David Schaefer – författare

Sir Henry Taylor's classic treatise The Statesman, originally published in 1836, is the first modern book to be devoted to the subject of public administration. It has been read and studied by generations for its keen insights into the relationship between public administrators and elected officials in a democracy. It has also been appreciated for its wit. The present volume is the first twentieth-century edition to be based on the revised and expanded text that Taylor published in 1878 as part of his Collected Works. It is also the first edition to be fully annotated.The lengthy editors' introduction to this volume emphasizes the relevance of Taylor's thought to the fundamental issues of public administration in the contemporary United States. The editors demonstrate the superiority of Taylor's understanding of the relationship between politics and administration to the widely accepted model of that relation that derives from the thought of Woodrow Wilson. Above all, they argue, Taylor's insights merit our attention because they indicate how a properly organized civil service can be a locus of statesmanship in a democracy, fulfilling the intentions of the authors of the American Constitution in a contemporary context that differs significantly from what the Founders themselves anticipated.

The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences.Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.

This book commemorates the tenth anniversary of the Worcester Municipal Research Bureau, a private, non-profit organization which conducts independent, non-partisan research on issues facing Worcester's municipal government. In this book are lectures from the "Future of Cities" series (winter and spring 1995) sponsored by the Worcester Municipal Research Bureau. This series examines the proper functions of local government and explores how these functions can be carried out efficiently and responsibly. The essays focus on the shift of power from the federal and state governments back to the local level. Attention is given to the main ideas behind this emerging trend, including promoting accountability and "re-empowering" the local citizenry. Each speech addresses a different aspect of the prospects and problems of urban life during the next decade. Speakers include Professor Marc Landy (Boston College Political Science Department) and John Fund (editorial writer at the Wall Street Journal). Discussants include (all political scientists): Professor Daniel Mahoney (Assumption College); Professor David Schaefer (Holy Cross College); Professor Dennis Hale (Boston College); and Professor Hadley Arkes (Amherst College). The essays in this book will appeal to students and scholars of political science, federalism, and local government. Anyone interested in the future of our government and its effects on us as citizens, will surely want a copy of this thoughtful and penetrating set of essays.

The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences.Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.

The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences.Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.

The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences.Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.

Michael Herman (1929 2021) was the world's leading intelligence practitioner academic. Among his senior roles during a thirty-five year career in Her Majesty's Civil Service, he was Secretary of the Joint Intelligence Committee from 1972 75, and Head of several GCHQ Divisions in the 1970s 80s. After his professional retirement, he was a Gwilym Gibbon Research Fellow at Nuffield College Oxford and founding director of the Oxford Intelligence Group.This volume draws on Herman's professional experience and personal recollections to examine the past and present British intelligence. In twenty-one chapters he offers an insider's perspective on the Cold War intelligence contest against the Soviet Union and its continuing legacy today. This includes proposals for intelligence ethics and reform in the twenty-first century, and the declassified copy of his evidence to the 2004 Butler Review. Herman also discusses the role of personalities in the British intelligence community, producing sketches of Cold War contemporaries on the JIC and several Directors of GCHQ. The combination of operational experience and academic reflection makes this volume a unique contribution to intelligence scholarship.

This volume draws on Herman's professional experience and personal recollections to examine the past and present of British intelligence. In twenty-one chapters he offers an insider's perspective on the Cold War intelligence contest against the Soviet Union and its continuing legacy today. This includes proposals for intelligence ethics and reform in the twenty-first century, and the declassified copy of his evidence to the 2004 Butler Review. Herman also discusses the role of personalities in the British intelligence community, producing sketches of Cold War contemporaries on the JIC and several Directors of GCHQ. The combination of operational experience and academic reflection makes this volume a unique contribution to intelligence scholarship.Michael Herman (1929-2021) was the world's leading intelligence practitioner-academic. Among his senior roles during a thirty-five year career in Her Majesty's Civil Service, he was Secretary of the Joint Intelligence Committee from 1972-75, and Head of several GCHQ Divisions in the 1970s-80s. After his professional retirement, he was a Gwilym Gibbon Research Fellow at Nuffield College Oxford and founding director of the Oxford Intelligence Group.