Jackie Kay - Böcker

‘A stunner. I am heartbroken to have finished it’ Ali SmithIn Jackie Kay’s first collection of stories, ordinary lives are transformed by secrets. Her world might seem familiar – sex, death and family cast long shadows – but the roles of mothers, daughters and lovers are imagined and revealed in the most surprising of ways.Sometimes it is the things that we choose to hide within ourselves which can transform us – and that has never been more true than in Jackie Kay’s warm, exuberant storytelling. She sees the extraordinary in everyday life, and lights it up with humour and generosity in a way that is uniquely her own.‘If stories like these can still be written, the short story form must still be alive, not to say kicking’ Irish Times

Jackie Kay’s new collection is a lyric counterpart to her memoir, Red Dust Road, the extraordinary story of the search for her Nigerian and Highland birth-parents; but it is also a moving book in its own right, and a deep enquiry into all forms of human friendship. Fiere – Scots for ‘companion, friend, equal’ – is a vivid description of the many paths our lives take, and of how those journeys are made meaningful by our companions on the road: lovers, friends, parents, children, mentors – as well as all the remarkable and chance acquaintances we would not otherwise have made. Written with Kay’s trademark wit and flair, and infused with both Scots and Igbo speech, it is also a fascinating account of the formation of a self-identity – and the discovery of a tongue that best honours it. Musical and moving, funny and profound, Fiere is Jackie Kay’s most accomplished, assured and ambitious collection of poems to date.

The women of Reality, Reality are mesmerizing, whether in love or in solitude. Full of compassion, generosity, sorrow and joy, their fifteen unforgettable stories explore the power of the imagination to make things real, and celebrate, most of all, those who dare to dream.

A BBC RADIO 4 BOOK OF THE WEEKBessie Smith: singer, icon, pioneer. Scotland's National Poet Jackie Kay brings to life the tempestuous story of the greatest blues singer who ever lived. 'A gem of a book . . . beautiful.' BERNARDINE EVARISTO'A wonderful writer on a magnificent singer.' ROBERT WYATT'Kay's book is the amplifier that Smith's voice deserves.' SUNDAY TIMES'The most vivid evocation of Bessie Smith I have ever read.' IAN CARR, BBC MUSICBESSIE SMITH was born in Tennessee in 1894. Orphaned by the age of nine, she sang on street corners before becoming a big name in travelling shows. In 1923 she made her first recording for a new start-up called Columbia Records. It sold 780,000 copies and made her a star. Smith's life was notoriously difficult: she drank pints of 'bathtub gin', got into violent fist fights, spent huge sums of money and had passionate love affairs with men and women. She once single-handedly fought off a cohort of the Ku Klux Klan.As a young black girl growing up in Glasgow, Jackie Kay found in Bessie someone with whom she could identify and who she could idolise. In this remarkable book Kay mixes biography, fiction, poetry and prose to create an enthralling account of an extraordinary life. 'Biographies don't usually bring the subject to life again. This one did. I finished the book then started it again immediately.' PEGGY SEEGER'What a life! What gulpable storytelling! Exactly the kind of writing about music we need: personal, ardent, playfully confrontational, questioning, undogmatic. A love song to a complicated idol.'KATE MOLLESON'Pure joy: one trailblazing woman pays tribute to another. Jackie Kay finds the music in the short, dazzling, capricious life of Bessie Smith.'HELEN LEWIS

Winner of the Guardian Fiction Prize‘Rich, taut and compelling’ – Melvyn Bragg, The Guardian‘An accomplished display of vocal versatility’ – The Literary ReviewThe death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret. Unknown to all but his wife Millie, Joss was a woman living as a man. The discovery is most devastating for their adopted son, Colman, whose bewildered fury brings the press to the doorstep and sends his grieving mother to the sanctuary of a remote Scottish village.Trumpet by Jackie Kay is a starkly beautiful modern classic about the lengths to which people will go for love. It is a moving story of a shared life founded on an intricate lie, of loving deception and lasting devotion, and of the intimate workings of the human heart.‘Kay carefully registers the technical difficulties of transgendered life . . . She leaves us with a broad landscape of sweet tolerance and familial love’ – The New York TimesPart of the Picador Collection, a series showcasing the best of modern literature.

The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years.It opens with Mustapha Matura's 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay's Chiaroscuro examines debates about the politics of black, mixed race and lesbian identities in 1980s Britain, and from the 1990s Winsome Pinnock's Talking in Tongues engages with the politics of feminism to explore issues of black women's identity in Britian and Jamaica. From the first decade of the twenty-first century the three plays include Roy Williams' seminal pub-drama Sing Yer Hearts Out for the Lads, exploring racism and identity against the backdrop of the World Cup; Kwame Kwei-Armah's National Theatre play of 2004, Fix Up, about black cultural history and progress in modern Britain, and finally Bola Agbage's terrific 2007 debut, Gone Too Far!, which examines questions of identity and tensions between Africans and Caribbeans living in Britain. Edited by Lynnette Goddard, this important anthology provides an essential introduction to the last forty years of British black theatre.

Drawing together the work of 12 leading playwrights, this National Theatre Connections anthology celebrates highlights from 21 years of the Connections festival with a retrospective selection of plays. Featuring work by some of the most prolific playwrights of the 20th and 21st centuries, and together in one volume, the anthology offers young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study.Each play has been specifically commissioned by the National Theatre's literary department over the years, with the young performer in mind. In 2016, these plays were then performed by approximately 500 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional partner regional theatres at which the works were showcased. The anthology contains all 12 of the play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups.This year's anniversary anthology includes plays by Snoo Wilson, Gary Kemp and Guy Pratt; Simon Armitage; Jackie Kay; Patrick Marber; Mark Ravenhill; Bryony Lavery & Frantic Assembly; Davey Anderson; James Graham; Katori Hall; Carl Grose; Stacey Gregg; and Lucinda Coxon.

A Scotsman Poetry Book of the YearMay Day is the long-awaited new poetry collection from one of our best-loved poets and former Makar of Scotland, Jackie Kay.These poems cast an eye over several decades of political activism, from the international solidarity of the Glasgow of Kay’s childhood, accompanying her parents’ Socialist campaigns, through the feminist, LGBT+ and anti-racist movements of the 80s and 90s, up to the present day when a global pandemic intersects with the urgency of Black Lives Matter.Kay brings to life a cast of influential figures, delving beneath the surfaces of received narratives: the Jamaican model Fanny Eaton, muse of the Pre-Raphaelite Brotherhood in England; Paul Robeson, Angela Davis and the poet Audre Lorde; and a ‘what-if’ poem concerning Rabbie Burns and a road-not-taken towards the West Indian slave trade. Woven through the collection is a suite of lyric poems concerning the recent losses of Kay’s parents: poems of grief and profound change that are infused with the light of love and celebration.

Jackie Kay’s first collection as Scottish Makar is a book about the fighting spirit – one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live.

A powerful poetry collection full of the drama, musicality and lyricism that Jackie Kay is famed for. Exploring the themes of identity and age, this collection includes poems about the old days and the new days, and the places associated with an older generation, who often live dreamlike, isolated existences – not only geographically, but also in the memory. Nature and the elements play a big role too: trees, the moon, the sea, fire. Jackie Kay's style is one moment witty, the next melancholic, or gently surreal – and in this brilliant reissued collection, her poems are infused with warmth and colour: in particular, the colour RED.Perfect for fans of The Gift by Carol Ann Duffy and Rob Ryan, this gorgeous new gift edition is a must-have for any poetry fan.

‘Ambitious, defiant, angry and gripping . . . the bitter story of slavery through the experience of four women’ Guardian'Jackie Kay’s work, formally expansive and inclusive . . . is always about the opening up of our notions of identity' Ali Smith, author of How to Be BothIn The Lamplighter award-winning poet and Scottish Makar Jackie Kay takes us on a journey into the dark heart of Britain’s legacy in the slave trade.First produced as a play, on the page it reads as a profound and tragic multi-layered poem. We watch as four women and one man tell the story of their lives through slavery, from the fort, to the slave ship, through the middle passage, following life on the plantations, charting the growth of the British city and the industrial revolution. Constance has witnessed the sale of her own child; Mary has been beaten to an inch of her life; Black Harriot has been forced to sell her body; and our lead, the Lamplighter, was sold twice into slavery from the ports in Bristol. Their different voices sing together in a rousing chorus that speaks to the experiences of all those brutalised by slavery, and lifts in the end to a soaring and powerful conclusion. Stirring, impassioned and deeply affecting, The Lamplighter remains as essential today as the day it was first performed. This is an essential work by one of our most beloved writers.

‘Like the best memoirs, this one is written with novelistic and poetic flair. Red Dust Road is a fantastic, probing and heart-warming read’ – Independent'One of Scotland's most celebrated living writers' – SpectatorFrom one of our best-loved poets and former Makar of Scotland, Red Dust Road is a heart-stopping story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny.From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, Jackie Kay’s journey in Red Dust Road is one of unexpected twists, turns and deep emotions.In a book remarkable for its warmth and candour, Kay discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that what triumphs, ultimately, is love.Part of the Picador Collection, a series showcasing the best of modern literature.

“A labour of love from both creators … this is about being safe and cosy, and about the remembered happiness of family, home, friends, pets and landscape.” The Sunday Times“A wild, imaginative picture book, filled with enduring tenderness” Guardian“A warm hug of a book … this also seems as personal as any of Kay’s poetry. And as full of love.” The Herald, Book of the Month“Dreamy and beautifully illustrated … a magical book.” The Scotsman“Beautifully poignant … brimming with love.” The Sunday PostThe stunning debut picture book from Jackie Kay, one of the UK's foremost poets, rooted in familiar folk songs, and injected with gloriously lyrical old Scots.When Shona was a wee bit bairnHer daddy would sing Coorie Doon,Till she cooried doon and fell asleepUnder the huge eye o’ the moon.Every night, Shona is tucked into bed by her loving parents, who sing her old and familiar folk songs: Tiree Love Song; Goodnight, Irene and Will Ye Go, Lassie, Go? And as Shona sleeps, we follow the people and places that drift into her dream world: her best "fiere", Ali, her dog, Marley, her cat, Flo... Then, years later, we meet Shona when she is sixty – actually sixty years old! – as she tucks her daddy, now an old man, into bed. And it is her turn to sing to him: "Coorie Doon, Coorie Doon, wee Daddy". Magnificently illustrated by Jill Calder, this is a truly original picture book that celebrates the small, perfect rituals of childhood and how they become a vital part of who we are. The book also includes a QR code to scan that will link through to a video from Jackie Kay and free audio recordings of songs from the book from legendary folk singers Peggy Seeger, Claire Brown and Suzanne Bonnar.

The stunning debut picture book from Jackie Kay, one of the UK's foremost poets, rooted in familiar folk songs, and injected with gloriously lyrical old Scots.When Shona was a wee bit bairnHer daddy would sing Coorie Doon,Till she cooried doon and fell asleepUnder the huge eye o’ the moon.Every night, Shona is tucked into bed by her loving parents, who sing her old and familiar folk songs: Tiree Love Song; Goodnight, Irene and Will Ye Go, Lassie, Go? And as Shona sleeps, we follow the people and places that drift into her dream world: her best "fiere", Ali, her dog, Marley, her cat, Flo... Then, years later, we meet Shona when she is sixty – actually sixty years old! – as she tucks her daddy, now an old man, into bed. And it is her turn to sing to him: "Coorie Doon, Coorie Doon, wee Daddy". Magnificently illustrated by Jill Calder, this is a truly original picture book that celebrates the small, perfect rituals of childhood and how they become a vital part of who we are. The book also includes a QR code to scan that will link through to a video from Jackie Kay and free audio recordings of songs from the book from legendary folk singers Peggy Seeger, Claire Brown and Suzanne Bonnar.

When he was awarded an honorary degree in civil law at Newcastle University in 1967, Dr Martin Luther King gave an electrifying extemporaneous address, speaking without notes, in which he said: 'There are three urgent and indeed great problems that we face today...That is the problem of racism, the problem of poverty and the problem of war.' As part of a fifty year anniversary and celebration, this anthology gathers poets from both sides of the Atlantic to address the challenges set out by Dr King. It's a shock to think how little has changed, and that Martin Luther King could well be speaking right here, right now. In the spirit of Dr King and his work as a humanitarian and activist, this anthology brings together poems that offer powerful testimonies to the urgent issues Dr King defines and represents the polyphony of voices that speak in resistance to our continuing problems of racism, poverty and war. Featuring poems by Claudia Rankine, Grace Nichols, Yusef Komunyakaa, Moniza Alvi, Rita Dove, Daljit Nagra, Imtiaz Dharker, Fred D'Aguiar, Oliver de la Paz, Rowan Ricardo Phillips, John Agard, Patricia Smith, Jericho Brown, Toi Derricotte, Vahni Capildeo, Carl Phillips, Sarah Howe, Elizabeth Alexander, Ishion Hutchinson, Linton Kwesi Johnson, Marilyn Nelson, Mimi Khalvati, Nikki Giovanni, Robert Pinsky, Bernardine Evaristo, Vidyan Ravinthiran, Major Jackson, Tim Seibles, Choman Hardi, Benjamin Zephaniah, Shazea Quraishi, E. Ethelbert Miller, Sandeep Parmar, Malika Booker, Roger Robinson, Rigoberto Gonzalez, Rae Paris, Kendel Hippolyte, Amali Rodrigo, Zaffar Kunial, Rishi Dastidar, Raymond Antrobus, Mai Der Vang, Martin Espada, Inua Ellams, Arundhathi Subramaniam, Gregory Pardlo, Edward Doegar, Degna Stone, MacDonald Dixon, Ada Limon, Philip Metres, Nick Makoha, Nathalie Handal, Lauren K Alleyne, Kevin Bowen, Bashabi Fraser, Satchid Anandan. Co-publication with Newcastle University.

I want to find it all nowknow our names know the others in historyso many women have been lost at seaso many stories have been swept awayChiaroscuro: (noun) the treatment of light and shade in drawing and painting.Aisha, Yomi, Beth and Opal couldn’t be more different, but when Aisha hosts a dinner party, the friends soon discover that they’re all looking for an answer to the same question. Does it lie in Aisha’s childhood? Or in Beth and Opal’s new romance? Who will tell them who they really are?What starts out as a friendly conversation between women, soon turns heated when Yomi reveals what she really thinks about Beth and Opal’s relationship.A searing, tender look at queer Black womanhood by award-winning writer and Scots Makar Jackie Kay.

Growing up in 70s Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossoms into an outspoken, talented poet. Then she decides to find her birth parents…Based on the soul-searching memoir by Scots Makar Jackie Kay, Red Dust Road takes you on a journey from Nairn to Lagos, full of heart, humour and deep emotions. Discover how we are shaped by the folk songs we hear as much as by the cells in our bodies.

Jackie Kay tells the story of a black girl's adoption by a white Scottish couple, from three different viewpoints: the mother, the birth mother, and the daughter. The Adoption Papers won the Forward Prize for Best First Collection. In 2022 The Adoption Papers was selected as one of ten books representing the 1990s in The Big Jubilee Read, a celebration of great books from across the Commonwealth to mark the Platinum Jubilee of Queen Elizabeth II, one of only three poetry collections out of 70 books on the list.

Humour, Gender, Sexuality, Sensuality, Identity, Racism, and Cultural Difference. When do any of these things ever come together to equal poetry? When Jackie Kay's part of the equation. "Darling" brings together into a vibrant new book many favourite poems from her four Bloodaxe collections, "The Adoption Papers", "Other Lovers", "Off Colour" and "Life Mask", as well as featuring new work, some previously uncollected poems, and some lively poetry for younger readers. Kay's poems draw on her own life and the lives of others to make a tapestry of voice and communal understanding. The title of her acclaimed short story collection, "Why Don't You Stop Talking", could be a comment on her own poems, their urgency of voice and their recognition of the urgency in all voice, particularly the need to be heard, to have voice. And what voice - the voices of the everyday, the voices of jazz, the voices of this many-voiced United Kingdom.

From Aberdeen to the Isle of Wight, Out of Bounds is a newly charted map of Britain as viewed by its black and Asian poets. It takes the reader on a riveting, sensory journey through Scotland, England and Wales, showing the whole country from a fresh perspective.This extensive and ground-breaking anthology – with its sudden forks in the road, and its roads not taken – stops off in the Highlands and Islands, skirts the North East coast from Whitley Bay to the sands of Bridlington, wanders lonely through the Lake District and Yorkshire, climbs the mountains of Wales before descending to the Black Country and Southern England. Along the way it takes in lochs and landmarks from Glasgow’s George Square and the Angel of the North to the London Eye and the Long Man of Wilmington.If alienation, unbelonging and dislocation remain key aspects of black and Asian experiences in Britain, what such terms simultaneously conceal are the rich and manifold attachments to place, region, city and landscape offered in Out of Bounds. The poems question the idea of an easy or singular identity, nimbly dealing with the triple bind of ethnic, geographical and poetic belonging.An alternative A to Z of the nation, a new poetic guide, the book enables us to look again at the UK’s local and regional landscapes and the poets who pass through them. Out of Bounds is a definitive anthology that brings together new and established black and Asian writers and places them firmly on the map of what is great and not so great about Britain.Includes: Shanta Acharya, John Agard, Patience Agbabi, Moniza Alvi, James Berry, Jean 'Binta' Breeze, Vahni Capildeo, Merle Collins, Fred D'Aguiar, David Dabydeen, Imtiaz Dharker, Bernardine Evaristo, Khadijah Ibrahiim, Linton Kwesi Johnson, Jackie Kay, Tariq Latif, Sheree Mack, Jack Mapanje, E.A. Markham, Daljit Nagra, Grace Nichols, Louisa Adjoa Parker, Michelle Scally-Clarke, Seni Seneviratne, John Siddique, Lemn Sissay, Dorothea Smartt, Wole Soyinka, Derek Walcott, Benjamin Zephaniah, and many others.