David Morrell - Böcker

Few experts in American literature have written as insightfully and brilliantly as did Philip Young, renowned Hemingway critic and scholar at large. His unique work bursts with a joy in the humanities, with a sensibility, a humor, and a style that communicate to academics and general readers alike. Although Young died in 1991, he survives in his remarkable prose.American Fiction, American Myth features nineteen groundbreaking essays in which Young masterfully reveals the "so what?" that he insisted all literary studies ought to have. In the first section, he demonstrates his fascination with such American myths as Pocahontas and Rip Van Winkle, reaching powerful conclusions about America and its people. In the second section, he becomes "Our Hemingway Man," explaining his germinal and still provocative theory that Hemingway's severe wounding in World War I so traumatized the novelist that his fiction was to a great degree unwitting self-psychoanalysis. Young's book on Hemingway was the first of its kind, but Young was more than a one-author critic, as his essays demonstrate in the third section, exploring such diverse topics as Hawthorne's secret love, the Lost Generation that was never lost, F. Scott Fitzgerald’s debt to T. S. Eliot, and the relationship between American fiction and American life. What Hemingway once said about himself can be equally applied to Young: "I am a very serious but not a solemn writer." The reader comes away from these essays dazzled by the power of Young's observations and the grace with which he expresses them.

FOR THE FIRST TIME EVER ... Lee Child's Jack Reacher will team up with Kathy Reichs' Temperance Brennan to unmask a cunning killer. Val McDermid's Tony Hill and Carol Jordan work with Peter James's Roy Grace on a very unusual murder case.These are just some of the never-before-seen pairings in Match Up - a brand new collaboration between the world's famous crime writers. Edited be international bestseller Lee Child, this exclusive page-turning anthology promises the same thrills and chills brought to you by the previous collection, Face Off. Read on for the full list of author and character pairings:Diana Gabaldon's Claire Randall Fraser + Steve Berry's Cotton MaloneLisa Scottoline's Bennie Rosato + Nelson DeMille's John Corey Sandra Brown's Lee Coburn + C.J. Box's Joe PickettKathy Reichs's Temperance Brennan + Lee Child's Jack ReacherVal McDermid's Tony Hill + Peter James's Roy GraceCharlaine Harris's Harper Connelly + Andrew Gross's Ty HauckGayle Lynds's Liz Sansborough + David Morrell's RamboKarin Slaughter's Jeffrey Tolliver + Michael Koryta's Lincoln PerryLara Adrian's Lucan Thorne + Christopher RiceJ.A. Jance's Ali Reynolds + Eric Van Lustbader's Bravo ShawLisa Jackson's Regan Pescoli + John Sandford's Lucas Davenport

'NOBODY DOES IT BETTER THAN DAVID MORRELL' LEE CHILDOne war waged against one man: RAMBOFirst came the man: a young wanderer in a fatigue coat and long hair. Then came the legend, as John Rambo sprang from the pages of FIRST BLOOD to take his place on the world's cultural landscape. This remarkable novel pits a young, disillusioned and ragged Vietnam veteran against a small-town cop who has no idea whom he is dealing with - or how far Rambo will take him into a life-and-death struggle through the woods, hills and caves of rural Kentucky.From best-selling author David Morrell, this is the critically acclaimed thriller that launched the cultural phenomenon, Rambo.'Morrell writes action scenes like nobody's business.' New York Times Book Review'An absolute master of the thriller.' Dean Koontz, #1 New York Times bestselling author'The finest thriller writer living today, bar none.' Steve Berry, New York Times bestselling author

An artist of death is stalking Victorian London, recreating earlier masterpieces of murder. Police suspicion falls on the notorious 'opium-eater' Thomas De Quincey, recently returned to the capital, who wrote in detail about the original crimes. Someone is using his essays as inspiration - and he must uncover the truth before the killer completes his work.In MURDER AS A FINE ART, London becomes a battleground between a literary star and a brilliant murderer - whose lives are linked by secrets long buried, but never forgotten.

The year is 1855. The Crimean war is raging. The British government has fallen. The Empire itself hangs in the balance.And then the murders start...Someone is targeting members of London's elite - leaving with each corpse the names of men who failed to assassinate Queen Victoria. It's clear that Victoria will be the ultimate victim. As the notorious Opium-Eater Thomas De Quincey and his daughter Emily race to save her, they uncover the heart-breaking past of a man whose lust for revenge has destroyed his soul.Based on actual attempts to assassinate the queen, Inspector of the Dead brilliantly merges fact with fiction, bringing a bloody chapter of Victorian England to vivid, pulse-pounding life.

The sensational climax to David Morrell's acclaimed Victorian mystery trilogy.In 1855, the first murder on an English train causes a wave of fear and panic. There is no escape from a killer in a closed train carriage... and yet the killer can vanish into any station and be lost in the crowd.Notorious Opium-Eater Thomas De Quincy and his irrepressible daughter, Emily, are travelling on the train where the murder takes place. As they follow the clues through the fogbound London streets, they find themselves confronting their most ruthless enemy.Inspired by real events, Ruler of the Night transports readers to the darkest shadows of Victorian England, with a thrilling tale of murder, Empire and revenge.

On Christmas Eve in snow-covered Santa Fe, New Mexico, tens of thousands of pedestrians stroll through its festively decorated streets. Among them is Paul Kagan, a spy on the run trying desperately to protect a special package; a baby who just might be the key to a lasting peace in the Middle East. He is pursued closely by three extremely dangerous men, members of the Russian mafia who he has just betrayed. Attempting to elude his hunters, Kagan seeks refuge in a quiet house on the outskirts of the town. Once inside he discovers it is occupied by a woman and her 12-year-old son hiding from other evils and whom he has now put in mortal danger as his hunters manage to track him down. In the following tense hours, Kagan tries to calm the woman and the boy by telling them the spy's version of the traditional Nativity story as he prepares the house for the onslaught he knows to be coming.