George Darby – författare

Are space and time fundamental features of our world or might they emerge from something else? The Foundation of Reality brings together metaphysicians and philosophers of physics working on space, time, and fundamentality to address this timely question. Recent developments in the interpretation of quantum mechanics and the understanding of certain approaches to quantum gravity have led philosophers of physics to propose that space and time might beemergent rather than fundamental. But such discussions are often conducted without engagement with those working on fundamentality and related issues in contemporary metaphysics. This book aims to correct this oversight. The diverse contributions to this volume address topics including the nature of fundamentality,the relation of space and time to quantum entanglement, and space and time in theories of quantum gravity. Only through consideration of a range of different approaches to the topic can we hope to get clear on the status of space and time in our contemporary understanding of physical reality.

Are space and time fundamental features of our world or might they emerge from something else? The Foundation of Reality brings together metaphysicians and philosophers of physics working on space, time, and fundamentality to address this timely question. Recent developments in the interpretation of quantum mechanics and the understanding of certain approaches to quantum gravity have led philosophers of physics to propose that space and time might beemergent rather than fundamental. But such discussions are often conducted without engagement with those working on fundamentality and related issues in contemporary metaphysics. This book aims to correct this oversight. The diverse contributions to this volume address topics including the nature of fundamentality,the relation of space and time to quantum entanglement, and space and time in theories of quantum gravity. Only through consideration of a range of different approaches to the topic can we hope to get clear on the status of space and time in our contemporary understanding of physical reality.

Are space and time fundamental features of our world or might they emerge from something else? The Foundation of Reality brings together metaphysicians and philosophers of physics working on space, time, and fundamentality to address this timely question. Recent developments in the interpretation of quantum mechanics and the understanding of certain approaches to quantum gravity have led philosophers of physics to propose that space and time might be emergent rather than fundamental. But such discussions are often conducted without engagement with those working on fundamentality and related issues in contemporary metaphysics. This book aims to correct this oversight. The diverse contributions to this volume address topics including the nature of fundamentality, the relation of space and time to quantum entanglement, and space and time in theories of quantum gravity. Only through consideration of a range of different approaches to the topic can we hope to get clear on the status of space and time in our contemporary understanding of physical reality.

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as: Does representation function in the same way in science and in art? What important characteristics do scientific models share with literary fictions? What is the difference between interpretation in the sciences and in the arts? Can there be a science of aesthetics? In what ways can aesthetics and philosophy of science be integrated? Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as: Does representation function in the same way in science and in art? What important characteristics do scientific models share with literary fictions? What is the difference between interpretation in the sciences and in the arts? Can there be a science of aesthetics? In what ways can aesthetics and philosophy of science be integrated?Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as:

Does representation function in the same way in science and in art?

What important characteristics do scientific models share with literary fictions?

What is the difference between interpretation in the sciences and in the arts?

Can there be a science of aesthetics?

In what ways can aesthetics and philosophy of science be integrated?

Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.