Dean Rickles – författare
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Symmetry, Structure, and Spacetime
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Why life’s shortness—more than anything else—is what makes it meaningfulDeath might seem to render pointless all our attempts to create a meaningful life. Doesn’t meaning require transcending death through an afterlife or in some other way? On the contrary, Dean Rickles argues, life without death would be like playing tennis without a net. Only constraints—and death is the ultimate constraint—make our actions meaningful. In Life Is Short, Rickles explains why the finiteness and shortness of life is the essence of its meaning—and how this insight is the key to making the most of the time we do have.Life Is Short explores how death limits our options and forces us to make choices that forge a life and give the world meaning. But people often live in a state of indecision, in a misguided attempt to keep their options open. This provisional way of living—always looking elsewhere, to the future, to other people, to other ways of being, and never committing to what one has or, alternatively, putting in the time and energy to achieve what one wants—is a big mistake, and Life Is Short tells readers how to avoid this trap.By reminding us how extraordinary it is that we have any time to live at all, Life Is Short challenges us to rethink what gives life meaning and how to make the most of it.
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Dual-Aspect Monism and the Deep Structure of Meaning investigates the metaphysical position of dual-aspect monism, with particular emphasis on the concept of meaning as a fundamental feature of the fabric of reality. As an alternative to other positions – mainly dualism, physicalism, idealism – that have been proposed to understand consciousness and its place in nature, the decompositional version of dual-aspect monism considers the mental and the physical as two aspects of one underlying undivided reality that is psychophysically neutral. Inspired by analogies with modern physics and driven by its conceptual problems, Wolfgang Pauli, Carl Gustav Jung, Arthur Eddington, John Wheeler, David Bohm, and Basil Hiley are the originators of the approaches studied. A radically novel common theme in their approaches is the constitutive role of meaning and its deep structure, relating the mental and the physical to a psychophysically neutral base.The authors reconstruct the formal structure of these approaches, and compare their conceptual emphases as well as their relative strengths and weaknesses. They also address a number of challenging themes for current and future interdisciplinary research, both theoretical and empirical, that arise from the presented frameworks of thinking.
Dual-Aspect Monism and the Deep Structure of Meaning will be of interest to researchers and advanced students working in consciousness studies, philosophy of mind, philosophy of science, philosophy of physics, metaphysics, and the history of 20th-century philosophy and physics.
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Dual-Aspect Monism and the Deep Structure of Meaning investigates the metaphysical position of dual-aspect monism, with particular emphasis on the concept of meaning as a fundamental feature of the fabric of reality. As an alternative to other positions – mainly dualism, physicalism, idealism – that have been proposed to understand consciousness and its place in nature, the decompositional version of dual-aspect monism considers the mental and the physical as two aspects of one underlying undivided reality that is psychophysically neutral. Inspired by analogies with modern physics and driven by its conceptual problems, Wolfgang Pauli, Carl Gustav Jung, Arthur Eddington, John Wheeler, David Bohm, and Basil Hiley are the originators of the approaches studied. A radically novel common theme in their approaches is the constitutive role of meaning and its deep structure, relating the mental and the physical to a psychophysically neutral base.The authors reconstruct the formal structure of these approaches, and compare their conceptual emphases as well as their relative strengths and weaknesses. They also address a number of challenging themes for current and future interdisciplinary research, both theoretical and empirical, that arise from the presented frameworks of thinking.
Dual-Aspect Monism and the Deep Structure of Meaning will be of interest to researchers and advanced students working in consciousness studies, philosophy of mind, philosophy of science, philosophy of physics, metaphysics, and the history of 20th-century philosophy and physics.
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Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as:
Does representation function in the same way in science and in art?
What important characteristics do scientific models share with literary fictions?
What is the difference between interpretation in the sciences and in the arts?
Can there be a science of aesthetics?
In what ways can aesthetics and philosophy of science be integrated?
Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.
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Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as:
Does representation function in the same way in science and in art?
What important characteristics do scientific models share with literary fictions?
What is the difference between interpretation in the sciences and in the arts?
Can there be a science of aesthetics?
In what ways can aesthetics and philosophy of science be integrated?
Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.
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