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Modality - the question of what is possible and what is necessary - is a fundamental area of philosophy and philosophical research. The Routledge Handbook of Modality is an outstanding reference source to the key topics, problems and debates in this exciting subject and is the first collection of its kind. Comprising thirty-five chapters by a team of international contributors the Handbook is divided into seven clear parts:
worlds and modality essentialism, ontological dependence, and modality modal anti-realism epistemology of modality modality in science modality in logic and mathematics modality in the history of philosophy.
Within these sections the central issues, debates and problems are examined, including possible worlds, essentialism, counterfactuals, ontological dependence, modal fictionalism, deflationism, the integration challenge, conceivability, a priori knowledge, laws of nature, natural kinds, and logical necessity.
The Routledge Handbook of Modality is essential reading for students and researchers in epistemology, metaphysics and philosophy of language. It will also be very useful for those in related fields in philosophy such as philosophy of mathematics, logic and philosophy of science.
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Modality - the question of what is possible and what is necessary - is a fundamental area of philosophy and philosophical research. The Routledge Handbook of Modality is an outstanding reference source to the key topics, problems and debates in this exciting subject and is the first collection of its kind. Comprising thirty-five chapters by a team of international contributors the Handbook is divided into seven clear parts:
worlds and modality essentialism, ontological dependence, and modality modal anti-realism epistemology of modality modality in science modality in logic and mathematics modality in the history of philosophy.
Within these sections the central issues, debates and problems are examined, including possible worlds, essentialism, counterfactuals, ontological dependence, modal fictionalism, deflationism, the integration challenge, conceivability, a priori knowledge, laws of nature, natural kinds, and logical necessity.
The Routledge Handbook of Modality is essential reading for students and researchers in epistemology, metaphysics and philosophy of language. It will also be very useful for those in related fields in philosophy such as philosophy of mathematics, logic and philosophy of science.
757 kr
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Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as:
Does representation function in the same way in science and in art?
What important characteristics do scientific models share with literary fictions?
What is the difference between interpretation in the sciences and in the arts?
Can there be a science of aesthetics?
In what ways can aesthetics and philosophy of science be integrated?
Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.
757 kr
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Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as:
Does representation function in the same way in science and in art?
What important characteristics do scientific models share with literary fictions?
What is the difference between interpretation in the sciences and in the arts?
Can there be a science of aesthetics?
In what ways can aesthetics and philosophy of science be integrated?
Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.