David Herd - Böcker

Writing Against Expulsion in the Post-War World: Making Space for the Human tells a pre-history of the Hostile Environment. The book's starting point is the rapidly escalating use of detention as a response to human movement and the global production of geopolitical non-personhood in which detention results. As a matter of urgency, the book argues, we need to understand what is at stake in such policies and to resist the world we are making when we detain and expel. Writing Against Expulsion returns to a post-war period when the brutal consequences of the politics of expulsion were visible and when it was clear to writers of all kinds that space for the human had to be made.Drawing on contemporary histories of forced displacement, eye witness accounts, international legal documents, and on a range of emblematic cross-disciplinary texts and authors — the Universal Declaration of Human Rights, the political philosophy of Hannah Arendt, the poetry of Charles Olson, the revolutionary theory of Frantz Fanon — the book shows how mid-century writers both documented the lived experience of expulsion and asserted ways of thinking and acting by which expulsion could be prevented. What emerged were new languages of rights and recognition — new accounts of Moving, Making and Speaking — through which the exclusions of nation and border could be countered.

Writing Against Expulsion in the Post-War World: Making Space for the Human tells a pre-history of the Hostile Environment. The book's starting point is the rapidly escalating use of detention as a response to human movement and the global production of geopolitical non-personhood in which detention results. As a matter of urgency, the book argues, we need to understand what is at stake in such policies and to resist the world we are making when we detain and expel. Writing Against Expulsion returns to a post-war period when the brutal consequences of the politics of expulsion were visible and when it was clear to writers of all kinds that space for the human had to be made.Drawing on contemporary histories of forced displacement, eye witness accounts, international legal documents, and on a range of emblematic cross-disciplinary texts and authors — the Universal Declaration of Human Rights, the political philosophy of Hannah Arendt, the poetry of Charles Olson, the revolutionary theory of Frantz Fanon — the book shows how mid-century writers both documented the lived experience of expulsion and asserted ways of thinking and acting by which expulsion could be prevented. What emerged were new languages of rights and recognition — new accounts of Moving, Making and Speaking — through which the exclusions of nation and border could be countered.

Enthusiast! is a polemical history of American literature told from the point of view of six of its major enthusiasts.Complaining that his age was ‘retrospective’, Emerson injected enthusiasm into American literature as a way of making it new. ‘What,’ he asked, ‘is a man good for without enthusiasm? and what is enthusiasm but the daring of ruin for its object?’ This book takes enthusiasm to be a defining feature of American literature, showing how successive major writers – Melville, Thoreau, Pound, Moore, Frank O’Hara and James Schuyler – have modernized and re-modeled Emerson’s founding sense of enthusiasm. The book presents the writer as enthusiast, showing how enthusiasm is fundamental to the composition and the circulation of literature. Enthusiasm, it is argued, is the way literary value is passed on.Starting with a brief history of enthusiasm from Plato to Kant and Emerson, the book features chapters on each of Melville, Thoreau, Pound, Moore, O’Hara, and Schuyler. Each chapter presents an aspect of the writer as enthusiast, the book as a whole charting the changing sense of literary enthusiasm from Romanticism to the present day. Lucidly written and combatively argued, the book will appeal to readers of American Literature or Modern Poetry, and to all those interested in the circulation of literary work.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

starting point. David Herd sets out to provide readers with a new critical language through which they can appreciate the beauty and complexity of Ashbery’s writing.Presenting the poet in all his forms –avant-garde, nostalgic, sublime and camp – the book argues that the perpetual inventiveness of Ashbery’s work has always been underpinned by the poets desire to write the poem fit to cope with its occasion.Tracing Ashbery’s development in the light of this idea, and from its origins in the dazzling artistic environment of 1950’s New York, the book evaluates his poetry against the aesthetic, literary and historical backgrounds that have informed it.The story of a brilliant career, and a history of the period in which that career has taken shape, John Ashbery and American Poetry provides a compelling account of Ashbery’s importance to Twentieth Century Literature.

As poet, critic, theorist and teacher, Charles Olson extended the possibilities of modern writing. From Call Me Ishmael, his pioneering study of Herman Melville, to his epic poetic project The Maximus Poems, Olson probed the relation between language, space and community. Writing in the aftermath of the Second World War, he provided radical resources for the re-imagining of place and politics, resources for collective thought and creative practice we are still learning how to use. Re-situating Olson’s work in relation both to his own moment and to current concerns, the essays assembled in Contemporary Olson provide a major re-assessment of his place in postwar poetry and culture. Through a series of contextualising chapters, discussions of individual poems and reflections on Olson’s legacy by leading international writers and critics, the book presents a poet who still informs contemporary poetry, whose thought and compositional innovations continue to provoke. Remote as some of his fascinations must now seem, Olson is shown nonetheless to offer a poetry and poetics that speaks clearly to our own fraught historical moment. Contemporary Olson opens this major writer to new readings and new readers.

Enthusiast! is a polemical history of American literature told from the point of view of six of its major enthusiasts.Complaining that his age was ‘retrospective’, Emerson injected enthusiasm into American literature as a way of making it new. ‘What,’ he asked, ‘is a man good for without enthusiasm? and what is enthusiasm but the daring of ruin for its object?’ This book takes enthusiasm to be a defining feature of American literature, showing how successive major writers – Melville, Thoreau, Pound, Moore, Frank O’Hara and James Schuyler – have modernised and re-modeled Emerson’s founding sense of enthusiasm. The book presents the writer as enthusiast, showing how enthusiasm is fundamental to the composition and the circulation of literature. Enthusiasm, it is argued, is the way literary value is passed on.Starting with a brief history of enthusiasm from Plato to Kant and Emerson, the book features chapters on each of Melville, Thoreau, Pound, Moore, O’Hara and Schuyler. Each chapter presents an aspect of the writer as enthusiast, the book as a whole charting the changing sense of literary enthusiasm from Romanticism to the present day. Lucidly written and combatively argued, the book will appeal to readers of American literature or modern poetry, and to all those interested in the circulation of literary work.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

As poet, critic, theorist and teacher, Charles Olson extended the possibilities of modern writing. From Call Me Ishmael, his pioneering study of Herman Melville, to his epic poetic project The Maximus Poems, Olson probed the relation between language, space and community. Writing in the aftermath of the Second World War, he provided radical resources for the re-imagining of place and politics, resources for collective thought and creative practice we are still learning how to use. Re-situating Olson’s work in relation both to his own moment and to current concerns, the essays assembled in Contemporary Olson provide a major re-assessment of his place in postwar poetry and culture. Through a series of contextualising chapters, discussions of individual poems and reflections on Olson’s legacy by leading international writers and critics, the book presents a poet who still informs contemporary poetry.

1977/78: A Historic Season for Rangers FC and a Treble That Ended an Era tells the story of a historic season for Rangers FC on and off the pitch. Captain John Greig's 17-year playing career at Ibrox ended in treble glory, and he was later voted 'The Greatest Ranger' by the fans. With another great Rangers figure as manager, the late Jock Wallace, the team made a clean sweep of domestic honours, playing entertaining and attacking football. Greig would then make the leap from player to manager, with Wallace leaving the club just days after completing the treble. Season 1977/78 was the last before the modernisation of Ibrox stadium, and saw the start of another wonderful Rangers career with the arrival of mesmerising winger Davie Cooper. It also saw the emergence of a new force in Scottish football, with the challenge from an Aberdeen team that would grow even stronger in years to come. It is a season still fondly remembered by older Rangers fans. It truly marked the end of an era and the start of a new chapter.

Torry: The Life and Career of a Football Great is the story of the remarkable Torry Gillick, a Scottish international footballer revered both in Glasgow and Liverpool.On the pitch, Gillick won every possible honour in Scottish football with Rangers across two spells at Ibrox, and was the only player signed twice by the legendary Bill Struth. At Everton, he was a key player in their famous league title triumph in 1939, making the club the last champions before World War Two.Gillick was a character and an entertainer, his skills and goals earning him a place in the Hall of Fame at both clubs. But his story is about more than his wonderful football career; it is one of a family man whose life was blighted by tragedy and heartache, but who always emerged stronger and who earned respect and friendship in and out of football.

The Nearly Men is the story of Rangers in the late 1960s, when the club won no trophies and lived in the shadow of the greatest Celtic side in history. Yet this was a Rangers team that possessed some of the club’s most revered players, a side that came agonisingly close to glory both at home and in Europe. In Europe they reached a final, a semi?final and a quarter?final. Domestically, they gathered more points than in most title-winning seasons and claimed several Old Firm victories. But they lost when it mattered most, with many crucial moments on and off the pitch highlighting the fine line between success and failure. It was an era of upheaval: legendary manager Scot Symon was sacked while the team were top of the league, and his successor, Davie White, lost his job despite an impressive win ratio and a team playing great football. This may well have been the greatest unsuccessful Scottish side of all time.

Written between 2015 and 2020, the poems of Walk Song build through a series of sequences which look to animate solidarities and the languages of rights. Taking their bearings from the Refugee Tales project, and always grounded in the collective walk, these are poems of friendship and move-ment, of landscape and politics, of action and hope. Addressing the environments we have made, the border and its hostilities, Walk Song sets out to picture settings in which the language might be opened, step by step. "David Herd opens his stunning new book by telling us that "it is an act of welcome." Walk Song is a most welcome addition to what we might call an advanced lyricism. A complex human song that touches all of us. The formal achievement of the line is everywhere manifest in this work. With grace and daring, Herd has written a gorgeous and generous and necessary book." -Peter Gizzi"Walk Song combines manifesto, mantra, lyric poem in a mode of address that ranges from militant to tender to transcendent. Herd positions himself between polis and poetics to call for 'a whole new language of welcome', a renewal that embraces inclusion, commits to openness of borders, a language (like the poem) that is rooted in the Declaration of Human Rights: 'welcoming', 'celebratory', 'courteous', 'real'. The syntax is organized by breath, fusing intention, intimacy and urgency. Walk Song is generous, tender, affirming work."-Nancy Gaffield"The vocabulary of David Herd's ongoing project is elemental, the line breaks test the ground as they go. The mode appears at first to be the personal lyric, where the self reaches out for relation. Yet, by such a return to first principles, by letting the sentence search both in its past and beyond history for the possibility of welcome, the poems open up a visionary space that feels utterly new and uncynical: where language is land is transcendent logic, where collective being and a poetry of humbled alliance might be drafted, where we might once again 'stand before [and against] the law / In the entirety of what [we know]'." -Vivek NarayananThe poems of Walk Song build through a series of sequences which look to animate solidarities and the languages of rights. These are poems of friendship and movement, landscape and politics, action and hope.

This is a story of life in the age of Mandelson: politician, aesthete, director of communication. Moderniser, trouble-shooter, king-maker, architect of New Labour, power-broker, agent, asset, confidant: Peter Mandelson is emblematically, and maybe literally, the major political figure of our age. But who's happy? Whatever happened to happiness as a political imperative? And whatever happened to the public good? Oh, and while we're at it, how come some people are more answerable than others? "Mandelson! Mandelson! A Memoir" wants answers to these questions and more: an account - why not? - of an unaccountable age. "Mandelson! Mandelson!" is formally a various book; this is very much part of its point. It incorporates, among other forms: the sonnet, the villanelle, a noh play, a prose poem, diagrams, pictures, poems in quatrains, lists, haiku-like observations, non-haiku-like observations, free verse, a photograph, a bank statement and a disclaimer.