to the burgeoning fields of sport studies and body studies, the works featured here draw upon the traditions of feminist theory, posthumanism, actor network theory, and new materialism to reposition the physical, moving body as crucial to the cultural, political, environmental, and economic systems that it constitutes and within which is constituted. Once assembled, the book presents a study of bodies in motion-made to move in contexts where technique, performance, speed, strength, and vitality not only define the conduct therein, but provide the very reason for the body’s being within those economies and environments. In so doing, the contributors look to how the body moving for and about rational systems of science, medicine, markets, and geopolity shapes the social and material world in important and unexpected ways.  In Sport, Physical Culture, and the Moving Body, contributors explore the extent to which the body, when moving about both ostensibly active body spaces (i.e., the gymnasium, the ball field, exercise laboratory, the track or running trail, the beach, or the sport stadium) and those places less often connected to physical activity (i.e. the home, the street, the classroom, the automobile), is bounded to technologies of life and living; and to the political arrangements that seek to capitalize upon such frames of biological vitality. To do so, the authors problematize the rise of active body science (i.e. kinesiology, sport and exercise sciences, performance biotechnology) and the effects these scientific interventions have on embodied, lived experience.  Contributors to Sport, Physical Culture, and the Moving Body will be engaging a range of new and emerging theoretical perspectives, including new materialist, political ecology, developmental systems theory, and new material feminist approaches, to examine the actors and assemblages of movement-based material, political, and economic production. In so doing, contributors will vividly and powerfully illustrate the extent to which a focus on the fleshed body and its material conditions can bring forth new insights or ontological and epistemological innovation to the sociology of sport and physical activity. They will also explore the agency of the body as and amongst things. Such a performative materialist approach explicates how complex assemblages of sport and physical activity-bringing into association everything from muscle fibers and dietary proteins to stadium concrete or regional aquifers-are not only meaningful, but ecological.  By focusing on the confluence of agentive materialities, disciplinary technologies, vibrant assemblages, speculative realities, and vital performativities, Sport, Physical Culture, and the Moving Body promises to offer a groundbreaking departure from representationalist tendencies and orthodoxies brought about by the cultural turn in sport and physical cultural studies. It brings the moving body and its physics back into focus: recentering moving flesh and bones as locus of social order, environmental change, and the global political economy.

2020 Choice​ Outstanding Academic TitleThe moving body-pervasively occupied by fitness activities, intense training and dieting regimes, recreational practices, and high-profile sporting mega-events-holds a vital function in contemporary society. As the body moves-as it performs, sweats, runs, and jumps-it sets in motion an intricate web of scientific rationalities, spatial arrangements, corporate imperatives, and identity politics (i.e. politics of gender, race, social class, etc.). It represents vitality in its productive and physiological capacities, it drives a complex economy of experiences and products, and it is a meaningful site of cultural identities and politics.  Contributors to Sport, Physical Culture, and the Moving Body work from a simple premise: as it moves, the material body matters. Adding to the burgeoning fields of sport studies and body studies, the works featured here draw upon the traditions of feminist theory, posthumanism, actor network theory, and new materialism to reposition the physical, moving body as crucial to the cultural, political, environmental, and economic systems that it constitutes and within which is constituted. Once assembled, the book presents a study of bodies in motion-made to move in contexts where technique, performance, speed, strength, and vitality not only define the conduct therein, but provide the very reason for the body’s being within those economies and environments. In so doing, the contributors look to how the body moving for and about rational systems of science, medicine, markets, and geopolity shapes the social and material world in important and unexpected ways.  In Sport, Physical Culture, and the Moving Body, contributors explore the extent to which the body, when moving about both ostensibly active body spaces (i.e., the gymnasium, the ball field, exercise laboratory, the track or running trail, the beach, or the sport stadium) and those places less often connected to physical activity (i.e. the home, the street, the classroom, the automobile), is bounded to technologies of life and living; and to the political arrangements that seek to capitalize upon such frames of biological vitality. To do so, the authors problematize the rise of active body science (i.e. kinesiology, sport and exercise sciences, performance biotechnology) and the effects these scientific interventions have on embodied, lived experience.  Contributors to Sport, Physical Culture, and the Moving Body will be engaging a range of new and emerging theoretical perspectives, including new materialist, political ecology, developmental systems theory, and new material feminist approaches, to examine the actors and assemblages of movement-based material, political, and economic production. In so doing, contributors will vividly and powerfully illustrate the extent to which a focus on the fleshed body and its material conditions can bring forth new insights or ontological and epistemological innovation to the sociology of sport and physical activity. They will also explore the agency of the body as and amongst things. Such a performative materialist approach explicates how complex assemblages of sport and physical activity-bringing into association everything from muscle fibers and dietary proteins to stadium concrete or regional aquifers-are not only meaningful, but ecological.  By focusing on the confluence of agentive materialities, disciplinary technologies, vibrant assemblages, speculative realities, and vital performativities, Sport, Physical Culture, and the Moving Body promises to offer a groundbreaking departure from representationalist tendencies and orthodoxies brought about by the cultural turn in sport and physical cultural studies. It brings the moving body and its physics back into focus: recentering moving flesh and bones as locus of social order, environmental change, and the global political economy.

Physical cultural studies (PCS) is a dynamic and rapidly developing field of study. This handbook offers the first definitive account of the state of the art in PCS, showcasing the latest research and methodological approaches. It examines the boundaries, preoccupations, theories and politics of PCS, drawing on transdisciplinary expertise from areas as diverse as sport studies, sociology, history, cultural studies, performance studies and anthropology. Featuring chapters written by world-leading scholars, this handbook examines the most important themes and issues within PCS, exploring the active body through the lens of class, age, gender, sexuality, race, ethnicity, (dis)ability, medicine, religion, space and culture. Each chapter provides an overview of the state of knowledge in a particular subject area, while also considering possibilities for developing future research. Representing a landmark contribution to physical cultural studies and allied fields, the Routledge Handbook of Physical Cultural Studies is an essential text for any undergraduate or postgraduate course on physical culture, sports studies, leisure studies, the sociology of sport, the body, or sport and social theory.

This book raises critical questions about the explanatory framework guiding sports coaching research and presents a new conceptualization for research in the field. Through mapping and contextualizing sports coaching research within a corporatized higher education, the dominant or legitimate forms of sports coaching knowledge are problematized and a new vision of the field, which is socially and culturally responsive, communitarian and justice-oriented emerges.

The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies-an activity that has occurred across film history and across film subcultures-rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement.David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.

For more than half a century, Warren Buffett, the chairman and CEO of Berkshire Hathaway, has been one of the world’s most respected businessmen, not just because of his savvy investments and unmatched record of returns, but also because of his humility, candor, and refreshing perspective on wealth.Despite this tremendous success, the Oracle of Omaha doesn’t feel entitled to the $89 billion net worth his abilities have earned him. Instead, he likes to say that he was born at the right place and time, and as an active philanthropist, he has already pledged to give most of his money to charity. This modesty in the face of proven talent is part of what makes Buffett as popular on Main Street as he is on Wall Street—he is one of the world’s wealthiest men and yet he is still personable and relatable.Now, hundreds of the most thought-provoking and inspiring quotes from Buffett are compiled in a single book. Warren Buffett: In His Own Words is a comprehensive guidebook to the inner workings of this business icon, providing insight into his thoughts on investing, Wall Street, business, politics, taxes, life lessons, and more.This collection of quotations draws from decades of interviews, editorials, and annual shareholder reports, amassing a comprehensive outline of how Buffett believes a good business is run and a good life is led. It’s advice that Buffett has successfully adhered to throughout his 88 years, and it’s now available in Warren Buffett: In His Own Words.

The third edition of this bestselling handbook for careers leaders has been fully updated to reflect the revised Gatsby Benchmarks and includes a foreword by Ryan Gibson, who led the national review into the Gatsby Benchmarks. The importance of delivering good careers education and guidance in schools and colleges has never been greater.Statutory guidance sets out the requirement for every school to have a named careers leader. They are expected to lead, manage and co-ordinate the school’s careers programme, across all eight Gatsby Benchmarks. This is a big job and it is often one that people will begin with little training or experience.Drawing on 35 years’ experience of careers work, David Andrews and Tristram Hooley provide you with everything that you need to know to lead effectively and develop your role and expertise. Updated throughout to reflect the revised Gatsby Benchmarks, as well as the changes in the policy, educational and economic context in which careers leaders are now working, the third edition continues to offer practical advice and ideas for planning, developing and maintaining an excellent careers programme. Highlighting the latest resources and support available, it also gives you plentiful tools – both in the book and in additional online materials - to help you become an outstanding careers leader.Whether you are already a careers leader, about to become one, or are involved in the training of future careers leaders, this is the book for you!