Diane Apostolos-Cappadona – författare

A comprehensive reference of over 1000 entries, from Aaron to Zucchetto, explaining the major symbols and subjects from 2000 years of Christian art.Christian art is rich, complex and heavily invested with symbolism. The painting reproduced on the cover of this book is a case in point. Who are the central figures? (A glance at the entry under 'Baptism' will enlighten those who are unsure). And, perhaps more challenging, how can we identify the fourteen saints around them? Do the flowers at Jesus' feet have a special significance? The Dictionary of Christian Art provides the answers, giving the modern reader access to the pictorial tradition that was once the common visual vocabulary of western Europeans. There are over 1,000 entries, from Aaron to Zucchetto, covering the following areas: artists, art and architectural terms, the symbolism of numbers, flora and fauna, and parts of the body, Christian saints, biblical and mythological figures, liturgical objects and vestments. In addition, there are more than 160 reproductions by the greatest artists from the two millennia of Christian art, ranging from sixth-century mosaics and icons, through the great Italian fresco painters of the Middle Ages and the contribution of the Renaissance, to Georges Rouault and Salvador Dali in more modern times.

Over the last five hundred years, religion in the Western world has undergone radical changes, transitioning from the perceived monopoly of Christianity to incorporate the philosophies and practices of Judaism, Islam, and other faiths, as well as non-religious worldviews. These newer perspectives have enlivened historic traditions and have cultivated new modes of artistic expression in surprising and unprecedented ways, including artistic endeavors characterized as secular in motivation and audience. Rather than diminishing the role of the sacred in the arts, these transformative socio-economic and political influences-such as secularization, democratization, globalization, and technology-have combined with expanding geographic borders and personal motivations of ethnicity, gender, sexuality, and race to cultivate new ways of celebrating and critiquing religious belief, practices, imagery, and identity. The Oxford Encyclopedia of Religion and the Arts in the West: Renaissance to the Present undertakes the challenge of summarizing and analyzing the major themes, religious traditions, and trends in a field that has become emblematic of the ongoing shift in religious studies toward multi-disciplinary scholarship. Part of the online Oxford Research Encyclopedia of Religion, this collection includes over 90 in-depth articles exploring the intersections of religion and art, from early Renaissance painting, sculpture, performance art, and architecture in the West, to the artistic interpretations of the upheaval of the 20th century, to modern digital media and interfaith sacred spaces within the expanding geographical and ethnic borders of the Western world. Incorporating studies of theology and religious practice with critical theory and material and visual culture, the Encyclopedia aims to both provide an authoritative reference work and to set the stage for future research.

The multi-dimensional figure of Mary Magdalene has developed throughout the two millennia of Christianity, transitioning from a sinner to a model for women and an idealized expression of female sexuality. The transformations of the Magdalene's image are important not only for assessing the interpretations of this particular woman, or of women in Christianity, but also for our understanding of the cultural milieu created by the Christian tradition. The Oxford Handbook of Mary Magdalene explores the development of the Magdalene's legacy in a forward-looking volume, fostering dialogue and research on feminism, sexuality, theological debates, global interpretations of Christianity, and the changing religious landscape of the 21st century. Rather than treading the well-worn path of traditional chronology, the Handbook opens with a section that examines how Mary Magdalene is received and interpreted in the modern world, encouraging readers to be open to the historical process of how Mary Magdalene came to such a significant place in the Christian tradition and beyond. Highlights of the volume include discussions of the Magdalene's influence on the evolving roles of women in Christianity, as well as her journey from a cisgender identity, through the gender-bending categories of androgyny and homosexuality, to the queering of her image within Byzantine spirituality and contemporary pop culture. The Handbook also includes a thematic visual essay, which explores the vast visual history of Mary Magdalene. This multidisciplinary approach anticipates the future of Magdalene studies as an increasingly global and dynamic area of study, fusing traditional theology with modern reception and religious practice.

The multi-dimensional figure of Mary Magdalene has developed throughout the two millennia of Christianity, transitioning from a sinner to a model for women and an idealized expression of female sexuality. The transformations of the Magdalene's image are important not only for assessing the interpretations of this particular woman, or of women in Christianity, but also for our understanding of the cultural milieu created by the Christian tradition. The Oxford Handbook of Mary Magdalene explores the development of the Magdalene's legacy in a forward-looking volume, fostering dialogue and research on feminism, sexuality, theological debates, global interpretations of Christianity, and the changing religious landscape of the 21st century. Rather than treading the well-worn path of traditional chronology, the Handbook opens with a section that examines how Mary Magdalene is received and interpreted in the modern world, encouraging readers to be open to the historical process of how Mary Magdalene came to such a significant place in the Christian tradition and beyond. Highlights of the volume include discussions of the Magdalene's influence on the evolving roles of women in Christianity, as well as her journey from a cisgender identity, through the gender-bending categories of androgyny and homosexuality, to the queering of her image within Byzantine spirituality and contemporary pop culture. The Handbook also includes a thematic visual essay, which explores the vast visual history of Mary Magdalene. This multidisciplinary approach anticipates the future of Magdalene studies as an increasingly global and dynamic area of study, fusing traditional theology with modern reception and religious practice.

The multi-dimensional figure of Mary Magdalene has developed throughout the two millennia of Christianity, transitioning from a sinner to a model for women and an idealized expression of female sexuality. The transformations of the Magdalene's image are important not only for assessing the interpretations of this particular woman, or of women in Christianity, but also for our understanding of the cultural milieu created by the Christian tradition. The Oxford Handbook of Mary Magdalene explores the development of the Magdalene's legacy in a forward-looking volume, fostering dialogue and research on feminism, sexuality, theological debates, global interpretations of Christianity, and the changing religious landscape of the 21st century. Rather than treading the well-worn path of traditional chronology, the Handbook opens with a section that examines how Mary Magdalene is received and interpreted in the modern world, encouraging readers to be open to the historical process of how Mary Magdalene came to such a significant place in the Christian tradition and beyond. Highlights of the volume include discussions of the Magdalene's influence on the evolving roles of women in Christianity, as well as her journey from a cisgender identity, through the gender-bending categories of androgyny and homosexuality, to the queering of her image within Byzantine spirituality and contemporary pop culture. The Handbook also includes a thematic visual essay, which explores the vast visual history of Mary Magdalene. This multidisciplinary approach anticipates the future of Magdalene studies as an increasingly global and dynamic area of study, fusing traditional theology with modern reception and religious practice.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark’s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark''s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

A one-volume introduction to and overview of Christian art, from its earliest history to the present day. Diane Apostolos-Cappadona begins by examining how art and Christianity have intersected throughout history, and charts this tumultuous relationship that has yielded some of the greatest outpourings of human creativity.To introduce readers to the way a painting can be read Apostolos-Cappadona begins with an analysis of a painting of the Adoration of the Magi, helping readers to see how they can interpret for themselves the signs, symbols and figures that the book covers.In the more-than 1000 entries that follow Apostolos-Cappadona gives readers an expert overview of all the frequently used symbols and motifs in Christian art as well as the various saints, historical figures, religious events, and biblical scenes most frequently depicted. Readers are introduced to the ways in which religious paintings are often "coded’" such as what a lily means in a picture of Mary, how a goldfinch can be "Christological", or how the presence of an Eagle means it is likely to be a picture of St John. The entries are organized by topic, so that students and beginners can easily find their way to discussion of the themes and motifs they see before them when looking at a painting.

A one-volume introduction to and overview of Christian art, from its earliest history to the present day. Diane Apostolos-Cappadona begins by examining how art and Christianity have intersected throughout history, and charts this tumultuous relationship that has yielded some of the greatest outpourings of human creativity. To introduce readers to the way a painting can be read Apostolos-Cappadona begins with an analysis of a painting of the Adoration of the Magi, helping readers to see how they can interpret for themselves the signs, symbols and figures that the book covers.In the more-than 1000 entries that follow Apostolos-Cappadona gives readers an expert overview of all the frequently used symbols and motifs in Christian art as well as the various saints, historical figures, religious events, and biblical scenes most frequently depicted. Readers are introduced to the ways in which religious paintings are often "coded''" such as what a lily means in a picture of Mary, how a goldfinch can be "Christological", or how the presence of an Eagle means it is likely to be a picture of St John. The entries are organized by topic, so that students and beginners can easily find their way to discussion of the themes and motifs they see before them when looking at a painting.

A one-volume introduction to and overview of Christian art, from its earliest history to the present day. Diane Apostolos-Cappadona begins by examining how art and Christianity have intersected throughout history, and charts this tumultuous relationship that has yielded some of the greatest outpourings of human creativity. To introduce readers to the way a painting can be read Apostolos-Cappadona begins with an analysis of a painting of the Adoration of the Magi, helping readers to see how they can interpret for themselves the signs, symbols and figures that the book covers.In the more-than 1000 entries that follow Apostolos-Cappadona gives readers an expert overview of all the frequently used symbols and motifs in Christian art as well as the various saints, historical figures, religious events, and biblical scenes most frequently depicted. Readers are introduced to the ways in which religious paintings are often "coded''" such as what a lily means in a picture of Mary, how a goldfinch can be "Christological", or how the presence of an Eagle means it is likely to be a picture of St John. The entries are organized by topic, so that students and beginners can easily find their way to discussion of the themes and motifs they see before them when looking at a painting.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark''s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark’s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and 'protestant' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.

The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and ''protestant'' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.

The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and ''protestant'' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.

From faithful apostle and seductress to feminist icon, Mary Magdalene’s many complex roles in Christian history have fascinated us for 2000 years. Illustrated in full colour, this visual history reveals how images and presentations have created a Mary who is often far different from the real woman, the first witness of the Resurrection in the gospels, or even from her appearances in the works of the Church Fathers.Beginning with the earliest sources, uncover who the real Mary was, and what she meant in her own time, before embarking on a fast-paced tour of Magdalene’s depictions in great works of art, forgotten masterpieces and contemporary visual culture. Considering relics, statuary, paintings, sculpture and recent works for stage and screen, discover how Mary Magdalene has been seen across time as a witness, a sinner, a penitent, a contemplative, a preacher and a patroness.Above all her complex roles, Mary has emerged as a powerful feminist icon, the closest person to Jesus himself, with a visual history as rich and varied as the roles she has fulfilled in numerous contexts of faith and worship for two millennia.

From faithful apostle and seductress to feminist icon, Mary Magdalene''s many complex roles in Christian history have fascinated us for 2000 years. Illustrated in full colour, this visual history reveals how images and presentations have created a Mary who is often far different from the real woman, the first witness of the Resurrection in the gospels, or even from her appearances in the works of the Church Fathers.Beginning with the earliest sources, uncover who the real Mary was, and what she meant in her own time, before embarking on a fast-paced tour of Magdalene''s depictions in great works of art, forgotten masterpieces and contemporary visual culture. Considering relics, statuary, paintings, sculpture and recent works for stage and screen, discover how Mary Magdalene has been seen across time as a witness, a sinner, a penitent, a contemplative, a preacher and a patroness.Above all her complex roles, Mary has emerged as a powerful feminist icon, the closest person to Jesus himself, with a visual history as rich and varied as the roles she has fulfilled in numerous contexts of faith and worship for two millennia.

From faithful apostle and seductress to feminist icon, Mary Magdalene''s many complex roles in Christian history have fascinated us for 2000 years. Illustrated in full colour, this visual history reveals how images and presentations have created a Mary who is often far different from the real woman, the first witness of the Resurrection in the gospels, or even from her appearances in the works of the Church Fathers.Beginning with the earliest sources, uncover who the real Mary was, and what she meant in her own time, before embarking on a fast-paced tour of Magdalene''s depictions in great works of art, forgotten masterpieces and contemporary visual culture. Considering relics, statuary, paintings, sculpture and recent works for stage and screen, discover how Mary Magdalene has been seen across time as a witness, a sinner, a penitent, a contemplative, a preacher and a patroness.Above all her complex roles, Mary has emerged as a powerful feminist icon, the closest person to Jesus himself, with a visual history as rich and varied as the roles she has fulfilled in numerous contexts of faith and worship for two millennia.

The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and 'protestant' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.

Major work is distinguished by an intensity of inspiration and an overwhelming sense of personal vision. This merging of inspiration and vision permits the creation of a classic oeuvre whose creator is deemed to be a 'master of his craft, ' or perhaps better, 'a seminal mind.' Such is the work of the historian of religious, Mirceas Eliade. In his lifelong quest to understand the presence of the Sacred throughout human history, Eliade has been fascinated by two central themes: Creation and Time.

A collection of essays concerning religion and art, including contributions by Barbara Novak, Leo Steinberg, Paul Tillich, Wassily Kandinsky, John Dixon Jr., David Tracy, Joshua Taylor, and Langdon B. Gilkey.

In Religion and the Arts: History and Method, Diane Apostolos-Cappadona presents an overview of the 19th century origins of this discrete field of study and its methodological journey to the present-day through issues of repatriation, museum exhibitions, and globalization. Apostolos-Cappadona suggests that the fluidity and flexibility of the study of religion and the arts has expanded like an umbrella since the 1970s - and the understanding that art was simply a visual exegesis of texts - to now support the study of material, popular, and visual culture, as well as gender. She also delivers a careful analysis of the evolution of thought from traditional iconographies to the transformations once scholars were influenced by response theory and challenged by globalization and technology. Religion and the Arts: History and Method offers an indispensable introduction to the questions and perspectives essential to the study of this field.