+++++"Vilken naiv trädgårdsälskare som helst [kan] njuta av Laings blick för det som växer."AftonbladetÅr 2020 börjar Olivia Laing återställa en muromgärdad trädgård i en liten by på den engelska landsbygden. Arbetet i detta överväxta Eden, fyllt av sällsynta växter, leder in på en fascinerande undersökning av trädgården som ställföreträdande paradis på jorden. Berättelsen rör sig mellan verkliga och fiktiva trädgårdar: från groteska aristokratiska nöjesparker finansierade av slaveri till rebelliska utposter där man försökt bilda nya gemensamma samhällen bland blomsterrabatterna. Det får Laing att ifrågasätta vad det får kosta att skapa ett luxuöst paradis på jorden – och drömma om nya sätt att leva i klimatförändringarnas tidevarv. Den tidlösa trädgården tar med läsaren på en pollenmättad resa genom årstidernas upp- och nedgångar. Den skildrar glädjen och möjligheterna med en trädgård – inte som en plats att gömma sig för världen, utan som en plats för nya möten och upptäckter.*Olivia Laing (f. 1977) är en mångfaldigt prisad brittisk författare och kritiker som blivit översatt till över tjugo språk. Den tidlösa trädgården är Laings sjunde bok."Jag tror aldrig att jag har läst en bok som så väl fångar inte bara den djupa tillfredsställelsen i trädgårdsarbetet, utan också dess nästan hypnotiska effekt på människans kropp och sinne." The Observer "Exalterande och episk". Washington Post”Vilken underbar bok detta är.” Nigel Slater

In 2020, Olivia Laing began to restore an eighteenth-century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there's still time? Moving between real and imagined gardens, from Milton's Paradise Lost to John Clare's enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.

But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.

‘It is dangerous to want someone this much. He has always known it, from the very first night.’It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs.He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend.The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

Finalist for the National Book Critics Circle Award in Criticism#1 Book of the Year from Brain PickingsNamed a best book of the year by NPR, Newsweek, Slate, Pop Sugar, Marie Claire, Elle, Publishers Weekly, and Lit HubA dazzling work of biography, memoir, and cultural criticism on the subject of loneliness, told through the lives of iconic artists, by the acclaimed author of The Trip to Echo Spring.When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by the most shameful of experiences, she began to explore the lonely city by way of art. Moving from Edward Hopper’s Nighthawks to Andy Warhol’s Time Capsules, from Henry Darger’s hoarding to David Wojnarowicz’s AIDS activism, Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed.Humane, provocative, and moving, The Lonely City is a celebration of a strange and lovely state, adrift from the larger continent of human experience, but intrinsic to the very act of being alive.

Art, power, desire, and illusion collide in a hypnotic new novel from Olivia Laing, set in the months leading up to the murder of Pier Paolo Pasolini in 1975. It is September 1974. Two men meet in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realizing the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini's Casanova. A young apprentice is just what he needs.He sweeps Nicholas to Rome and introduces him to the looking-glass world of Cinecitta, the studio where Casanova's Venice will be ingeniously assembled. In the spring, the lovers move together to the set of Salo, Pasolini's horrifying fable of fascism.But Nicholas has a secret, and in this world of constant illusion, his real nature passes unseen. Amid the rising tensions of Italy's Years of Lead, he acts as an accelerant, setting in motion a tragedy he doesn't intend.Olivia Laing's The Silver Book is at once a queer love story and a noirish thriller set in the dream factory of cinema. It is a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement.

Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X.

Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

Brought to you by Penguin.‘It is dangerous to want someone this much. He has always known it, from the very first night.’It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs.He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend.The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.© Olivia Laing 2025 (P) Penguin Audio 2025

+++++"Vilken naiv trädgårdsälskare som helst [kan] njuta av Laings blick för det som växer."AftonbladetÅr 2020 börjar Olivia Laing återställa en muromgärdad trädgård i en liten by på den engelska landsbygden. Arbetet i detta överväxta Eden, fyllt av sällsynta växter, leder in på en fascinerande undersökning av trädgården som ställföreträdande paradis på jorden. Berättelsen rör sig mellan verkliga och fiktiva trädgårdar: från groteska aristokratiska nöjesparker finansierade av slaveri till rebelliska utposter där man försökt bilda nya gemensamma samhällen bland blomsterrabatterna. Det får Laing att ifrågasätta vad det får kosta att skapa ett luxuöst paradis på jorden – och drömma om nya sätt att leva i klimatförändringarnas tidevarv. Den tidlösa trädgården tar med läsaren på en pollenmättad resa genom årstidernas upp- och nedgångar. Den skildrar glädjen och möjligheterna med en trädgård – inte som en plats att gömma sig för världen, utan som en plats för nya möten och upptäckter.*Olivia Laing (f. 1977) är en mångfaldigt prisad brittisk författare och kritiker som blivit översatt till över tjugo språk. Den tidlösa trädgården är Laings sjunde bok."Jag tror aldrig att jag har läst en bok som så väl fångar inte bara den djupa tillfredsställelsen i trädgårdsarbetet, utan också dess nästan hypnotiska effekt på människans kropp och sinne." The Observer "Exalterande och episk". Washington Post”Vilken underbar bok detta är.” Nigel Slater

In 2020, Olivia Laing began to restore an eighteenth-century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there's still time? Moving between real and imagined gardens, from Milton's Paradise Lost to John Clare's enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.

But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.

‘It is dangerous to want someone this much. He has always known it, from the very first night.’It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs.He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend.The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

Finalist for the National Book Critics Circle Award in Criticism#1 Book of the Year from Brain PickingsNamed a best book of the year by NPR, Newsweek, Slate, Pop Sugar, Marie Claire, Elle, Publishers Weekly, and Lit HubA dazzling work of biography, memoir, and cultural criticism on the subject of loneliness, told through the lives of iconic artists, by the acclaimed author of The Trip to Echo Spring.When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by the most shameful of experiences, she began to explore the lonely city by way of art. Moving from Edward Hopper’s Nighthawks to Andy Warhol’s Time Capsules, from Henry Darger’s hoarding to David Wojnarowicz’s AIDS activism, Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed.Humane, provocative, and moving, The Lonely City is a celebration of a strange and lovely state, adrift from the larger continent of human experience, but intrinsic to the very act of being alive.

Art, power, desire, and illusion collide in a hypnotic new novel from Olivia Laing, set in the months leading up to the murder of Pier Paolo Pasolini in 1975. It is September 1974. Two men meet in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realizing the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini's Casanova. A young apprentice is just what he needs.He sweeps Nicholas to Rome and introduces him to the looking-glass world of Cinecitta, the studio where Casanova's Venice will be ingeniously assembled. In the spring, the lovers move together to the set of Salo, Pasolini's horrifying fable of fascism.But Nicholas has a secret, and in this world of constant illusion, his real nature passes unseen. Amid the rising tensions of Italy's Years of Lead, he acts as an accelerant, setting in motion a tragedy he doesn't intend.Olivia Laing's The Silver Book is at once a queer love story and a noirish thriller set in the dream factory of cinema. It is a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement.

Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X.

Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

Brought to you by Penguin.‘It is dangerous to want someone this much. He has always known it, from the very first night.’It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs.He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend.The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.© Olivia Laing 2025 (P) Penguin Audio 2025