David Bradshaw – författare

'I, who would wish to feel close over me the protective waves of the ordinary, catch with the tail of my eye some far horizon.'Intensely visionary yet absorbed with the everyday; experimental, daring and challenging, The Waves is regarded by many as Virginia Woolf's greatest achievement. It follows a set of six friends from childhood to middle age as they experience the world around them and explore who they are and what it means to be alive. As the contours of their lives are revealed, a unique novel is slowly unveiled. Enfolded within Woolf's lyrical and mysterious language, the mundane takes on a startling new significance while distant pasts are no less in play than the clamorous sounds and kaleidoscopic sights of the modern city. Yet precisely where the alluringly enigmatic pages of The Waves are leading, and what deeper meanings are held within its undulant chapters and shimmering interludes, are questions that have never ceased to enthral readers and critics alike.In this new edition David Bradshaw considers the spellbinding oddness and originality of The Waves, helping the reader to negotiate a way though this most poetic and haunting of novels.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. . .So heavy the woman came to a standstill opposite the oval shaped flowerbed, and ceased even to pretend to listen to what the other woman was saying.'Virginia Woolf's short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form. This new edition edited by Bryony Randall emphasises the startling variety in Woolf's experimentation during the most productive period of short fiction writing in Woolf's life, the late 1910s through to the end of the 1920s. It draws readers' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works' initial publication and reception.

The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism''s complex geographies, focusing on Anglo-European modernisms while alsoengaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volumeexamine modernist film and the moving image, and travel and transport in the modern metropolis. ''Movement is reality itself'', the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.

The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism''s complex geographies, focusing on Anglo-European modernisms while alsoengaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volumeexamine modernist film and the moving image, and travel and transport in the modern metropolis. ''Movement is reality itself'', the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.

This innovative book comprises nine essays from leading scholars which investigate the relationship between fiction, censorship and the legal construction of obscenity in Britain between 1850 and the present day. Each of the chapters focuses on a distinct historical period and each has something new to say about the literary works it spotlights. Overall, the volume fundamentally refreshes our understanding of the way texts had to negotiate the moral and legalminefields of public reception.The book is original in the historical period it covers, starting in 1850 and bringing debates about fiction, obscenity and censorship up to the present day. The history that is uncovered reveals the different ways in which censorship functioned and continues to function, with considerations of Statutory definitions of Obscenity alongside the activities of non-government organisations such as the anti-vice societies, circulating libraries, publishers, printers and commentators. The essays inthis book argue that the vigour with which novels were hunted down by the prowling prudes of the book''s title encouraged some writers to explore sexual, excremental and moral obscenities with even more determination. Bringing such debates up to date, the book considers the ongoing impact of censorshipon fiction and the current state of critical thinking about the status and freedom of literature. Given contemporary debates about the limits on freedom of speech in liberal, secular societies, the interrogation of these questions is both timely and necessary.

`New eyes were opened in her soul. She saw a strange creature from another world, in him. It was as if she were enchanted, and everything were metamorphosed.''In Women in Love (1920), Ursula and Gudrun Brangwen, who first appeared in Lawrence''s earlier novel, The Rainbow, take centre stage as Lawrence explores their growth and development in their relationships with two powerful men, Rupert Birkin and his friend Gerald Crich. A novel of regeneration and dark, destructive human passion, Women in Love reflects the impact on Lawrence of the First World War in the potential both for annihilation and salvation of the self.Quintessentially modernist, Women is Love is one of Lawrence''s most extraordinary, innovative and unsettling works.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`New eyes were opened in her soul. She saw a strange creature from another world, in him. It was as if she were enchanted, and everything were metamorphosed.''In Women in Love (1920), Ursula and Gudrun Brangwen, who first appeared in Lawrence''s earlier novel, The Rainbow, take centre stage as Lawrence explores their growth and development in their relationships with two powerful men, Rupert Birkin and his friend Gerald Crich. A novel of regeneration and dark, destructive human passion, Women in Love reflects the impact on Lawrence of the First World War in the potential both for annihilation and salvation of the self.Quintessentially modernist, Women is Love is one of Lawrence''s most extraordinary, innovative and unsettling works.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. . .So heavy the woman came to a standstill opposite the oval shaped flowerbed, and ceased even to pretend to listen to what the other woman was saying.''Virginia Woolf''s short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form. This new edition edited by Bryony Randall emphasises the startling variety in Woolf''s experimentation during the most productive period of short fiction writing in Woolf''s life, the late 1910s through to the end of the 1920s. It draws readers'' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works'' initial publication and reception.

''The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. . .So heavy the woman came to a standstill opposite the oval shaped flowerbed, and ceased even to pretend to listen to what the other woman was saying.''Virginia Woolf''s short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form. This new edition edited by Bryony Randall emphasises the startling variety in Woolf''s experimentation during the most productive period of short fiction writing in Woolf''s life, the late 1910s through to the end of the 1920s. It draws readers'' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works'' initial publication and reception.

The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism's complex geographies, focusing on Anglo-European modernisms while also engaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volume examine modernist film and the moving image, and travel and transport in the modern metropolis. 'Movement is reality itself', the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.

'I am making up "To the Lighthouse" - the sea is to be heard all through it' Inspired by the lost bliss of her childhood summers in Cornwall, Virginia Woolf produced one of the masterworks of English literature in To the Lighthouse. It concerns the Ramsay family and their summer guests on the Isle of Skye before and after the First World War. As children play and adults paint, talk, muse and explore, relationships shift and mutate. A captivating fusion of elegy, autobiography, socio-political critique and visionary thrust, it is the most accomplished of all Woolf's novels. On completing it, she thought she had exorcised the ghosts of her imposing parents, but she had also brought form to a book every bit as vivid and intense as the work of Lily Briscoe, the indomitable artist at the centre of the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I shall never forget the day I wrote "The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shape that fitted it... I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.'The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`New eyes were opened in her soul. She saw a strange creature from another world, in him. It was as if she were enchanted, and everything were metamorphosed.' In Women in Love (1920), Ursula and Gudrun Brangwen, who first appeared in Lawrence's earlier novel, The Rainbow, take centre stage as Lawrence explores their growth and development in their relationships with two powerful men, Rupert Birkin and his friend Gerald Crich. A novel of regeneration and dark, destructive human passion, Women in Love reflects the impact on Lawrence of the First World War in the potential both for annihilation and salvation of the self. Quintessentially modernist, Women is Love is one of Lawrence's most extraordinary, innovative and unsettling works. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'A good essay must draw its curtain round us, but it must be a curtain that shuts us in, not out.'According to Virginia Woolf, the goal of the essay 'is simply that it should give pleasure...It should lay us under a spell with its first word, and we should only wake, refreshed, with its last.' One of the best practitioners of the art she analysed so rewardingly, Woolf displayed her essay-writing skills across a wide range of subjects, with all the craftsmanship, substance, and rich allure of her novels. This selection brings together thirty of her best essays, including the famous 'Mr Bennett and Mrs Brown', a clarion call for modern fiction. She discusses the arts of writing and of reading, and the particular role and reputation of women writers. She writes movingly about her father and the art of biography, and of the London scene in the early decades of the twentieth century. Overall, these pieces are as indispensable to an understanding of this great writer as they are enchanting in their own right. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This innovative book comprises nine essays from leading scholars which investigate the relationship between fiction, censorship and the legal construction of obscenity in Britain between 1850 and the present day. Each of the chapters focuses on a distinct historical period and each has something new to say about the literary works it spotlights. Overall, the volume fundamentally refreshes our understanding of the way texts had to negotiate the moral and legal minefields of public reception. The book is original in the historical period it covers, starting in 1850 and bringing debates about fiction, obscenity and censorship up to the present day. The history that is uncovered reveals the different ways in which censorship functioned and continues to function, with considerations of Statutory definitions of Obscenity alongside the activities of non-government organisations such as the anti-vice societies, circulating libraries, publishers, printers and commentators. The essays in this book argue that the vigour with which novels were hunted down by the prowling prudes of the book's title encouraged some writers to explore sexual, excremental and moral obscenities with even more determination. Bringing such debates up to date, the book considers the ongoing impact of censorship on fiction and the current state of critical thinking about the status and freedom of literature. Given contemporary debates about the limits on freedom of speech in liberal, secular societies, the interrogation of these questions is both timely and necessary.

Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underlies the previously unpublished play Now More Than Ever.Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose schemes for controlling the means of production drive him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism while pleading the case for national economic planning and the rationalization of Britain's industrial base. This volume contains the full text of Now More Than Ever, which was believed to be lost until 1976, when a copy was found at the Harry Ransom Humanities Research Center of the University of Texas at Austin. A "thinker's play" that has never been produced on stage, it is the last previously unpublished piece of Huxley's major writings and immensely important to understanding his development as a writer. The editors of this volume have annotated the play for contemporary readers. Their introduction sets the play in the context of Huxley's intellectual life.

This book traces the development of conceptions of God and the relationship between God's being and activity from Aristotle, through the pagan Neoplatonists, to thinkers such as Augustine, Boethius and Aquinas (in the West) and Dionysius the Areopagite, Maximus the Confessor and Gregory Palamas (in the East). The result is a comparative history of philosophical thought in the two halves of Christendom, providing a philosophical backdrop to the schism between the Eastern and Western Churches.

This collection of essays, each one by a recognized expert, provides lively and innovative readings of every aspect of Forster's wide-ranging career. It includes substantial chapters dedicated to his two major novels, Howards End and A Passage to India, and further chapters focus on A Room With a View and Maurice. Forster's connections with the values of Bloomsbury and the lure of Greece and Italy in his work are assessed, as is his vexed relationship with Modernism. Other essays investigate his role as a literary critic, the status of his work within the genres of the novel and the short story, his treatment of sexuality and his attitude to and representation of women. This was the most comprehensive study of Forster's work to be published for many years, providing an invaluable source of comment on and insight into his writings.

This book traces the development of conceptions of God and the relationship between God's being and activity from Aristotle, through the pagan Neoplatonists, to thinkers such as Augustine, Boethius and Aquinas (in the West) and Dionysius the Areopagite, Maximus the Confessor and Gregory Palamas (in the East). The result is a comparative history of philosophical thought in the two halves of Christendom, providing a philosophical backdrop to the schism between the Eastern and Western Churches.

This collection of essays, each one by a recognized expert, provides lively and innovative readings of every aspect of Forster's wide-ranging career. It includes substantial chapters dedicated to his two major novels, Howards End and A Passage to India, and further chapters focus on A Room With a View and Maurice. Forster's connections with the values of Bloomsbury and the lure of Greece and Italy in his work are assessed, as is his vexed relationship with Modernism. Other essays investigate his role as a literary critic, the status of his work within the genres of the novel and the short story, his treatment of sexuality and his attitude to and representation of women. This was the most comprehensive study of Forster's work to be published for many years, providing an invaluable source of comment on and insight into his writings.

Jacob's Room, Virginia Woolf's third novel, is short compared with its predecessor Night and Day. She said herself that she learnt what to leave out by putting it all in. Jacob's Room may be read as the simple story of a young man's life from childhood until his death in the First World War, but it is much more than that: it subtly indicts a society that instils obedience and celebrates militarism. Consequently, Jacob's death seems random yet inevitable. Extensive explanatory notes clarify the myriad passing allusions, which should lead to a reassessment of Jacob's Room as one of the great modernist masterpieces, taking its place with Ulysses and The Waste Land in the iconic year of 1922. The substantial introduction includes a detailed account of the novel's composition, publication, and early critical reception, together with chronologies of composition and of Woolf's life.

This collection of Aldous Huxley's letters, essays from magazines, and broadcasts reveals the full range of his involvement in the social and political crises of the period between the wars. They show how his contempt for mass society and his belief in the existence of a cultural elite gave way to a liberal humanism and a concern for the well-being of ordinary people.

This edition takes the first British edition of The Years as its copy-text, and includes a comprehensive introduction, extensive explanatory notes, and a full list of textual variants and editorial emendations. Features a comprehensive introduction, detailing the lengthy process of the composition and revision of the novel, and its subsequent publication historyIncludes extensive explanatory notes, highlighting the political, historical, social and literary contexts of the novelProvides a full account of the variants between the first British and American editions, supplemented by a list of editorial emendations made in this present edition

The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and cultureBroad in scope and comprehensive in coverageIncludes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the AtlanticBrings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and artFeatures 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching GodPays close attention to both British and American modernism

This concise Companion offers an innovative approach to understanding the Modernist literary mind in Britain, focusing on the intellectual and cultural contexts, which shaped it. Offers an innovative approach to understanding the Modernist literary mind in Britain.Helps readers to grasp the intellectual and cultural contexts of literary Modernism.Organised around contemporary ideas such as Freudianism and eugenics rather than literary genres.Relates literary Modernism to the overarching issues of the period, such as feminism, imperialism and war.

Eastern Orthodox thought about God is rooted in the experience of repentance, spiritual growth, and liturgical communion. The Greek Church Fathers, whose work provides the foundation for Orthodox theology, articulated this experience in terms of a comprehensive understanding of God as the Good, meaning that he is both the source of all goodness and the proper object of all human desire. This Element traces the line of thought that leads from the experience of God as it is understood in Orthodoxy to its philosophical articulation. Among the topics covered are the essence-energies distinction, the Trinity, the Incarnation, time and eternity, divine foreknowledge and human freedom, and the problem of evil.

Eastern Orthodox thought about God is rooted in the experience of repentance, spiritual growth, and liturgical communion. The Greek Church Fathers, whose work provides the foundation for Orthodox theology, articulated this experience in terms of a comprehensive understanding of God as the Good, meaning that he is both the source of all goodness and the proper object of all human desire. This Element traces the line of thought that leads from the experience of God as it is understood in Orthodoxy to its philosophical articulation. Among the topics covered are the essence-energies distinction, the Trinity, the Incarnation, time and eternity, divine foreknowledge and human freedom, and the problem of evil.

This collection of essays, each one by a recognized expert, provides lively and innovative readings of every aspect of Forster''s wide-ranging career. It includes substantial chapters dedicated to his two major novels, Howards End and A Passage to India, and further chapters focus on A Room With a View and Maurice. Forster''s connections with the values of Bloomsbury and the lure of Greece and Italy in his work are assessed, as is his vexed relationship with Modernism. Other essays investigate his role as a literary critic, the status of his work within the genres of the novel and the short story, his treatment of sexuality and his attitude to and representation of women. This was the most comprehensive study of Forster''s work to be published for many years, providing an invaluable source of comment on and insight into his writings.

This collection of essays, each one by a recognized expert, provides lively and innovative readings of every aspect of Forster''s wide-ranging career. It includes substantial chapters dedicated to his two major novels, Howards End and A Passage to India, and further chapters focus on A Room With a View and Maurice. Forster''s connections with the values of Bloomsbury and the lure of Greece and Italy in his work are assessed, as is his vexed relationship with Modernism. Other essays investigate his role as a literary critic, the status of his work within the genres of the novel and the short story, his treatment of sexuality and his attitude to and representation of women. This was the most comprehensive study of Forster''s work to be published for many years, providing an invaluable source of comment on and insight into his writings.