Diana Scarisbrick – författare

Now available in paperback, this book devotes itself exclusively to rings, considering them thematically rather than chronologically. The author, a world expert, has rich historical and literary knowledge. As she considers rings in all their forms she makes us delight in them as works of art, and makes their context come alive through paintings, drawings and vivid quotations.

Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell & Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell & Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell & Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.

Whereas the life of her husband, the dashing Napoleonic general and diplomat Charles de Flahaut, is well known, Margaret has remained in the shadows. Yet this biographical study, based on unpublished and intimate correspondence in the Archives Nationales, Paris, reveals her to have been the more interesting of the two. It shows how much he depended on her brains, political judgment and artistic taste as well as her fortune to guide him in his career. More than that, their letters to each other also confirm that she made a success of her controversial marriage and that the bond between them was strengthened through all the vicissitudes of their life together. A faithful and sincere friend, she could be an implacable enemy: Talleyrand's companion, the duchesse de Dino, whom she dubbed `that horrid little serpent', and the Duke of Wellington, `that bully', were favourite targets.Her lively, observant but wicked pen takes us with her on visits to Talleyrand at Valencay, to the marquis de Lafayette, to the duchesse de Praslin at Vaux-le-Vicomte, to house parties in stately homes of England and Scotland - Arundel, Woburn, Bowood, Chatsworth, Grimsthorpe and Drummond Castle. Acknowledged a superb hostess, her descriptions of the menus, and entertainments organized in her homes in Scotland, London, and Paris and at the Flahaut embassies in Vienna and in London capture the flavour of those cosmopolitan gatherings. Her guests were also drawn to the display of her fine French furniture and collection of works of art, acquired during her years in Paris which set a new fashion in decoration. Interesting, too, are her accounts of sightseeing in Rome before the city of the Grand Tour changed into the capital of united Italy. The enjoyable social life in the continental watering places is also described, for Margaret believed in the curative effects of spas.A lifelong liberal in politics and an upholder of Whig principles, her politicomanie inspires sharp comments on the opponents of Reform in England and on the self-seeking ministers of Louis-Philippe in France. Unusually, for a British woman, the daughter of Admiral Keith, an inveterate enemy of the French, she shared her husband's admiration for Napoleon and joined with him in supporting Napoleon III.Born before her time she could have made a name for herself in today's world as a professional artist or politician in her own right. As it was, she used her talents to become an expert in the art of living the life so amusingly and vividly evoked in letters to her husband, her children and her close friends. These relationships, which are the heart of the book, are presented to the reader by an English woman historian, herself a Francophile.