Diana Robin – författare

This is a collection of the letters of Laura Cereta (1469-1499), which present feminist issues in a predominantly male environment. Cereta's works circulated widely in Italy, and in them she explores the history of women's contributions to the intellectual and political life of Europe. Cereta argues against the slavery of women in marriage and for the rights of women to higher education, the same issues which have occupied women of later centuries. The letters also furnish a detailed portrait of an early modern woman's private experience, for Cereta addressed many letters to a close circle of family and friends, discussing highly personal concerns, such as her difficult relationships with her mother and husband. The letters provide a testament to an individual woman and to enduring feminist concerns.

This is a collection of the letters of Laura Cereta (1469-1499), which present feminist issues in a predominantly male environment. Cereta's works circulated widely in Italy, and in them she explores the history of women's contributions to the intellectual and political life of Europe. Cereta argues against the slavery of women in marriage and for the rights of women to higher education, the same issues which have occupied women of later centuries. The letters also furnish a detailed portrait of an early modern woman's private experience, for Cereta addressed many letters to a close circle of family and friends, discussing highly personal concerns, such as her difficult relationships with her mother and husband. The letters provide a testament to an individual woman and to enduring feminist concerns.

Renaissance writer Laura Cereta (1469–1499) presents feminist issues in a predominantly male venue—the humanist autobiography in the form of personal letters. Cereta''s works circulated widely in Italy during the early modern era, but her complete letters have never before been published in English. In her public lectures and essays, Cereta explores the history of women''s contributions to the intellectual and political life of Europe. She argues against the slavery of women in marriage and for the rights of women to higher education, the same issues that have occupied feminist thinkers of later centuries. Yet these letters also furnish a detailed portrait of an early modern woman’s private experience, for Cereta addressed many letters to a close circle of family and friends, discussing highly personal concerns such as her difficult relationships with her mother and her husband. Taken together, these letters are a testament both to an individual woman and to enduring feminist concerns.

Francesco Filelfo (1398–1481), one of the great scholar-poets of the Italian Renaissance, was the principal humanist working in Lombardy in the middle of the Quattrocento and served as court poet to the Visconti and Sforza dukes of Milan. His long life saw him as busy with politics, diplomacy, and intrigue as with literature and scholarship, leaving him very often on the run from rival factions—and even from hired assassins. The first Latin poet of the Renaissance to explore the expressive potential of Horatian meters, Filelfo adapted the traditions of Augustan literature to address personal and political concerns in his own day.The Odes, completed in the mid-1450s, constitute the first complete cycle of Horatian odes since classical antiquity and are a major literary achievement. Their themes include war, just rule, love, exile, patronage, and friendship as well as topical subjects like the plague’s grim effects on Milan.This volume is the first publication of the Latin text since the fifteenth century and the first translation into English.

In this portrait of the flamboyant Milanese courtier Francesco Filelfo (1398-1481), Diana Robin reveals a fifteenth-century humanism different from the cool, elegant classicism of Medicean Florence and patrician Venice. Although Filelfo served such heads of state as Pope Pius II, Cosimo de' Medici, and Francesco Sforza, his humanism was that of the "other"--the marginalized, exilic writer, whose extraordinary mind yet obscure origins made him a misfit at court. Through an exploration of Filelfo's disturbing montages in his letters and poems--of such events as the Milanese revolution of 1447 and the plague that swept Lombardy in 1451--Robin exposes the extent to which Filelfo, once viewed as an apologist for his patrons, criticized their militarism, sham republicanism, and professions of Christian piety. This study includes an examination of Filelfo's deeply layered references to Horace, Livy, Vergil, and Petrarch, as well as a comparison of Filelfo to other fifteenth-century Lombard writers, such as Cristoforo da Soldo, Pier Candido Decembrio, and Giovanni Simonetta.Here Robin presents her own editions of selections from Filelfo's Epistolae Familiares, Sforziad, Odae, and De Morali Disciplina, many of these texts appearing for the first time since the Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this portrait of the flamboyant Milanese courtier Francesco Filelfo (1398-1481), Diana Robin reveals a fifteenth-century humanism different from the cool, elegant classicism of Medicean Florence and patrician Venice. Although Filelfo served such heads of state as Pope Pius II, Cosimo de' Medici, and Francesco Sforza, his humanism was that of the "other"--the marginalized, exilic writer, whose extraordinary mind yet obscure origins made him a misfit at court. Through an exploration of Filelfo's disturbing montages in his letters and poems--of such events as the Milanese revolution of 1447 and the plague that swept Lombardy in 1451--Robin exposes the extent to which Filelfo, once viewed as an apologist for his patrons, criticized their militarism, sham republicanism, and professions of Christian piety. This study includes an examination of Filelfo's deeply layered references to Horace, Livy, Vergil, and Petrarch, as well as a comparison of Filelfo to other fifteenth-century Lombard writers, such as Cristoforo da Soldo, Pier Candido Decembrio, and Giovanni Simonetta.Here Robin presents her own editions of selections from Filelfo's Epistolae Familiares, Sforziad, Odae, and De Morali Disciplina, many of these texts appearing for the first time since the Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.Redirecting the Gaze is primarily concerned with the cinematic portrayals of women by women directors working outside corporate America and Europe. The book examines cinematic works of the 1980s and 1990s by women filmmakers from Argentina, Bolivia, China, Cuba, India, Mexico, Senegal, Tanzania, and Venezuela, as well as by independent Black American and Chicano women, most of whom are scarcely known in the United States and Europe.

In this portrait of the flamboyant Milanese courtier Francesco Filelfo (1398-1481), Diana Robin reveals a fifteenth-century humanism different from the cool, elegant classicism of Medicean Florence and patrician Venice. Although Filelfo served such heads of state as Pope Pius II, Cosimo de' Medici, and Francesco Sforza, his humanism was that of the "e;other"e;--the marginalized, exilic writer, whose extraordinary mind yet obscure origins made him a misfit at court. Through an exploration of Filelfo's disturbing montages in his letters and poems--of such events as the Milanese revolution of 1447 and the plague that swept Lombardy in 1451--Robin exposes the extent to which Filelfo, once viewed as an apologist for his patrons, criticized their militarism, sham republicanism, and professions of Christian piety. This study includes an examination of Filelfo's deeply layered references to Horace, Livy, Vergil, and Petrarch, as well as a comparison of Filelfo to other fifteenth-century Lombard writers, such as Cristoforo da Soldo, Pier Candido Decembrio, and Giovanni Simonetta. Here Robin presents her own editions of selections from Filelfo's Epistolae Familiares, Sforziad, Odae, and De Morali Disciplina, many of these texts appearing for the first time since the Renaissance.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This work is a revealing combination of biographies and topical essays that describe the outstanding and often-overlooked contributions of women to the science, politics, and culture of the Renaissance.Encyclopedia of Women in the Renaissance: Italy, France, and England is the first first comprehensive reference devoted exclusively to the contributions of women to European culture in the period between 1350 and 1700. Focusing principally on early modern women in England, France, and Italy, it offers over 135 biographies of the extraordinary women of those times.Encyclopedia of Women in the Renaissance provides vivid portraits of well known women such as Catherine of Siena, Joan of Arc, Mary Queen of Scots, and Christine de Pizan. Also included are less familiar but equally important women like Elena Lucrezia Cornaro, the first woman in Europe to earn a doctorate; the renowned Renaissance painter Artemisia Gentileschi; and the acclaimed author of medical textbooks and midwife to a French queen, Louise Boursier. Based on the latest research and enhanced with thematic essays, this groundbreaking work casts our understanding of women's lives and roles in Renaissance history and culture in a provocative new light.