David W. Johnson - Böcker

In this accessible book, David Johnson examines the Christian spiritual life using the Book of Confessions of the Presbyterian Church (U.S.A.) as a guide. He demonstrates how the Book of Confessions can help us understand what it means to be a Christian and how one goes about living a Christian life. Johnson uses the rubrics of faith, love, and hope to ground our understanding of spirituality and help us develop disciplines for our spiritual lives. These disciplines include listening and speaking, worship and Sabbath, giving and stewardship, patience and planning, and reconciling. Three appendices give concrete guidelines for engaging in Bible reading and prayer--the two central spiritual disciplines of the Reformed tradition. Johnson's helpful book invites laity and clergy to participate in the blessings and joys of a Reformed vision of the spiritual life.

In the first study of its kind, David W. Johnson’s Watsuji on Nature reconstructs the astonishing philosophy of nature of Watsuji Tetsuro (1889–1960), situating it in relation both to his reception of the thought of Heidegger and to his renewal of core ontological positions in classical Confucian and Buddhist philosophy. Johnson shows that for Watsuji we have our being in the lived experience of nature, one in which nature and culture compose a tightly interwoven texture called fudo. By fully unfolding Watsuji’s novel and radical claim that this is a setting that is neither fully external to human subjectivity nor merely a product of it, this book also sets out what still remains unthought in this concept, as well as in the relational structure that underwrites it. Johnson argues that what remains unarticulated is nothing less than the recovery of a reenchanted conception of nature and an elucidation of the wide-ranging implications of a relational conception of the self for questions about the disclosive character of experience, the distinction between fact and value, and the possibility of a place-based ecological ethics.In an engagingly lucid and deft analysis, Watsuji on Nature radically expands our appreciation of twentieth-century Japanese philosophy and shows what it has to offer to a global philosophical conversation.

In the first study of its kind, David W. Johnson’s Watsuji on Nature reconstructs the astonishing philosophy of nature of Watsuji Tetsuro (1889–1960), situating it in relation both to his reception of the thought of Heidegger and to his renewal of core ontological positions in classical Confucian and Buddhist philosophy. Johnson shows that for Watsuji we have our being in the lived experience of nature, one in which nature and culture compose a tightly interwoven texture called fudo. By fully unfolding Watsuji’s novel and radical claim that this is a setting that is neither fully external to human subjectivity nor merely a product of it, this book also sets out what still remains unthought in this concept, as well as in the relational structure that underwrites it. Johnson argues that what remains unarticulated is nothing less than the recovery of a reenchanted conception of nature and an elucidation of the wide-ranging implications of a relational conception of the self for questions about the disclosive character of experience, the distinction between fact and value, and the possibility of a place-based ecological ethics.In an engagingly lucid and deft analysis, Watsuji on Nature radically expands our appreciation of twentieth-century Japanese philosophy and shows what it has to offer to a global philosophical conversation.

This book documents CCPS's Aerosol Research Program to develop a model to predict liquid rainout from release of a pressurized, liquefied gas--and, hence the residual amount of material in a vapor cloud, which may be greater than the amount calculated from an enthalpy chart. RELEASE predicts the rate of fluid discharge, the depressurization, flashing and formation of liquid drops, the entrainment of drops into the vapor cloud, the subsequent spreading of the jet, and rate of liquid rainout to a pool on the ground. Designed in a modular fashion to permit adjustment and corrections as new data become available, its multi-layered approach contains sub-models that include the complexities of many variables, including the effect of liquid superheat, rate of bubble growth, criterion for bubble formation, and heat transfer from the liquid to the growing vapor bubble. To validate RELEASE, CCPS conducted small- and large-scale experiments using superheated water, heated liquefied chlorine, methylamine, and cyclohexane that produced valuable data in an area where data are scarce. This book gives complete access, in text and on CD-ROM, to the model and the test data, giving users an informed ability to apply the model to their own work.

Why do people make decisions based on their own perspective without considering alternative points of view? Do differences of opinion enhance or obstruct critical thinking? Is it wise to seek out people who disagree with you and listen to their objections to your conclusions? Focusing on the theory, research, and application of constructive controversy, this book analyses the nature of disagreement among members of decision-making groups, project teams, academic study groups, and other groups that are involved in solving problems. Johnson demonstrates that this theory is one of the most effective methods of enhancing creativity and innovation, decision making, teaching, and political discourse. The book includes entertaining and intriguing examples of how constructive controversy has been used in a variety of historical periods to advance creativity, achieve innovations, and guide democracies. It will be welcomed by students in the fields of social psychology, management/business studies, education, and communication studies.

Why do people make decisions based on their own perspective without considering alternative points of view? Do differences of opinion enhance or obstruct critical thinking? Is it wise to seek out people who disagree with you and listen to their objections to your conclusions? Focusing on the theory, research, and application of constructive controversy, this book analyses the nature of disagreement among members of decision-making groups, project teams, academic study groups, and other groups that are involved in solving problems. Johnson demonstrates that this theory is one of the most effective methods of enhancing creativity and innovation, decision making, teaching, and political discourse. The book includes entertaining and intriguing examples of how constructive controversy has been used in a variety of historical periods to advance creativity, achieve innovations, and guide democracies. It will be welcomed by students in the fields of social psychology, management/business studies, education, and communication studies.

Expert review of how the antiquated United States healthcare system is transforming The Coming Healthcare Revolution: The 10 Forces that Will Cure America's Health Crisis identifies and describes five top-down macro forces and five bottom-up market forces that have sufficient strength to transform the U.S. healthcare industry from the outside-in. The powerful macro forces are demographic determinants, funding fatigue, chronic pandemics, technological imperatives, and pro-consumer/market reforms. The equally powerful market forces are whole health, care redesign, care migration, aggregators' advantage, and empowered caregivers. Written by David Johnson and Paul Kusserow, professional healthcare advisors operating at the intersection of healthcare economics, policy, strategy, and capital formation, this book provides expert insight on how the U.S. healthcare system is becoming cheaper, better, more balanced between prevention and treatment, easier to access, and more empowering for both frontline caregivers and consumers. In this book, readers will learn about: Factors leading to rising healthcare costs, including an aging population, perverse economic incentives, armies of middlemen, and expensive breakthrough therapiesU.S. healthcare in comparison to other high-income countries—twice as expensive per-capita, and inferior in terms of health status metricsSimilarities between the U.S. automobile industry crisis in the 1980s and today's adapt-or-die situation for healthcare providers and suppliersHow the healthcare industry is reorganizing to decentralize delivery of whole-person health in ways that will improve health outcomes and overall societal healthThe Coming Healthcare Revolution is a must-read for professionals and organizations seeking to understand and react to the paradigm-shifting forces revolutionizing the healthcare ecosystem.

Booker "Bukka" White (1905–1977) was one of the most important blues musicians of the twentieth century. The twelve songs he recorded in Chicago in 1940 are considered to be among the finest in country blues. In The Life and Music of Booker "Bukka" White: Recalling the Blues, David W. Johnson traces the trajectory of White’s life from his early years in Chickasaw and Grenada Counties, Mississippi, through his imprisonment in the notorious Mississippi State Penal Farm in the late 1930s, to making a new life for himself in Memphis, Tennessee.For years only a name on old 78 records—and believed by some to be dead—White was "rediscovered" by John Fahey and ED Denson in the summer of 1963. He went on to have a productive second career, playing venues and festivals throughout the United States and in Canada, and touring Europe and Great Britain with the American Folk Blues Festival. In 1975, he was invited to Bremen, Germany, for a solo concert that was released as his final album.In July 1976, the author interviewed White shortly before his discharge from a Massachusetts hospital where he was recovering from a stroke. After spending eight days in the intensive care unit and three weeks in rehabilitation, White was ready to talk about his life. Recalling stories of "slavery time," White told the author, ". . . some of the [formerly enslaved] guys were wise enough to hold that in their head where they could tell a young pants, where it would go down in history, you know. Just like you doing that now—something happen to you, somebody else will carry that on."The product of years of research, The Life and Music of Booker "Bukka" White is the first full-length biography of this remarkable country blues performer. Interviewing those who knew White, including his second cousin B.B. King, Johnson has written a detailed and sometimes surprising account of how a young Black man born in the first decade of the twentieth century—the grandson of a slave—found a way to rise above his circumstances and maintain a decades-long career as a musician.

Booker "Bukka" White (1905–1977) was one of the most important blues musicians of the twentieth century. The twelve songs he recorded in Chicago in 1940 are considered to be among the finest in country blues. In The Life and Music of Booker "Bukka" White: Recalling the Blues, David W. Johnson traces the trajectory of White’s life from his early years in Chickasaw and Grenada Counties, Mississippi, through his imprisonment in the notorious Mississippi State Penal Farm in the late 1930s, to making a new life for himself in Memphis, Tennessee.For years only a name on old 78 records—and believed by some to be dead—White was "rediscovered" by John Fahey and ED Denson in the summer of 1963. He went on to have a productive second career, playing venues and festivals throughout the United States and in Canada, and touring Europe and Great Britain with the American Folk Blues Festival. In 1975, he was invited to Bremen, Germany, for a solo concert that was released as his final album.In July 1976, the author interviewed White shortly before his discharge from a Massachusetts hospital where he was recovering from a stroke. After spending eight days in the intensive care unit and three weeks in rehabilitation, White was ready to talk about his life. Recalling stories of "slavery time," White told the author, ". . . some of the [formerly enslaved] guys were wise enough to hold that in their head where they could tell a young pants, where it would go down in history, you know. Just like you doing that now—something happen to you, somebody else will carry that on."The product of years of research, The Life and Music of Booker "Bukka" White is the first full-length biography of this remarkable country blues performer. Interviewing those who knew White, including his second cousin B.B. King, Johnson has written a detailed and sometimes surprising account of how a young Black man born in the first decade of the twentieth century—the grandson of a slave—found a way to rise above his circumstances and maintain a decades-long career as a musician.

Carter and Ralph Stanley--the Stanley Brothers--are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925-1966) and Ralph (b. 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe.In order to re-create this post-World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph.Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels, and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.

Carter and Ralph Stanley--the Stanley Brothers--are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925-1966) and Ralph (b 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe. In order to re-create this post-World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph. Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels, and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.