David Crawford – författare

Encountering Morocco introduces readers to life in this North African country through vivid accounts of fieldwork as personal experience and intellectual journey. We meet the contributors at diverse stages of their careers–from the unmarried researcher arriving for her first stint in the field to the seasoned fieldworker returning with spouse and children. They offer frank descriptions of what it means to take up residence in a place where one is regarded as an outsider, learn the language and local customs, and struggle to develop rapport. Moving reflections on friendship, kinship, and belief within the cross-cultural encounter reveal why study of Moroccan society has played such a seminal role in the development of cultural anthropology.

This new book reviewed and authorized by Alesis Corporation will help you master the QS Keyboard, 6.1 thru 8.1! It contains information-packed chapters written using a simple “do this, do that” approach that gets you performing and recording with the QS MIDI keyboard quickly. Topics covered include: set up • connections with the back panel • banks and how they're organized • saving sounds to the user bank and PCMIA cards • mix mode • panning and setting levels within the QS mix • MIDI control changes • live performing and sequencing • using the QS as a MIDI controller with a slave device • editing programs, sounds, voices and effects • creating custom drum sets • reinitializing the QS • and much more!

In the High Atlas Mountains of Morocco, far from the hustle and noise of urban centers, lies a village made of mud and rock, barely discernible from the surrounding landscape. Yet a closer look reveals a carefully planned community of homes nestled above the trees, where rock slides are least frequent, and steep terraces of barley fields situated just above spring flood level. The Berber-speaking Muslims who live and farm on these precipitous mountainsides work together at the arduous task of irrigating the fields during the dry season, continuing a long tradition of managing land, labor, and other essential resources collectively. In Moroccan Households in the World Economy, David Crawford provides a detailed study of the rhythms of highland Berber life, from the daily routines of making a living in such a demanding environment to the relationships between individuals, the community, and the national economy. Demonstrating a remarkably complete understanding of every household and person in the village, Crawford traces the intricacies of cooperation between households over time. Employing a calculus known as ""arranging the bones,"" villagers attempt to balance inequality over the long term by accounting for fluctuations in the needs and capacities of each person, household, and family at different stages in its history. Tradition dictates that children ""owe"" labor to their parents and grandparents as long as they live, and fathers decide when and where the children in their household work. Some may be asked to work for distant religious lodges or urban relatives they haven't met because of a promise made by long-dead ancestors. Others must migrate to cities to work as wage laborers and send their earnings home to support their rural households. While men and women leave their community to work, Morocco and the wider world come to the village in the form of administrators, development agents, and those representing commercial interests, all with their own agendas and senses of time. Integrating a classic village-level study that nevertheless engages with the realities of contemporary migration, Crawford succinctly summarizes common perceptions and misperceptions about the community while providing a salient critique of the global expansion of capital. In this beautifully observed ethnography, Crawford challenges assumptions about how Western economic processes transfer to other contexts and pulls the reader into an exotic world of smoke-filled kitchens, dirt-floored rooms, and communal rooftop meals -- a world every bit as fascinating as it is instructive.

Dealing with Privilege: Cannabis, Cocaine, and the Economic Foundations of Suburban Drug Culture focuses on the careers of nine successfully retired drug dealers, offering a contrast to sociological, criminological, and other depictions of drug dealing as a realm of the desperate, dangerous, and poor. David Crawford tells the great untold story of drug dealing in America, where white, middle-class dealers are unlikely to suffer the enforcement of drug laws. Contrary to media portrayals, Crawford argues that suburban drug sales are not oriented around money making but friendship and fun. Using economic anthropology, classic sociology, and neuroscience to analyze the life trajectories of these dealers, Crawford touches on issues of crime, race, culture, aging, gender, privilege, illegal drugs, and the limits of conventional economics as a framework to understand economic behavior.

Dealing with Privilege: Cannabis, Cocaine, and the Economic Foundations of Suburban Drug Culture focuses on the careers of nine successfully retired drug dealers, offering a contrast to sociological, criminological, and other depictions of drug dealing as a realm of the desperate, dangerous, and poor. David Crawford tells the great untold story of drug dealing in America, where white, middle-class dealers are unlikely to suffer the enforcement of drug laws. Contrary to media portrayals, Crawford argues that suburban drug sales are not oriented around money making but friendship and fun. Using economic anthropology, classic sociology, and neuroscience to analyze the life trajectories of these dealers, Crawford touches on issues of crime, race, culture, aging, gender, privilege, illegal drugs, and the limits of conventional economics as a framework to understand economic behavior.

This book presents the proceedings of the 1st EAI International Conference on Technology, Innovation, Entrepreneurship and Education (TIE 2017), which took place at Canterbury Christ Church University on September 11-12, 2017. The central theme of the conference is creativity and innovation, especially in relation to technology, business, education, social and political needs that make modern society flourish. The proceedings feature papers from a cross-disciplinary audience that explore the process of creativity and innovation. The goal is that the various disciplines can learn from each other and see how they might benefit from the cross-fertilization of practices.

This book presents the proceedings of the 2nd EAI International Conference on Technology, Innovation, Entrepreneurship and Education (TIE' 2018), which took place at Ravensbourne University London, London, UK, on September 4, 2018. The central theme of the conference is emerging technologies in relation to business, education, social and political needs that make modern society flourish. The proceedings feature papers from a cross-disciplinary audience that explore the process of creativity and innovation. The goal is that the various disciplines can learn from each other and see how they might benefit from the cross-fertilization of practices.

This book presents the proceedings of the 2nd EAI International Conference on Technology, Innovation, Entrepreneurship and Education (TIE' 2018), which took place at Ravensbourne University London, London, UK, on September 4, 2018.

This book constitutes the refereed proceedings of the 4th International Conference on Technology, Innovation, Entrepreneurship and Education, TIE 2023, held in Cambridge, UK, in September 2023. The 17 full papers were carefully selected from 44 submissions and cover four areas: international school projects;

This book constitutes the refereed proceedings of the 5th EAI International Conference on Technology, Innovation, Entrepreneurship and Education, TIE 2025, held in Cambridge, UK, during March 17-18, 2025.The 8 full papers included in this book were carefully reviewed and selected from 29 submissions. These papers provide a vision of technologies applied to enterprise, education, medicine and cultural heritage, reflecting our collective ambition to explore pioneering ideas and redefine the future of learning, innovation, and societal progress.

If Internet artists have recently relocated their work to galleries and museums, there has meanwhile been an increasing engagement on the part of gallery artists with the media. While these migrations are often discussed in aesthetic if not economic terms, this essay asks what such phenomena can tell us about the changing nature of subjectivity in relation to media and technology. Three main themes are introduced: the aura of information, inscription technologies, and the real-time archive. The themes extend across subsequent chapters addressing: the relocation of net art, the remix as an art method, and the capacity of the subject to respond to technology. !e idea that technologies alter subjects (produce subject-effects) plays a central role in the arguments advanced. Examples are drawn from both the authors own art practice as well the practice of others, including Phil Collins and Steve McQueen. Theorists including Lewis Mumford and Bernard Stiegler are used to interpret the questions raised by this practice. It is concluded that relocation and remixing can respectively aid in the apprehension of subject-effects and support subjective autonomy.