The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

Since 2014, Daesh (ISIS) has been brutalizing the Yazidi people of northern Iraq: sowing destruction, killing those who won’t convert to Islam, and enslaving young girls and women.The Beekeeper, by the acclaimed poet and journalist Dunya Mikhail, tells the harrowing stories of several women who managed to escape the clutches of Daesh. Mikhail extensively interviews these women—who’ve lost their families and loved ones, who’ve been sexually abused, psychologically tortured, and forced to manufacture chemical weapons—and as their tales unfold, an unlikely hero emerges: a beekeeper, who uses his knowledge of the local terrain, along with a wide network of transporters, helpers, and former cigarette smugglers, to bring these women, one by one, through the war-torn landscapes of Iraq, Syria, and Turkey, back into safety.In the face of inhuman suffering, this powerful work of nonfiction offers a counterpoint to Daesh’s genocidal extremism: hope, as ordinary people risk their own lives to save those of others.

“A bullet / then a siren / then ruins / then a bird song telling the truth”—Dunya Mikhail In her marvelous new poetry collection Tablets: Secrets of the Clay, Dunya Mikhail transforms the world’s first symbols—Sumerian glyphs that were carved onto clay tablets—into the matter of our everyday contemporary life. Each of the ten sections in her book is composed of twenty-four short poems, and each poem combines both text and drawing. In her note to the collection, Mikhail writes, “I practiced at least two layers of translation in these tablets: the first from words in one language, Arabic, to another, English; and the second from words to images. What I received from my ancestors are offerings of the future rather than of the past. Now it’s my turn to offer them to you.”

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won''t convert to Islam. These women have lost their families and loved ones, along with everything they''ve ever known. Dunya Mikhail weaves together the women''s tales of endurance and near-impossible escape with the story of her own exile and her dreams for thefuture of Iraq.In the midst of ISIS''s reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.This powerful work of literary nonfiction offers a counterpoint to ISIS''s genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

A Poetry Book Society Autumn 2019 Wild Card SelectionAt the heart of In Her Feminine Sign, Dunya Mikhail’s luminous new collection of poems, is the Arabic suffix taamarbuta, `the tied circle’ – a circle with two dots above it that indicates a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, and a hymn to Nisaba, the goddess of writing. With a deceptive simplicity and disquieting humour reminiscent of Wisława Szymborska, and a lyricism wholly her own, Mikhail slips between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, tracing new circles of light.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for thefuture of Iraq.In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

'A bullet / then a siren / then ruins / then a bird song telling the truth' — Dunya MikhailIn her marvellous new poetry collection Tablets: Secrets of the Clay, Dunya Mikhail transforms the world's first symbols – Sumerian glyphs that were carved into clay tablets – into the matter of our everyday contemporary life. Each of the ten sections in her book is composed of twenty-four short poems, and each poem combines both text and drawing. In her note to the collection, Mikhail writes, 'I practiced at least two layers of translation in these tablets: the first from words in one language, Arabic, to another, English; and the second from words to images. What I received from my ancestors are offerings of the future rather than of the past. Now it's my turn to offer them to you.'

Ein ergreifender Roman über eine jesidische Familie im Nordirak, die durch den IS auseinandergerissen wird. Helen, eine junge Jesidin, lebt mit ihrer Familie in einem abgelegenen Bergdorf. Hier stehen die Häuser Tag und Nacht offen, und wenn Besuch erwartet wird, kommen alle Dorfbewohner zusammen. Für ihre große Liebe verlässt Helen ihr Heimatdorf, um im nahen Mosul eine Familie zu gründen. Doch als der IS über das Land zieht, verschwindet Helens Mann. Beim Versuch, ihn zu finden, lässt sie ihre Kinder zurück und gerät selbst in die Hände der Terrororganisation.Als junge Frau verliebt sich Helen in den Journalisten Elias. Die beiden gründen eine Familie und besuchen mit ihren Kindern noch regelmäßig das kleine Dorf Halliqi, in dem Helen aufgewachsen ist, und in dem ihre Eltern noch leben. Halliqi liegt hoch oben auf einem Berg, es ist schwer zu erreichen und auf keiner Landkarte verzeichnet. In der kleinen Dorfgemeinschaft gibt es weder Telefone noch Fernseher. Das Leben folgt dem ruhigen Rhythmus der Natur, und die Menschen helfen einander, als wären sie eine große Familie. Al der IS den Nordirak überfällt, verschwindet Helens Mann Elias. Verzweifelt macht sie sich auf den Weg in die Redaktion der Zeitung, für die er arbeitet. Ihre Kinder muss sie zurücklassen, auch die Tochter, die gerade ein paar Wochen alt ist. Die Zeitungsredaktion ist längst von Männern des IS besetzt, und Helen gerät selbst in Gefangenschaft. Sie wird an verschiedene Männer verkauft, bis ihr schließlich die Flucht gelingt. Doch sie kann das Land nicht ohne ihre Kinder verlassen. Eine Geschichte von unsagbarem Leid, übermenschlichem Mut und dem unerschütterlichen Willen einer Frau, ihre Familie wieder zu vereinen.Aus dem Arabischen übersetzt von Christine BattermannNominiert für den International Prize for Arabic Fiction

The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

Since 2014, Daesh (ISIS) has been brutalizing the Yazidi people of northern Iraq: sowing destruction, killing those who won’t convert to Islam, and enslaving young girls and women.The Beekeeper, by the acclaimed poet and journalist Dunya Mikhail, tells the harrowing stories of several women who managed to escape the clutches of Daesh. Mikhail extensively interviews these women—who’ve lost their families and loved ones, who’ve been sexually abused, psychologically tortured, and forced to manufacture chemical weapons—and as their tales unfold, an unlikely hero emerges: a beekeeper, who uses his knowledge of the local terrain, along with a wide network of transporters, helpers, and former cigarette smugglers, to bring these women, one by one, through the war-torn landscapes of Iraq, Syria, and Turkey, back into safety.In the face of inhuman suffering, this powerful work of nonfiction offers a counterpoint to Daesh’s genocidal extremism: hope, as ordinary people risk their own lives to save those of others.

“A bullet / then a siren / then ruins / then a bird song telling the truth”—Dunya Mikhail In her marvelous new poetry collection Tablets: Secrets of the Clay, Dunya Mikhail transforms the world’s first symbols—Sumerian glyphs that were carved onto clay tablets—into the matter of our everyday contemporary life. Each of the ten sections in her book is composed of twenty-four short poems, and each poem combines both text and drawing. In her note to the collection, Mikhail writes, “I practiced at least two layers of translation in these tablets: the first from words in one language, Arabic, to another, English; and the second from words to images. What I received from my ancestors are offerings of the future rather than of the past. Now it’s my turn to offer them to you.”

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won''t convert to Islam. These women have lost their families and loved ones, along with everything they''ve ever known. Dunya Mikhail weaves together the women''s tales of endurance and near-impossible escape with the story of her own exile and her dreams for thefuture of Iraq.In the midst of ISIS''s reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.This powerful work of literary nonfiction offers a counterpoint to ISIS''s genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

A Poetry Book Society Autumn 2019 Wild Card SelectionAt the heart of In Her Feminine Sign, Dunya Mikhail’s luminous new collection of poems, is the Arabic suffix taamarbuta, `the tied circle’ – a circle with two dots above it that indicates a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, and a hymn to Nisaba, the goddess of writing. With a deceptive simplicity and disquieting humour reminiscent of Wisława Szymborska, and a lyricism wholly her own, Mikhail slips between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, tracing new circles of light.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for thefuture of Iraq.In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

'A bullet / then a siren / then ruins / then a bird song telling the truth' — Dunya MikhailIn her marvellous new poetry collection Tablets: Secrets of the Clay, Dunya Mikhail transforms the world's first symbols – Sumerian glyphs that were carved into clay tablets – into the matter of our everyday contemporary life. Each of the ten sections in her book is composed of twenty-four short poems, and each poem combines both text and drawing. In her note to the collection, Mikhail writes, 'I practiced at least two layers of translation in these tablets: the first from words in one language, Arabic, to another, English; and the second from words to images. What I received from my ancestors are offerings of the future rather than of the past. Now it's my turn to offer them to you.'

Ein ergreifender Roman über eine jesidische Familie im Nordirak, die durch den IS auseinandergerissen wird. Helen, eine junge Jesidin, lebt mit ihrer Familie in einem abgelegenen Bergdorf. Hier stehen die Häuser Tag und Nacht offen, und wenn Besuch erwartet wird, kommen alle Dorfbewohner zusammen. Für ihre große Liebe verlässt Helen ihr Heimatdorf, um im nahen Mosul eine Familie zu gründen. Doch als der IS über das Land zieht, verschwindet Helens Mann. Beim Versuch, ihn zu finden, lässt sie ihre Kinder zurück und gerät selbst in die Hände der Terrororganisation.Als junge Frau verliebt sich Helen in den Journalisten Elias. Die beiden gründen eine Familie und besuchen mit ihren Kindern noch regelmäßig das kleine Dorf Halliqi, in dem Helen aufgewachsen ist, und in dem ihre Eltern noch leben. Halliqi liegt hoch oben auf einem Berg, es ist schwer zu erreichen und auf keiner Landkarte verzeichnet. In der kleinen Dorfgemeinschaft gibt es weder Telefone noch Fernseher. Das Leben folgt dem ruhigen Rhythmus der Natur, und die Menschen helfen einander, als wären sie eine große Familie. Al der IS den Nordirak überfällt, verschwindet Helens Mann Elias. Verzweifelt macht sie sich auf den Weg in die Redaktion der Zeitung, für die er arbeitet. Ihre Kinder muss sie zurücklassen, auch die Tochter, die gerade ein paar Wochen alt ist. Die Zeitungsredaktion ist längst von Männern des IS besetzt, und Helen gerät selbst in Gefangenschaft. Sie wird an verschiedene Männer verkauft, bis ihr schließlich die Flucht gelingt. Doch sie kann das Land nicht ohne ihre Kinder verlassen. Eine Geschichte von unsagbarem Leid, übermenschlichem Mut und dem unerschütterlichen Willen einer Frau, ihre Familie wieder zu vereinen.Aus dem Arabischen übersetzt von Christine BattermannNominiert für den International Prize for Arabic Fiction